Account of recent Broadway history—spanning from the debut of Andrew Lloyd Weber’s Sunset Boulevard to Disney’s The Lion King. Drawing upon more than 150 insider interviews, Riedel walks us through the Broadway we know and love today: an industry awash in big hits and bigger money, while also being an industry split between its adherence to old art forms and the allure of popular culture.
Alexandra Kitty curates Sherlock Holmes' theatrical world throughout the decades: from unlikely Off-Broadway musicals to lauded slapstick comedies, to more traditional and gripping portrayals of his iconic stories and new incarnations. 172 pages.
Biography by Earl Hess and Pratibha A. Dabholkar. Offers a full picture of Gene Kelly as the Renaissance man he actually was—dancer, choreographer, actor, clown, singer, director, teacher, and mentor. Photographs. 552 pages.
Fully revised and updated version of 2017 book by drama critic Michael Coveney, with photographs by Peter Dazeley. Stories of the architecture, the people, and the productions which have defined each theatre, with photographs of the public areas, auditorium and backstage, Updated to include ten additional theatres, including the Victoria Palace Theatre, the Sondheim Theatre, the Bridge Theatre and the Noël Coward Theatre. Foreword by Mark Rylance. 288
Usher is a black, queer writer, working a day job he hates while writing his original musical: a piece about a black, queer writer, working a day job he hates while writing his original musical. Michael R. Jackson’s blistering, momentous new musical follows a young artist at war with a host of demons — not least of which, the punishing thoughts in his own head — in an attempt to capture and understand his own strange loop.
Chronicle of the Grammy-winning 1995 Alanis Morissette album and the new Broadway musical it inspired. Photos (Matthew Murphy) and interviews from Morissette, bookwriter Diablo Cody, creative team members, and cast members, as well as a full annotated libretto and an exploration of the album’s cultural significance
New reprint of Meredith Willson's 1959 memoir. Reflections on the ups and downs, surprises and disappointments, and finally successes of making one of America’s most popular musicals. New foreword by foreword by Michael Feinstein. 208 pages.
Illustrated book by graphic designer Paula Scher, who turned her first major project as a partner at Pentagram into a formative twenty-five-year relationship with the Public Theater in New York. Chronicles over two decades of brand and identity development and an evolving creative process in a unique "autobiography of graphic design."
Play by Ishmael Reed that " critiques the acclaimed historical musical Hamilton through a depiction of a fictionalized version of ... Lin-Manuel Miranda, who is visited by several historical figures missing from the musical in a style similar to Dickens' A Christmas Carol ... echoes many critiques made by historians, such as the whitewashing of Alexander Hamilton." Debuted in 2019 at Nuyorican Poets Cafe. 80 pages.
New volume in Dan Dietz' series of books (which previously covered the 1920s, 1930s, 1940s, 1950s, 1960s, 1970s, 1980s, 1990s, 2000s). Includes detailed information about every musical that opened on Broadway from 2010 through the end of 2019. Discusses the decade's major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts, and also highlights revivals and personal-appearance revues. Plot summaries; cast members; names of all important personnel, including ...
Features the words and lyrics from David Byrne's recording and subsequent theatrical concert, with artwork by Maira Kalman (who designed the art for the Broadway show’s curtain). Edited and designed by Alex Kalman/What Studio?.
Winner of the Pulitzer Prize in drama as well as Tony Awards for best play and best actor, Tracy Letts has emerged as one of the greatest playwrights of the twenty-first century. Understanding Tracy Letts, the first book dedicated to his writing, is an introduction to his plays and an invitation to engage more deeply with his work―both for its emotional power and cultural commentary.
Revised edition of 2007 book which tells the full story of the beloved Rodgers and Hammerstein musical. Now, Carter draws further on recently released sources, including the Rouben Mamoulian Papers at the Library of Congress, with additional correspondence, contracts, and even new versions of the working script used—and annotated—throughout the show's rehearsal process. Carter also focuses on the key players and concepts behind the musical, including Lynn Riggs's "Green Grow the Lilacs," and th...
Originally commissioned by The Bunker Theatre as a festival that ran in 2019. 23 letters that engage with a range of topics, from racial tensions, microaggressions and emotional labour, to queer desire, prejudice and otherness. Includes work from Zia Ahmed, Travis Alabanza, Fatimah Asghar, Nathan Bryon, Matilda Ibini, Jammz, Iman Qureshi, Anya Reiss, Somalia Seaton, Nina Segal, Tolani Shoneye, Lena Dunham, Inua Ellams, Rabiah Hussain, Mika Johnson, Jasmine Lee-Jones, Suhaiymah Manzoor-Khan, Shi...
55 recipes inspired by favorite musicals from The Sound of Music to Hamilton, including Eggrolls for Mr. Goldstone served with a side of Too Darn Hot Sauce; Another Vodka Stinger, The Wizard and Ice, Schnitzel With Noodles, Mama’s Well-Peppered Ragu, Angel (Food Cake) of Music. With illustrations and photographs.
