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GREATER BOSTON STAGE COMPANY 2018-19 SEASON Equity Principal Auditions - Greater Boston Stage Company Auditions

Posted March 10, 2018
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GREATER BOSTON STAGE COMPANY 2018-19 SEASON - Greater Boston Stage Company

Greater Boston Stage Company 2018-19 - Stoneham MA EPA

Greater Boston Stage Company


AUDITION DATE

Tue, Mar 27, 2018

10:00 am - 6:00 pm (EST)

Lunch 2 to 3

APPOINTMENTS

Please e-mail tyler@greaterbostonstage.org for a five-minute appointment. Give your name, e-mail address, the best phone number by which to reach you and, if applicable, the hour in which you prefer to be seen. You will receive an e-mail that confirms your audition time. Performers without e-mail access may call (781)279-7885x124 Monday through Wednesday, 10am-6pm, for an appointment. Equity Members without appointments will be seen throughout the audition day, as time permits.

CONTRACT

NEAT(weekly minimum approximately $435 – exact amount TBD pending negotiation)

SEEKING

Equity actors and actor/singers for various roles in the upcoming season.

PREPARATION

Non-musical auditioners: actors may choose to perform one or more monologues of their choice, read one or more scenes from the season’s plays, or a combination of scene(s) and monologues(s) within the confines of the time allotted.

Musical auditioners: In addition to preparing a brief song, actors may choose to perform one or more monologues of their choice, read one or more scenes from the season’s plays, or a combination of song(s), scene(s) and monologues(s) within the confines of the time allotted. Bring sheet music; an accompanist will be available all day.

A reader will be provided for those who wish to read from scripts. Copies of the scripts are available at StageSource (15 Channel Center Street, Suite 103, Boston) for review prior to the audition, and will be available at the audition.

Please bring a picture and resume, stapled together.

LOCATION

Greater Boston Stage Company

395 Main St

Stoneham, MA 02180-3514

Downstairs Rehearsal Space Stoneham, MA (Please enter through the door marked “Greater Boston Stage Company”, which is two doors to the right of the main Theatre entrance)

PERSONNEL

In attendance: Weylin Symes, Producing Artistic Director, Ilyse Robbins, Associate Artistic Director, and Tyler Rosati, Artistic Associate.

OTHER DATES

Greater Boston Stage Company will also be attending the AEA Stagesource Auditions. For more information, please visit www.stagesource.org.

OTHER

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.


BREAKDOWN

2018-2019 Main Stage Season:

BEING EARNEST
A New Musical
Book and Lyrics by Paul Gordon
Music by Paul Gordon and Jay Gruska
From the Play by Oscar Wilde
Director: Ilyse Robbins
Music Director: TBD
1st rehearsal: August 28, 2018. Runs September 13 – October 7, 2018.

Ages, gender, and race are all fluid.

ALGERNON MONCRIEFF, Late 20s to early 30s. A poser and bored by convention, he is always looking for excitement. Unlike Jack, he is not serious, out for his own gratification, and a bit of a pompous ass.

LANE/MERRIMAN, 30-65. Servants in the households or Algernon and Jack, they save their employers from embarrassment and support their easy-going lifestyle.

JOHN “Jack” WORTHING (AKA ERNEST), Late 20s to early 30s. In the city he goes by the name Ernest, a fun-loving bachelor, and in the country he is Jack, land-owner and guardian to Cecily. In love with Gwendolyn and friend to Algernon.

REV. CHASUBLE, 50-65. Local vicar and source of moral judgment, though easy-going and kind.

GWENDOLEN FAIRFAX, 20s. Lady Bracknell’s daughter and the apple that falls from the tree. Believes in style over all else. Romantic and opinionated. In love with Ernest.

LADY BRACKNELL, 50-65. The stereotypical Victorian matriarch - believes in style over substance and the necessity for social and class barriers. Strongly opinionated and a true bully. Mother to Gwendolyn.

CECILY CARDEW, 18. Jack Worthing’s ward, grand-daughter of Jack’s adopted father, Sir Thomas Cardew. Romantic and imaginative, men will do anything for her.

MISS PRISM, 50-65. Cecily’s governess. Educating Cecily to have no imagination nor sensationalism in her life. An outward symbol of Victorian refinement, Miss Prism holds her own secrets.

Note: The same actor/actress plays Chasuble, Lane, and Merriman.
________________

THE SALONNIÉRES
by Liz Duffy Adams
Director: Weylin Symes
1st rehearsal: October 9, 2018. Runs October 25 – November 11, 2018.

FRANÇOISE, a young woman

MADELEINE DE SAUVETERRE, a girl in her late teens

HENRIETTE, THE COMTESSE DE MARÉ, a woman in her 30s

GABRIELLE, THE MARQUISE D’AULNEY, a woman in her 30s or older

CLAUDE, THE DUC DE LA BEAUCHENE, a man in his 30s or older, he is very sure of, and quite full of, himself
__________________


IT’S A WONDERFUL LIFE
Adapted from Frank Capra’s original screenplay by Weylin Symes
Director: TBD
1st rehearsal: November 13, 2017. Runs November 29 - December 23, 2018.

Some roles will be doubled.

