La Jolla Playhouse 2024-25 Season - La Jolla, CA EPA La Jolla Playhouse | La Jolla, CA
Notice: Audition Call Type: EPA
Thursday, December 14, 2023
10:00 AM - 6:00 PM (P)
Lunch 1:00 PM - 2:00 PM
To schedule an audition appointment please email auditions@ljp.org. Please include AEA EPA in your subject line.
LORT Non-Rep
$1058 weekly minimum (LORT B)
Equity actors for roles in La Jolla Playhouse's 2024-25 Season (See breakdown).
Actors of color, all ages, ethnicities, gender expressions and those with disabilities are encouraged to audition.
All roles will be understudied.
Please prepare EITHER a contemporary monologue OR to sing two contrasting pop/rock songs that show your voice and range OR sing one short song and perform one short contemporary monologue. Come prepared with sheet music. A piano accompanist will be provided. Please also bring a picture and resume, stapled together.
La Jolla Playhouse
2910 La Jolla Village Dr
La Jolla, CA 92093-5100
Expected to attend:
Jacole Kitchen: Director of Arts Engagement and In-House Casting
Hannah Reinert: Learning and Engagement Coordinator/casting associate
See breakdown for production specific personnel.
See breakdown for production specific dates.
OTHER
La Jolla Playhouse will provide reasonable accommodations to individuals who request them in advance. Accommodation requests
may include but are not limited to: ASL Interpretation, Braille, Large Print Materials, and Social Narratives. For advanced accommodation requests and general questions or inquiries, please email auditions@ljp.org.
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Book by Robert Cary and Des McAnuff
Music by Johnny Cash, June Carter and Others
Directed by Des McAnuff
Rehearsals start – April 16, 2024
First Preview – May 25, 2024
Open – June 7, 2024
Close – July 7, 2024
Possible Extension –July 14, 2024
SYNOPSIS: Country music royalty Johnny Cash and June Carter remain to this day one of the most famous couples of the 20th Century. Created with the support of the family and told through the eyes of their son John Carter Cash, this new musical covers it all: their childhoods, their 1956 meeting at the Grand Ole Opry, the storied on-stage proposal in 1968, and the soaring highs and whiplash lows of fame, life on the road, addiction, arrests, controversies, marriage, family and devotion. This is a whole-hearted and clear-eyed telling of one of the most iconic love stories in music history, complete with a soundtrack of beloved hits — I Walk the Line, Ring of Fire, Hey Porter, Jackson, I’ve Been Everywhere and many more.
JOHNNY CASH – Plays guitar
JUNE CARTER CASH - plays autoharp
JOHN CARTER – plays guitar
CARL SMITH / JACK / MARSHALL / ANNOUNCER / DJ #1 /JUDGE / YOUNG TV PRODUCER #1
XERA ANNOUNCER / DR. HOLLINGSWORTH / LUTHER / ECK / RIP NIX / DJ #2 / ANNOUNCER / BORDER AGENT / SEASONED TV PRODUCER /YOUNG TV PRODUCER
RAY / SAM PHILLIPS / MAYBELLE / COY BAYES / EMCEE / ANNOUNCER / DJ #3 / W.S.
HOLLAND / POLICE OFFICER / HUGH CHERRY / ANNOUNCER / NETWORK EXECUTIVE / KRIS KRISTOFFERSON / ANTIQUES DEALER
CARRIE / SARA / GIRL SINGER #1 / STAGE MANAGER / SALESPERSON / HOMELESS WOMAN / ANNOUNCER
HELEN / VIVIAN / GIRL SINGER #2
ANITA / GIRL SINGER #3
by Noelle Viñas
Directed by Delicia Turner Sonnenberg
Rehearsals start – June 18, 2024
First Preview – July 23, 2024
Open –July 28, 2024
Close– August 18, 2024
SYNOPSIS: A series of intense storms – a “derecho” – is bearing down on an affluent Virginia neighborhood near D.C., where Eugenia Silva is preparing for a crucial meeting. Eugenia is a politician hoping to join the wave of women of color elected to public office. Her sister Mercedes is a struggling musician fighting to find her way on her own terms. As winds rise and thunder cracks — and tensions between the sisters reach boiling point — Eugenia’s political ambitions crash into Mercedes’s need to reconnect her sister with their roots.
