42ND STREET - NYC EPA
Fireside Theatre
AUDITION DATE
Tue, Jan 16, 2018
10:00 am - 6:00 pm (EST)
Lunch 1 to 2
CONTRACT
Dinner Theatre Fireside Dinner Theatre Agreement; $665/week minimum.
SEEKING
Equity actor/singers for various roles.
PREPARATION
Please prepare a short song in the style of the show. Singing from the show is fine.
Please bring a picture and resume, stapled together.
LOCATION
Nola Studios
250 W. 54th Street
New York, NY 10019
11th floor
PERSONNEL
Book: Michael Stewart and Mark Bramble
Lyrics: Al Dubin
Music: Harry Warren.
Director: Ed Flesch
Musical Director: Mary Ehlinger
Choreographer: Shanna Vanderwerker
OTHER DATES
1st rehearsal: March 26, 2018 in Wisconsin. Runs April 12, 2018 – May 27, 2018
OTHER
EPA Procedures are in effect for this audition.
An Equity monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
Peggy Sawyer
20’s A young, starry-eyed, naïve, and humble chorus girl who dreams of stardom. She is the triple threat in the show - must sing, act, and dance (tap) very well. Mezzo soprano: should belt and be able to easily transition to head voice.
Julian Marsh
late 30’s – early 50’s Famous, but notorious, Broadway director of his new show PRETTY LADY who comes off gruff as he barks his directions at actors and crew but is charismatic. Voice: Baritone : range D to high G.
Dorothy Brock
late 30’s- 40’s A slightly past-her-prime and well-known Broadway diva. She is selfish and mean to everyone at first, but comes to understand what’s really important in life. Low Alto. She must move well.
Billy Lawlor
20’s Youthful, leading man, high tenor, attractive, very strong dancer with excellent tap.
Maggie Jones
Late 30’s – 40’s -comic character woman, writer of PRETTY LADY, warm, nice, with a biting wit, some dance required, Alto-Mezzo soprano: A below middle C to C.
Bert Barry
Late 30’s – 40’s – comic character man, writer of PRETTY LADY, funny. lovable, Baritone/Tenor: range C to high F. Some dance required.
Pat Denning
late 30’s-40’s attractive, charming, former vaudeville partner of Dorothy's and her secret romantic partner. Vocal range: D to Eb
Andy Lee
late 20’s- 30’s – dance director of PRETTY LADY, excellent dancer especially tap, no solo singing
Abner Dillon
late 30’s – 40’s – comic character man, the financial backer of the show, under Dorothy’s spell, a bit of a hick, mainly speaking role
Anytime Annie
20’s – excellent dancer especially tap, chorus girl in PRETTY LADY, sarcastic, cynical, she’s been around the block
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.
Videos