GEORGE BAILEY, The everyman of Bedford Falls

CLARENCE ODDBODY, A-S-2 (Angel Second Class)

MR. GOWER, Proprietor of the corner drugstore

YOUNG GEORGE, Age 12

HARRY BAILEY, George’s younger brother

MOTHER BAILEY, Very kind and understanding woman

AUNT TILLY, Uncle Billy’s wife

VIOLET PETERSON, Proprietor of a beauty salon

BERT, Patrolman

ERNIE, Mail carrier

UNCLE BILLY, George’s Uncle and business partner

MARY HATCH, George’s loving wife

HENRY F. POTTER, Owns practically the entire town

MRS. HATCH, Mary’s mother

SAM WAINWRIGHT, Financially successful young man. Suitor to Mary

MR. MARTINI, Proprietor of a bar

MRS. MARTINI, His wife

PETE BAILEY, Age 12. George’s son

TOMMY BAILEY, Age 10. George’s son

ZUZU BAILEY, Age 7. George’s daughter

JANIE BAILEY, Age 9. George’s daughter

The role of CLARENCE has been cast.
_____________________


TINY TIM’S CHRISTMAS CAROL
Written by Ken Ludwig and Jack Ludwig
Director: TBD
1st Rehearsal: November 20, 2018. Runs December 8-23, 2018.

TINY TIM, Age 15, the Tiny Tim from the story but a few years older

SCROOGE, 50s-60s, grumpy old miser

CHARLOTTE, Age 14, Tiny Tim’s friend

PUPPET SELLER, any age or gender

PIE SELLER, any age or gender

BOOK SELLER, any age or gender

Note: SELLERS play many of the characters from the original Dickens’ story.
_____________________

ONEGIN
Based on the Poem by Pushkin & the Opera by Tchaikovsky
by Amiel Gladstone and Veda Hille
Director: Weylin Symes
1st Rehearsal: February 19, 2019. Runs March 14 – April 7, 2019.

Some roles are doubled.

VLADIMIR LENSKY, a poet, a romantic, a dreamer

EVGENI ONEGIN, gorgeous and rich and knows it, but is still, somehow, charming

TATYANA LARIN, a naïf with a spine of steel and an equally strong moral compass, regal

OLGA LARIN, Tatyana's simpleminded, coquettish younger sister

MADAME LARIN, Tatyana and Olga’s mother

TRIQUET, a French singer who thinks very highly of himself

PRINCE GREMIN, 50s-60s, eventual husband to Tatyana

ENSEMBLE, GOSSIPS, PARTY GOERS, ETC.

The roles of TATYANA and TRIQUET have been cast.
___________________

MILLION DOLLAR QUARTET
By Floyd Mutrux and Colin Escott
Two Act version revised by Hunter Foster
Director: TBD
Music Director: TBD
1st rehearsal: April 2, 2019. Runs April 25 - May 19, 2019.

ELVIS, Male, 20-29, Elvis at the beginning of his career. Must be familiar with his music and able to play guitar.

JERRY LEE LEWIS, Male, 20-29, rock & roll’s legendary piano prodigy and celebrated “Last Man Standing.” Must be a superb piano player, able to play like Jerry Lee Lewis; fun, energetic; comic skills a plus.

CARL PERKINS, Male, 18-29, American pioneer of rockabilly music and best known for his song “Blue Suede Shoes.” Must be an excellent lead guitarist.

JOHNNY CASH, Male, 18-29, Johnny cash at the dawn of his epic career. Must be familiar with his music and able to play guitar.

SAM PHILLIPS, Male, 30-40, “Father of Rock’n’Roll” and founder of Sun Records. A towering and charismatic figure in American music.

DYANNE, Female, 18-29 an aspiring singer and Elvis’s girlfriend

FLUKE, Male, 18-64 - Excellent drummer. Some singing a plus.

JAY PERKINS, Male, 30-39, Carl Perkin’s older brother; excellent bass player.
____________________

THE THREE MUSKETEERS
Co-produced with The Front Porch Arts Collective
Written by Catherine Bush
Adapted from the Novel by Alexandre Dumas
Director: Dawn M. Simmons
1st rehearsal: May 14, 2019. Runs June 6-30, 2019.

Note: it is the Producer’s intent to cast the majority of roles as people of color. Many roles will be doubled. We may also switch the gender of some roles.

LOUIS, King of France

ANNE OF AUSTRIA, Louis’ wife, the Queen

CARDINAL RICHELIEU, second most powerful man in France

ROCHEFORT, Richelieu’s spy

MILADY (LADY DE WINTER), Richelieu’s spy and Rochefort’s lover

CONSTANCE BONACIEUX, the Queen’s maid

MONSIEUR BONACIEUX, her father, D’Artagnan’s landlord

MONSIEUR DE TREVILLE, Captain of the King’s Musketeers

LORD BUCKINGHAM, the English Prime Minister, in love with Anne of Austria

PLANCHET, Treville’s servant

KITTY, Milady’s servant and Planchet’s lover

BRADDOCK, Buckingham’s butler

BEGGAR, a beggar on the streets

MYSTERY WOMAN, Athos’s wife

ABBESS, the head of the Carmelite Convent at Bethune

ATHOS, one of the Three Musketeers, cynical

PORTHOS, one of the Three Musketeers, a vain dandy

ARAMIS, one of the Three Musketeers, priest-like

D’ARTAGNAN, a young man yearning to be a musketeer

CRIMINAL, a convicted thief

FELTON, Buckingham’s assassin

VARIOUS SPIES, CITIZENS, GUARDS SOLDIERS, ETC.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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