EUGENIA SILVA: character presents as female, early 30s — A fair skinned Latina. Mercedes’s older sister. Bilingual. First generation Uruguayan American running for office. Lived a somewhat charmed and privileged life. A rule follower.
MERCEDES SILVA: character presents as female, late 20s, Afro-Latina — Eugenia’s younger sister. First generation Uruguayan American. Bilingual. A musician. Grapples with the complexity of the intersections of her identity. Had a rougher upbringing than her sister. Fights for what she believes is right. Does not need her sister’s approval.
GABE DIAZ: character presents as male, early 30s, Afro-Latino — Eugenia’s husband. Lawyer. The only character who didn’t spend any of his teenage years in the DC Area. Born in the northeastern U.S. Doesn’t speak Spanish.
JOSÉ PORTILLO: character presents as male, early 30s, Latino — Ex-neighbor of Mercedes and Eugenia. Bilingual. A community leader and activist who speaks truth to power and is respected and followed, especially online.
SOLEDAD PORTILLO: character presents as female, late 20s, Latina — Bilingual. Top sales rep who knows when to hit the brakes and when to close the deal. Mother. Born and raised in D.C.
JEFF RANDOLPH: character presents as male, early 30s, white — Northern Virginia native, private school, Georgetown. Has all the connections, wants none of the burdens or expectations that come with them.
By Eboni Booth
Directed by Knud Adams
Rehearsals start – August 27, 2024
First Preview – September 24, 2024
Open – September 29, 2024
Close– October 20, 2024
SYNOPSIS: Kenneth, a 36-year-old bookstore worker in a small upstate New York town, spends his evenings sipping Mai Tais at the local tiki bar with his best friend Bert. When he’s suddenly laid off, Kenneth faces challenges he has long avoided—with transformative and heart-warming results. Primary Trust is a touching story of new beginnings, old (and new) friends, and finding the courage to see the world for the first time.
KENNETH: character presents as male, late 30s, Black. Kenneth is introverted and developmentally delayed due to a traumatic childhood. He is best friends with Bert, who Kenneth is fully aware is imaginary. Kenneth spends all of his free time with Bert drinking two-for-one Mai Tai’s at Wally’s. When the bookstore closes its doors for good, Kenneth is forced to face a new career and old demons.
BERT: character presents as male, late 30s – 40s, Black. Kenneth’s imaginary best friend. In fact, Bert is the only real friend that Kenneth has ever known. Kenneth’s moral and social compass. Created in the image of the social worker who saved Kenneth when he was a child and has been with Kenneth ever since.
CORRINA / WALLY’S WAITERS / BANK CUSTOMERS: character presents as female, 30s – 40s, Black. Strong character, Doubles as multiple roles, including Corrina, a waitress who befriends Kenneth and introduces him to the possibility of a new career path, as well as others.
CLAY / SAM / LE POUSSELET BARTENDER: character presents as male, 50s – 60s, Caucasian. Strong character, Doubles as multiple roles including Sam, the bookstore owner, and Clay, the manager at Primary Trust who takes a chance on Kenneth, as well as others.
By Anna Ouyang Moench
Directed by Les Waters
Rehearsals start– October 15, 2024
First Preview– November 19, 2024
Open – November 24, 2024
Close– December 15, 2024
SYNOPSIS: Eddie is a young actor, fresh out of Juilliard and ready to make his mark on the American Theatre. First he’s just going to do this regional production of A Christmas Carol. As the years pass, Eddie finds himself back at the same local theatre, over and over and over again. Much remains the same: the play, the stage manager, the green room – though Eddie finds himself in different costumes as he ages through the male roles over the course of his career.
EDDIE: character presents as male, 30s-40s, any ethnicity. Just out of Juilliard and eager to embark on his career as an actor. Once a child actor, Eddie is the only character we see age throughout the play, beginning as Fred, moving to Bob Cratchit, and eventually the hierarchical pinnacle of the regional theatre actor’s career, Scrooge.
