The Twentieth-Century Performance Reader (10/13/2012)
The Twentieth Century Performance Reader is the key introductory text to all types of performance. Extracts from over fifty practitioners, critics and theorists from the fields of dance, drama, music, theatre and live art make up an essential sourcebook for students, researchers and practitioners.
This new third edition places a renewed focus on contributions from the world of music, as well as privileging the voices of practitioners themselves ahead of more theoretical writing. A bestseller... |
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South Pacific (10/9/2012)
Winner of the Pulitzer Prize for Drama and the Tony for Best Musical, South Pacific flourished as the golden musical of Broadway's post-WWII golden era. Nearly 60 years after its 1949 premiere, South Pacific returned to Broadway in Lincoln Center Theater's glorious Tony-winning production, setting box office records and bringing this timely and timeless musical to new generations. With a score by Rodgers & Hammerstein and a book by Hammerstein and Joshua Logan, based on James A. Michener's Puli... |
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Annie Get Your Gun (10/9/2012)
Broadway's biggest musical comedy hit of the 1940s, this was one for the ages and built by a "dream team" - songwriter Irving Berlin, librettists Dorothy and Herbert Fields, producers Rodgers & Hammerstein, and star Ethel Merman - telling the improbable but true story of sharpshooter Annie Oakley. A staple of the touring and summer stock circuit for years, Annie Get Your Gun kept hitting bull's-eyes, with a film version, two television productions, and thousands of stage revivals over the years... |
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The Rest of the Story (9/18/2012)
Laurents passed away early in 2011 but not before writing The Rest of the Story, in which he revealed all that had happened in his life since Original Story By, filled with the wisdom he gained by growing older and a new perspective brought on by Laurents' experience of deep personal loss, including the death of his longtime companion, Tom Hatcher. Laurents' style remains engrossing and brutally honest. His voice is still highly intelligent, loving, generous, and gracious. He remained committed ... |
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Stella Adler on America's Master Playwrights (8/14/2012)
From one of the most famous and influential acting teachers of her time, of all time--whose generations of students include Marlon Brando, Robert De Niro, Al Pacino, Warren Beatty, Meryl Streep, Jerome Robbins, Annette Bening, Peter Bogdanovich, Sydney Pollack, and Mark Ruffalo--the long-awaited companion volume to her book On Ibsen, Strindberg, and Chekhov ("Evidence," wrote John Guare, "that Stella Adler is hands down the greatest acting teacher America has produced...Nobody with a serious in... |
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An Ideal Theatre (8/14/2012)
A wide-ranging, inspiring documentary history of the American theater movement as told, at the time of its making, by the visionaries who goaded it into being. This anthology collects over forty essays, manifestos, letters, and speeches that are each introduced and placed in historical context by the noted writer and arts commentator Todd London, who spent nearly a decade assembling this collection. The founding visions of theaters from across the country are represented here, including: Arena ... |
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Embodied Acting (8/13/2012)
Embodied Acting is a crucial, pragmatic intervention in the study of how neuroscience can be applied to theatre studies. Examining the nature of the acting process from the perspective of cognitive science, author Rick Kemp re-examines familiar questions of how an actor develops a character, and what is actually involved - physically, mentally - in training, rehearsing and performing. The result is an elegant blend of theory, practice and cutting-edge science, making a compelling case for disca... |
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Italian Women's Theatre, 1930-1960 (8/7/2012)
Between 1930 and 1960, popular female dramatists, including Paola Riccora, Anna Bonacci, Clotilde Masci, and Gici Ganzini Granata, set the stage for a new generation of feminist theatre and the development of contemporary Italian women’s theatre as a whole. Now largely forgotten, the lives and works of these dramatists are reintroduced into the scholarly conversation in Italian Women’s Theatre, 1930–1960. Following a general introduction, the book presents a selection of dramatic works, rounded... |
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Loss and Cultural Remains in Performance (8/7/2012)
Argues that performance is a crucial way of understanding the affective intercultural impact of the disappearance of John Franklin’s Northwest Passage expedition in 1845. |
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Best American Short Plays (8/1/2012)
Applause is proud to continue the series that for over 70 years has been the standard of excellence for one-act plays in America. As previous series editor Ramon Delgado wrote in his introduction to The Best American Short Plays of 1989, the choice of entries for each edition has been based on the same goal: "to include a balance among three categories of playwrights: 1) established playwrights who continue to practice the art and craft of the short play, 2) emerging playwrights whose record of... |
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Stagecraft Fundamentals (7/15/2012)
Stagecraft Fundamentals Second Edition tackles every aspect of theatre production with Emmy Award-winning author Rita Kogler Carver's signature witty and engaging voice. The history of stagecraft, safety precautions, lighting, costumes, scenery, career planning tips, and more are discussed, illustrated by beautiful color examples that display step-by-step procedures and the finished product. This second edition offers even more in-demand information on stage management, drawing and drafting (bo... |
