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ANYTHING GOES and PHANTOM Equity Principal Auditions - Westchester Broadway Theatre Auditions

Posted April 3, 2018
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ANYTHING GOES and PHANTOM - Westchester Broadway Theatre

ANYTHING GOES / PHANTOM - NYC EPA

Westchester Broadway Theatre


AUDITION DATE

Mon, Apr 16, 2018

10:00 am - 6:00 pm (EDT)

Lunch 2:00-3:00 pm


CONTRACT

Dinner Theatre $591.50 weekly minimum


SEEKING

Equity actors for roles in ANYTHING GOES and PHANTOM OF THE OPERA (Yeston/Kopit version). See breakdown.


PREPARATION

Please prepare a brief song appropriate for the show and character you are auditioning for. Singing from the show is welcome. Please note this is the Yeston/Kopit Phantom.


LOCATION

Nola Studios

250 W 54th St

New York, NY 10019

5th floor


PERSONNEL

Anything Goes - Richard Stafford - Director/Choreographer
Phantom - Tom Polum - Director
Bill Stutler/Bob Funking - Executive Producers
Lisa Tiso - Producer/Casting

All except Bob Funking expected to attend.


OTHER DATES

Anything Goes - rehearsal: 6/25/18; Opens: 7/5/18; Closes: 9/9/18
Phantom - Rehearsal: 9/3/18; Opens: 9/13/18; Closes: 1/27/19 (unpaid hiatus from 11/26 thru 12/25/18)


OTHER

EPA Procedures are in effect for this audition.

An Equity monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.


BREAKDOWN

ANYTHING GOES

Reno Sweeney — a nightclub singer turned Evangelist – MUST MOVE VERY WELL – SOME TAP

Billy Crocker — assistant to Elisha, love-struck would-be suitor to Hope – MUST DANCE

Hope Harcourt — American debutante and the object of Billy's affection – MUST DANCE

Mrs Evangeline Harcourt — Hope's mother

Lord Evelyn Oakleigh — Hope's wealthy English fiancée

Moonface Martin — a second-rate gangster, Public Enemy Number 13,– Comedic Role

Erma — sidekick to Moonface

Elisha J. Whitney — Ivy league Wall Street banker, Billy's boss

PHANTOM OF THE OPERA

PHANTOM/ERIC (Male, 20s-30s) Elegant, charming and yet – deeply disturbed. Lived for almost his whole life in the opera house. He is obsessed with Christine, which leads him onto a path of revenge and murder in her name. Baritone. Any ethnicity.

CHRISTINE DAAE (Female, 20s-30) Beautiful, kind-hearted and naive young opera singer. She feels a true kinship and affection for Eric, despite his troubles. Lyric Soprano. .

CARLOTTA (Female, 30s-40s+) A demanding diva, willing to go as far as to poison Christine when she becomes a threat to her soprano reign. Legit Mezzo-soprano.

GERARD CARRIER (Male, 40s-60s) The former manager of the opera house. Eric’s father. Baritone.

COUNT DE CHANTON/PHILLIPPE (Male, 20s-30s) The handsome and self-confident opera benefactor. In love with Christine. Legit tenor.

JEAN-CLAUDE (Male, 40s-50s) The stage manager. Featured role.

INSPECTOR LEDOUX (Male, 40s-50s) Inspector of the Paris police


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition

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