Disney Theatrical Productions | New York, NY
Thursday, December 12, 2024
10:00 AM - 6:00 PM (E)
BREAK: 1:30 PM - 2:30 PM
Production (Disney)
$2638 weekly minimum
Equity actors for possible future replacements in the Broadway production of ALADDIN (see breakdown). The musical stage production of Aladdin on Broadway is a spectacular adventure based on a tale that has been reimagined time and again across many cultures. We acknowledge the tremendous cultural responsibility inherent in adapting this timeless fable that is based on tales from Africa, Arabia, China, Europe, India, Persia, and Russia and beloved across generations and cultures. Our adaptation is deeply indebted to the rich and diverse tapestry that is Middle Eastern, North African, and South Asian (MENASA) cultures, languages, and aesthetic traditions. The audition process is open to actors of all races and ethnicities, gender identities, and ages, as well as performers with disabilities.
Please prepare a brief musical theatre song that shows vocal range. Please bring a hardcopy headshot and resume. An accompanist will be provided.
Pearl Studios (500)
500 8th Ave
New York, NY 10018-6504
Audition Room: 401; Holding Room: 412
Producer: Disney Theatrical Productions
Director/Choreographer: Casey Nicholaw
Music: Alan Menken
Lyrics: Howard Ashman and Tim Rice
Additional Lyrics: Alan Menken and Chad Beguelin
Book: Chad Beguelin
Musical Supervisor: Michael Kosarin
Casting: Tara Rubin Casting / Kevin Metzger-Timson, CSA
EXPECTED TO ATTEND: Kevin Metzger-Timson (Casting Director)
Currently running on Broadway.
Please note that this production will use smoke and haze in accordance with guidelines established with Actors’ Equity Association. EPA Procedures are in effect for this audition. An Equity Monitor will be provided. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions.
ALADDIN – 20s, he, him. MENA. Clever, resourceful, street smarts with a heart of gold; best friends with Babkak, Omar, and Kassim; seeks a life beyond the confines of poverty. Soaring bari-tenor voice (Bb2 to A4). Principal role.
JASMINE – 20s, she, her. MENA. Intelligent young princess with insight beyond her years and station; seeks a life beyond the confines of privilege. Strong mix, and strong belt to E. Ability to float in the upper mix into soprano (up to F5) and project in lowest register (down to A3). Principal role.
GENIE – 30s-40s, any ethnicity. Quick-witted, fast-talking, ancient genie who knows all time and place; an old-school song-and-dance man. Cab Calloway, Fats Waller type, able to sing jazz. Strong presence in lower range, D5 in strong falsetto, A4 in chest voice. Principal role.
BABKAK – 20s, any ethnicity. Chubby, funny, romantic desert dweller, part of Aladdin’s band; the “Crosby” of this Arabian “Road” picture, although perhaps with a bit more flair. Power tenor. (Up to rock solid high C). Principal role.
OMAR – 20s, any ethnicity. Nervous, thin, reedy desert dweller, part of Aladdin’s band; the “Lamour.” Bari-tenor, up to A4. Needs good ear for harmony and ability to blend. Principal role.
KASSIM - 20 to early 30s, any ethnicity. Tough and street smart, desert dweller, part of Aladdin’s band. Strong, smart and bold leader of Aladdin’s group. Very strong baritone, hold harmony well (from A2 up to G4). Principal role.
SULTAN – 50s, MENA. Kind-hearted, widowed ruler of Agrabah; gets so caught up in following the law and tradition that he overlooks his daughter Jasmine’s desires and gets swindled by his own vizier. (Baritone up to E4 though sings very little in the show). Principal role.
JAFAR – 50s, any ethnicity, the royal vizier. Amoral psychopath who'll not hesitate to destroy anyone he perceives as a threat to his own sinister designs. Good comedic ability and strong evil laugh. Bass, Bass-bari, can be in style of Cyril Ritchard “speak-sing.” (G2-Eb4). Principal role.
IAGO – 40s, any ethnicity, Jafar’s short comedic sidekick. Grovels at Jafar’s feet and has difficulty controlling his temper. Strong tenor or Bari-tenor up to A4. Principal role.
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