42nd STREET - Anaheim EPA/ECC Singers
3D Theatricals
AUDITION DATE
Tue, Jun 12, 2018
10:00 am - 5:00 pm (PDT)
Lunch: 1:00PM - 2:00PM
APPOINTMENTS
AEA members may email auditions@3dtheatricals.org for EPA appts. Please specify preferred appt. time in email. Sign-ups begins at 9:30AM on 6/12/18.
CONTRACT
LOA LOA/COST Minimum - $586/wk
SEEKING
See breakdown. Local hires preferred.
PREPARATION
Please sing a song in the style of the show that best shows range and acting ability. Bring sheet music in correct key. Score will be provided if singing from the show. Bring headshot and resume STAPLED together. Accompanist provided. NO a capella.
LOCATION
3DT Rehearsal Hall
1255 N. Knollwood Circle
Anaheim, CA 92801
Please park in our lot.
PERSONNEL
Exec Producer: T.J. Dawson, Director: David F.M. Vaughn, Choreographer: Kami Seymour, Music Director: Corey Hirsch, Casting/Audition Coordinator: Amber Snead
OTHER DATES
Callbacks will occur July 2nd-6th
First Rehearsal Non-union: 9/17/18 AEA: 9/24/18
The show will be playing at the Cerritos Center for the Performing Arts from 10/12/18 to 10/28/18.
OTHER
Please do not contact the artistic team. Email auditions@3dtheatricals.org for all audition related inquiries.
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
WE ARE SERIOUSLY SEEKING ETHNIC AND PHYSICAL DIVERSITY FOR THIS SHOW! PLEASE DO NOT TYPE YOURSELF OUT!!! WE CANNOT STRESS THIS ENOUGH.
The role of Julian Marsh is cast.
Anyone interested in the Chorus, or any role that requires strong dance ability should attend the ECC for dancers June 27th or 28th.
PEGGY SAWYER: (Female, character is referred to as “21”) A young, starry-eyed, naive and humble chorus girl who assumes the lead role in “Pretty Lady” when Dorothy breaks her ankle. She is the triple threat in the show –must sing, act, and dance (tap) very well. Soprano-mezzo soprano: should belt and be able to easily transition to head voice.
DOROTHY BROCK: (Female, to play late 30’s – 50’s) A past her prime and well-known, Broadway diva. She is supposed to be the female lead in “Pretty Lady” because she is dating Abner who is paying for the show. While very selfish and mean to everyone at first, she comes to understand what’s really important in life after breaking her ankle and therefore unable to perform. Low Alto.
BILLY LAWLOR: (Male, to play 20’s-30’s) The leading man of “Pretty Lady”. Young appearance. Tenor. Excellent dancer. Must tap.
MAGGIE JONES: (Female, 30’s-60’s) One of the writers for “Pretty Lady”. Alto. Comedic role. Seeking interesting looks and types.
BERT BERRY: (Male, 30’s-‘60’s) One of the writers for “Pretty Lady”. Baritone with a high F. Comedic role. Seeking interesting looks and types.
ANDY LEE: (Male, 20’s-30’s) Dance Supervisor for “Pretty Lady”. Non-singing role but must be able to sing well with ensemble. Excellent dancer. Must tap well.
ANYTIME ANNIE: (Female, 20’s-30’s) One of the girls in the chorus; must be a first rate tap dancer and natural comedienne; big belt (a little gospel too), mezzo.
ABNER DILLON: (Male, 40’s-70’s) Financial backer of “Pretty Lady” and Dorothy's sugar daddy from Texas. He doesn’t realize Dorothy is only with him because of his money.
PAT DENNING: (Male, 25-60) Dorothy’s former love, and vaudeville partner. Secretly still involved with Dorothy romantically. Baritone (vocal range D to Eb)
CHORUS GIRLS: Must be strong singers and dancers (must tap), that are also great storytellers. Additional featured ensemble roles, etc will be cast from this group.
CHORUS GUYS: Must be strong singers and dancers (must tap), that are also great storytellers. Additional featured ensemble roles, etc will be cast from this group.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.
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