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Theatre and Architecture (7/3/2012)
Theatre and architecture are seeming opposites: one a time-based art-form experienced in space, the other a spacial art experienced over time.This book will explore and disprovethese assumptions, demonstrating ways in which theatre and architecture are co-constitutive and contextualizing their dynamic and complex inter-relationship historically and culturally |
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A Ship Without A Sail (7/3/2012)
From “Blue Moon” to “Where or When,” and “My Funny Valentine,” Lorenz Hart, together with Richard Rodgers, created some of the most beautiful and witty songs ever written. Here is the story of the strikingly unromantic life of this songwriting genius.His lyrics spin with pinwheel brilliance and sophistication, yet at their core is an unmistakable wistfulness. The sweetness of lyrics such as “My Romance” and “Isn’t It Romantic?” is unsurpassed in American song. But Hart’s lyrics could also be cy... |
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Light: A Reader in Theatre Practice (7/3/2012)
Light contains a range of classic accounts and rare documents that offer not only different approaches to light as a creative force in performance, but also an account ofits rich history as a practice. Considered through its equipment, its dramaturgy, and as an element of design, light is shown to have aprofound effect on an audience. |
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His (7/1/2012)
With 40 monologues for men chosen from plays written in the last 10 years, this collection offers a variety of compelling one-person pieces. Commentary from a theater professional who has worked on the play is included with each monologue, along with the context from the play in which the piece is taken. Offering characters that can be richly brought to life, this volume provides a useful tool for professional and amateur actors, acting students, and drama coaches. |
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Theatre and the Politics of Space (6/30/2012)
This collection considers what is at stake when a theatrical space is created and when a performance takes place, asking under which circumstances the topology of theatre becomes political. The book focuses on this issue from various angles, taking theatre as a cultural paradigm for political dimensions of space in its respective historical context. From its very beginnings, theatre has been both an art and a public space shared by actors and spectators, and as a result its entity and history i... |
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The Second City Unscripted (6/30/2012)
Since its modest beginning in 1959, The Second City in Chicago has become a world-renowned bastion of hilarity. A training ground for many of today’s top comedic talents—including Alan Arkin, Dan Aykroyd, Stephen Colbert, Tina Fey, Bill Murray, and Amy Sedaris— it was an early blueprint for improv-based sketch revues in North America and abroad. Its immeasurable influence also extends to television, film, and the Broadway stage. Mike Thomas interviewed scores of key figures who have contributed... |
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The Myopia and Other Plays (6/28/2012)
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Harold Pinter (6/28/2012)
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Acting in Real Time (6/28/2012)
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Boleros for the Disenchanted and Other Plays (6/26/2012)
Three new works from José Rivera, a writer known for his lush language, open heart, and stylistic flirting with the surreal. Boleros for the Disenchanted is the moving story of the playwrights own parents: their sweet courtship in 1950s Puerto Rico, and then forty years later in more difficult times in America. With Brainpeople, Rivera explores the troubled minds of three women in a post-apocalyptic setting who feast on a freshly slaughtered tiger. In School of the Americas, he imagines Che Guev... |
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When Pigs Could Fly and Bears Could Dance (6/24/2012)
For more than seven decades the circuses enjoyed tremendous popularity in the Soviet Union. How did the circus—an institution that dethroned figures of authority and refused any orderly narrative structure—become such a cultural mainstay in a state known for blunt and didactic messages? Miriam Neirick argues that the variety, flexibility, and indeterminacy of the modern circus accounted for its appeal not only to diverse viewers but also to the Soviet state. In a society where government-legiti... |
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Theatre for Change (6/19/2012)
Providing an international overview of the latest work and thinking in Drama and Education, and featuring interviews with a worldwide variety of leading practitioners and theorists, this book explores how Educational Theatre, Applied Theatre and Drama Therapy facilitate change within schools, community centres, prisons, and theatres. |
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Theatre and War (6/19/2012)
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Garrison Keillor and the Saint Paul Chamber Orchestra (6/19/2012)
Garrison Keillor and Philip Brunelle have performed together with a long list of great orchestras: the New York Philharmonic, Boston Symphony, Chicago, L.A. Philharmonic, Cleveland, St. Louis, Minnesota Orchestra, Seattle, and San Francisco. After years on the road, they brought the show home to St. Paul, the Fitzgerald Theater, and the Saint Paul Chamber Orchestra. As always, Keillor served as amiable host and narrator, Brunelle as guest conductor.