ACTOR 1: character presents as male, 50s-60s, any ethnicity — actor plays Oliver, who plays Scrooge in the regional production of A Christmas Carol and has done so for many years. Contented in having a steady acting job year after year and being at the top of the regional theatre seasonal pyramid. A seasoned and highly trained Actor and makes sure everyone knows it. Only refers to Eddie as “Edward”.
ACTOR 2: character presents as male, 40s-50s, any ethnicity — plays the roles of Vince and Dave, actors who play Bob Cratchit in the regional production of A Christmas Carol over the years. Made a career doing regional theatre. A bit jaded.
ACTOR 3: character presents as male, to play 20s, any ethnicity — plays the roles of Steve, Bryan and Aiden, the actors who play Fred in the regional production of A Christmas Carol over the years. Rational and grounded. Steve is engaged in a showmance with Eddie. Content in his role in the show and in Eddie’s life but wouldn’t mind something more.
ACTOR 4: character presents as female, to play 10, any ethnicity — plays the roles of Melody, Tina, Liza and McKenzie, the actors cast as Lucy Cratchit in the regional production of A Christmas Carol over the years. Young and excitable, but also dealing with the strain of a demanding stage mom.
ACTOR 5: character presents as female, 40s-50s, any ethnicity — plays the roles of Katherine, Nina (Oliver’s estranged wife), Amanda (the harried stage manager) and Tina, the actors who play Mrs. Cratchit in the regional production of A Christmas Carol over the years. Also doubles as recorded voiceover of Amanda, the stage manager. Been around a long time and knows how to play the game. Flirtatious and vivacious.
Book by Joe DiPietro
Lyrics by Daniel J. Watts & Joe DiPietro
Music by Crystal Monee Hall
Directed by Christopher Ashley
Rehearsals start– January 7, 2025
First Preview– February 25, 2025
Open –March 9, 2025
Close– April 6, 2025
Possible Extension – April 13, 2025
SYNOPSIS: Summer, 1862. The bloody conflict that was supposed to last only 90 days has now been raging for more than a year. President Abraham Lincoln must find a way to end the Civil War. Enter powerful abolitionist Frederick Douglass. If he can meet Lincoln face to face, he can help the president cement a vision of the future that ends slavery along with the war — all while preserving the union. Just three meetings took place between the two men — pivotal conversations between two fierce and equally brilliant leaders that shaped the course of history. The epic score blends gospel, R&B, powerhouse anthems and Broadway to tell the inspirational story of one of the most important friendships in our nation’s history, and that of a brutally divided country coming together.
ABRAHAM: character presents as male, early 50s, white — Brilliant. Cerebral. A politician. The 16th President of the United States.
FREDERICK: character presents as male, mid 40s, black — Brilliant. Outspoken. An impassioned activist. The most famous Black man in America.
MARY: character presents as female, mid 40s, white — Politically shrewd. Emotionally vulnerable. Lost in mourning. The First Lady of the United States.
ELIZABETH KECKLEY: character presents as female, mid 40s, black — A gifted dressmaker. Self made and self-aware.
WILLIAM SLADE: character presents as male, late 40s, black — Abraham's valet and confidant. He has a bright disposition which he puts to good use.
GENERAL GEORGE B MCCLELLAN: character presents as male, late 30s, white — Deeply self approving.
ENSEMBLE: 20s-30s. Strong singers and dancers. Ability to tap a plus. Due to themes & historical content during this time period, ensemble will be made up of actors who present as African-American and/or Caucasian to play: MONTGOMERY BLAIR: The Postmaster General. The most conservative member of the cabinet. Heartily disliked by all. JOSHUA: a young man who recently escaped enslavement. LEWIS: Frederick’s patriotic son. PRIVATE FRANCIS PUTNAM: 20s. A devoted soldier assigned to the President's Guard. ROSETTA DOUGLASS: 20s. Frederick’s activist daughter. TELEGRAPH TAPPERS: Two dancers who represent the tap-tap-tap of a telegraph. CHRISTOPHER SPENCER: A gun salesman. COLONEL CHARLES SCOTT: A desperate man trying to honor his late wife. As well as THE CABINET / SOLDIERS / FIELD ASSISTS / DOCTORS & NURSES / FANCY CITIZEN
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