Ann Miller (1923-2004) was an American actress, dancer, singer and author. Best known as a tap dancer, Miller practiced other forms of dance, and some of her solo routines are considered as good as any recorded in film musical history. Despite a reputation as a kook who believed she was psychic, and the potentially flat image of a "glamour girl," Miller's wit, charm and genuine ability to act gave her and her characters depth. This biography presents Ann Miller's career in the context of her fa...
The memoir begins with Wilson's earliest foray into playwriting, then on to Yale where he was a student and a professor. He was assistant to producer Lewis Allen and had a hand in the production of Big Fish, Little Fish and the film version of Lord of the Flies, directed by Peter Brook. Wilson taught at Hunter College and later at the CUNY Graduate Center for more than forty years. He was theatre critic for the Wall Street Journal from April 21, 1972, through the next twenty-three years, and th...
Offers a detailed and engaging critical analysis of the plays and films of Conor McPherson, considering issues of gender and class disparity, violence and wealth in the cultural and political contexts in which the work is written and performed, as well as the inclusion of song, sound, the supernatural, religious and pagan festive sensibilities through which initial genre perceptions are nudged elsewhere, towards the unconscious and ineffable. Supplemented by a number of contributed critical and...
Originally published in 2003 as a comprehensive history of the previous twenty-five years in musical theater, on and off Broadway, this new edition of Ever After extends the narrative, taking readers from 2004 to the present.
With notes by Professor Knowlson. Samuel Beckett directed Krapp's Last Tape on four separate occasions: this volume offers a facsimile of his 1969 Schiller-Theater notebook.
In this insightful joint working diary, the creative powerhouse of a couple, Lolita Chakrabarti and Adrian Lester, chronicle 16 months of their fascinating working lives, including their experiences working on the stage adaptation of Life of Pi, an original series of monologues about the NHS, the film adaptation of Red Velvet and the TV series The Rook, among many other projects. As readers, we experience, first-hand, their experiences as two of the most proactive and versatile theatre makers t...
For decades roughly 80 percent of commercial Broadway productions have failed to recoup their original investments. In light of this shocking and harsh reality, how does the show go on? Tim Donahue and Jim Patterson answer this question and many others in this updated edition of their popular, straightforward guide to understanding professional theater finances and the economic realities of theater production.
Play by Qui Nguyen. L.A. Theatre Works production recorded before a live audience at the UCLA James Bridges Theater in February 2020. Will Dao, Desiree Mee Jung, Greg Watanabe, Paul Yen, Jeena Yi. Directed by Tim Dang. Original music by Shane Rettig.
In Peter Brook's collection of essays, the director reflects on the role of music in theatre and performance and revisits some of the best-known productions from his career, including Titus Andronicus, Don Giovanni, The Magic Flute, and The Prisoner. Topics range from how to evoke "true listening" to the relationship between words and music to the "living presence" of silence. 80 pages.
"A rich and delightful paean to a life lived through song ... reveals the essence of Black's craft, looks at those who have inspired him and allows us to understand what made those icons tick ... with wit, warmth and great humour."
Compilation of essays that offers a comprehensive analysis of the Sanford Meisner Acting Technique in comparison to the Michael Chekhov Acting Technique, revealing the connections as well as the contradictions between these two very different approaches. 274 pages.
A wide-ranging interdisciplinary study of live stage musicals from the mid- to late twentieth century adapted from British literature written between 1837 and 1886. Investigates musical dramatizations of works by Charles Dickens, Charlotte Brontë, Christina Rossetti, Robert Louis Stevenson, and others ... reveals what these musicals teach us about the Victorian books from which they derive and considers their enduring popularity and impact on our modern culture. Explores themes of race, religio...
The only collection of Tynan's star-studded profiles, selected and edited by his widow and biographer, Kathleen Tynan, with a foreword by Simon Callow.
Kenneth Tynan was the 20th century's most influential writer on theatre and performance. Over the course of his life he wrote a series of brilliant and incisive pen-portraits of many of the most significant performers and writers of his day.
Amongst the fifty assembled here are profiles of actors such as Garbo, Bogart, Cagney, Olivier and ...
THE UNDERSTUDY is the story of Nina Landau, an actress, living in New York City in the early '70s and trying hard to make it on Broadway. We follow her from her Broadway audition nerves to her eventual success on stage. Along the way we discover what goes on backstage during a Broadway show, how actors deal with the mistakes that occasionally occur and how exciting it is to be at an opening night party at Sardi's! Nina experiences thrilling triumphs as well as crushing setbacks and has a passio...
Offers analysis of both the Victor Hugo novel itself and its adaptations: more than 60 international film and television variations, numerous radio dramatizations, animated versions, comics, stage plays, and the world's longest running musical, which itself has generated a wealth of fan-made and online content. Draws together essays from across a variety of fields, combining readings of Les Misérables with reflections on some of its multimedia afterlives, including musical theater and film from...
