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BOOK OF MORMON Equity Principal Auditions - Eugene O'Neill Theatre Auditions

Posted March 26, 2018
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BOOK OF MORMON - Eugene O'Neill Theatre

BOOK OF MORMON (Broadway) - NYC EPA- rescheduled

Book of Mormon Broadway LLC


AUDITION DATE

Wed, Apr 11, 2018

10:00 am - 6:00 pm (EDT)


CONTRACT

Production (League) $2034/week current min


SEEKING

Equity actor/singers for possible future replacements in the currently running Broadway Production.


PREPARATION

Please prepare a brief pop/musical theatre song that really shows your voice. You MUST bring sheet music and a pic/res stapled back to back. Accompanist provided.


LOCATION

Ripley-Grier Studios (520)

520 8th Ave

New York, NY 10018-6507

Studio 17D


PERSONNEL

Producer: Anne Garefino & Scott Rudin
Director: Trey Parker & Casey Nicholaw
Book, Music & Lyrics: Robert Lopez, Matt Stone & Trey Parker
Choreographer: Casey Nicholaw
Music Director: Stephen Oremus
Casting Director: Carrie Gardner


OTHER

These EPAs have been rescheduled from the EPAs that were cancelled on Wednesday, March 21. Members who had scheduled online appointments for the original date were given online appointments at the same time for these new EPAs. Any remaining online appointments will be available for online sign-up. Walk-in appointments will be scheduled at the audition venue as usual.

EPA Procedures are in effect for this audition.

An Equity monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.


BREAKDOWN

KEVIN PRICE
18: All-American. Very handsome. Head of the class, always optimistic. Heroic Mormon. Must be a great comedic actor and a fantastic pop-rock tenor to a high B. Should be at least 5’10 or taller.

ARNOLD CUNNINGHAM
18: Could be dweeby, dorky, nerdy, possibly overweight, or all four combined. Arnold is a pathological liar but his heart is in the right place. He is a total screw-up with no filter, but not for lack of trying, he always wants to do the right thing. Seeking a fantastic comedic actor who sings well. Tenor. Also interested in comedians who sing.

NABALUNGI
20: African American. Pretty. Takes the hardships of her village very seriously and wants to help her people find a better life. Must have great comic timing. Belt to an E.

ELDER MCKINLEY
18: District leader of the Mormon missionaries in Uganda. All- American, wide-eyed and hopeful. Often struggles to cover his flamboyant tendencies and adhere to his Mormon morals. Must be a fantastic comedic actor and great singer who taps. High Baritone who can pop out high Bb's for comedic effect.

MAFALA HATIMBI
40’s-Mid 50’s: African American. Father of Nabalungi. Has come to accept the hardships in the village where they live but is a discerning community leader and tries to bring joy to their lives. Must be a great comedic actor and singer. Can be an actor who sings well. High Baritone to a G#.

PRICE’S DAD / MISSION PRESIDENT / VARIOUS ROLES
40’s: All-American good looks and physique. Plays several parts from the perfect picture of a head of a Mormon household, to the stern missionary president, to Joseph Smith, so must have the ability to be transformative. Must be a great comedic actor and good singer. High Baritone to an Ab.

GENERAL
Mid 20’s – mid 30’s: The general is a warlord in Uganda who is terrorizing the local villagers. Must have the ability to be threatening and intimidating figure but must also be great comedic actor. Baritone to an F.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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