A major hit on Broadway, on film West Side Story became immortal-a movie different from anything that had come before, but this cinematic victory came at a price. In this engrossing volume, film historian Richard Barrios recounts how the drama and rivalries seen onscreen played out to equal intensity behind-the-scenes, while still achieving extraordinary artistic feats.
The making and impact of West Side Story has so far been recounted only in vestiges. In the pages of this book, the backsta...
From the beginning of theater on the Cape in 1916 when a group of artists and writers in Provincetown mounted a production of a one-act play, Bound East for Cardiff, by a little-known playwright, Eugene O'Neill. It grew into the constantly expanding theater universe it is today. The theatrical descendants of O'Neill and the Provincetown Players continue to present classical drama, contemporary hits and new, experimental works to audiences that have come to expect the best. A tour of the theater...
Memoir of a dancer who got his start with Martha Graham. A rare firsthand view of the dance world in the 1940s and through the end of the twentieth century. He danced as Graham's partner in Appalachian Spring, Deaths and Entrances, Every Soul Is a Circus, and Errand into the Maze. Hodes shares his delight in dance as both hard work and a fantastic adventure.
Examines in detail the unique vocal and nonvocal requirements for professional performance within the genre of cabaret. Includes interviews from Michael Feinstein, Ann Hampton Callaway, Roy Sander, Sidney Myer, Jeff Harner and others. Produced in partnership with the National Association of Teachers of Singing and features online supplemental material, including style-specific exercises, audio and video files, on the NATS website.
This is the first book to dedicate scholarly attention to the work of Tarell Alvin McCraney (Choir Boy, Head of Passes, The Brother/Sister Plays). Featuring essays, interviews, and commentaries by scholars and artists, who consider McCraney’s innovations as a playwright, adapter, director, performer, teacher, and collaborator, bringing fresh and diverse perspectives to their observations and analyses.
An overview of British musicals that made their way to Broadway, covering their entire history up to the present day. Covers 110 British musicals, ranging from 1750 to the present day. Each London musical is discussed first as a success in England and then how it fared in America. The plots, songs, songwriters, performers, and producers for both the West End and the Broadway (or Off-Broadway) production are identified and described
In 1936 Orson Welles directed a celebrated all-black production of Macbeth that was hailed as a breakthrough for African Americans in the theater. For over a century, black performers had fought for the right to perform on the American stage, going all the way back to an 1820s Shakespearean troupe that performed Richard III, Othello, and Macbeth, without relying on white patronage.
It’s a summer’s morning in 1988 and Tory politician Robin Hesketh has returned home to the idyllic Cotswold house he shares with his wife of 30 years, Diana. But all is not as blissful as it seems. Diana has a stinking hangover, a fox is destroying the garden, and secrets are being dug up all over the place. As the day draws on, what starts as gentle ribbing and the familiar rhythms of marital sparring quickly turns to blood-sport.
A historical narrative of a group of musicals that cost millions, were created by world-renowned writers and directors, and that had spectacular potential... but bombed anyway.
Gives readers an overview of the work from its inception through revisions and stagings in regional theatres and Broadway, exploring its use of African American vernacular genres - blues music, folk songs, folk tales, and dance - and 19th Century Southern post-Reconstruction history. Ladrica Menson-Furr presents Joe Turner's Come and Gone as a historical drama, blues drama, American drama, great migration drama, and the finest example of Wilson's gift for re-locating the African American experi...
The novel, in verse, that inspired the West End/Broadway play by Stefano Massini. Spanning three generations and 150 years, a moving epic that tells the story of modern capitalism through the saga of the Lehman brothers and their descendants. A story of immigration, ambition, and success.
The sun always comes out tomorrow for the shelter animals Bill Berloni rescues—sometimes from death’s door—and then trains to meet the demands of the stage. Berloni was a nineteen-year-old theater apprentice more then three decades ago when he was offered his first big break: find and train a dog to appear in the original production of the Broadway hit Annie. Defying the odds, he rescued a down-on-his-luck dog from a local shelter and, together, they redefined what animal performers could do. S...
Paperback version of 2018 book by Robert Shaughnessy about the National Theatre's most Shakespearean period in its history, 1963-1975, one which included Laurence Olivier's Othello and Shylock, a radical all-male As You Like It, the Berliner Ensemble's Coriolanus and Tom Stoppard's Rosencrantz and Guildenstern are Dead. Tells the interlinked stories of the National's relationship with Shakespeare through a series of production case studies.
When she was fifteen years old, Heidi Schreck earned money for her college tuition by giving speeches about the U.S. Constitution. Decades later, she traces the effect this document has had on four generations of women in her family. Deftly examining how the United States’ founding principles are inextricably linked with our personal lives, Schreck also explores the ways in which their misuse has engendered violence and inherited trauma. With passion and wit, this galvanizing new play acknowled...
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