The Saint Paul Chamber Orchestra was the f... |
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Theater Careers (6/15/2012)
Theater Careers is designed to empower aspiring theater professionals to make savvy, informed decisions through a concise overview of how to prepare for and find work in the theater business. Tim Donahue and Jim Patterson offer well-researched information on various professions, salary ranges, educational and experience requirements, and other facets certain to enlighten students contemplating a theater career, as well as inform counselors, teachers, and parents of available opportunities and t... |
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Adapting Chekhov (6/15/2012)
This book considers the hundred years of re-writes of Anton Chekhov’s work, presenting a wide geographical landscape of Chekhovian influences in drama. The volume examines the elusive quality of Chekhov’s dramatic universe as an intricate mechanism, an engine in which his enigmatic characters exist as the dramatic and psychological ciphers we have been de-coding for a century, and continue to do so. Studying the practice and the theory of dramatic adaptation both as intermedial transformation (... |
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David Mamet (6/5/2012)
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Shakespeare (6/1/2012)
For any lover of Shakespeare, the thought of time-traveling back to London to see one of his plays at the Globe represents the ultimate theatrical fantasy. The look and feel of Shakespeare's London, the streets, shops, and churches the poet would have visited; the bookstalls where he found source material; the objects that appeared on his stages or sparked his imagination--what were they like?
Shakespeare: Staging the World presents an extraordinary collection of objects that evoke London in... |
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Funny (6/1/2012)
Funny: The Book is an entertaining look at the art of comedy, from its historical roots to the latest scientific findings, with diversions into the worlds of movies (Buster Keaton and the Marx Brothers), television (The Office), prose (Woody Allen, Robert Benchley), theater (The Front Page), jokes and stand-up comedy (Richard Pryor, Steve Martin), as well as personal reminiscences from the author's experiences on such TV programs as Mork and Mindy. With allusions to the not-always-funny Carl Ju... |
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Archaeologies of Presence (5/31/2012)
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Middleton and Rowley (5/30/2012)
Can the inadvertent clashes between collaborators produce more powerful effects than their concordances? For Thomas Middleton and William Rowley, the playwriting team best known for their tragedy The Changeling, disagreements and friction proved quite beneficial for their work.
This first full-length study of Middleton and Rowley uses their plays to propose a new model for the study of collaborative authorship in early modern English drama. David Nicol highlights the diverse forms of collabo... |
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Stage Turns (5/28/2012)
Stage Turns documents the development and innovations of disability theatre in Canada, the aesthetic choices and challenges of the movement, and the multiple spatial scales at which disability theatre operates, from the local to the increasingly global. Kirsty Johnston provides histories of Canada's leading disability theatre companies, emphasizing the early importance of local efforts in the absence of national coordination. Close readings of individual productions demonstrate how aesthetic ch... |
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Experimental Irish Theatre (5/22/2012)
This book examines experimental Irish theatre that ran counter to the naturalistic 'peasant' drama that became synonymous with Irish playwriting. Focusing on four marginalised playwrights who premiered works after the death of W.B. Yeats, it charts an alternative tradition linking the experimentations of the early Irish theatre movement with the innovations of contemporary Irish and international drama. Drawing on archival material never before published this study rediscovers the vibrant and d... |
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Shakespeare and I (5/17/2012)
Following the ethos and ambition of the Shakespeare NOW! series, and harnessing the energy, challenge and vigour of the 'minigraph' form, Shakespeare and I is a provocative appeal and manifesto for a more personal form of criticism. A number of the most exciting and authoritative writers on Shakespeare examine and scrutinise their deepest, most personal and intimate responses to Shakespeare's plays and poems, to ask themselves if and how Shakespeare has made them the person they are. Their resp... |
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The Piscator Notebook (5/15/2012)
"Piscator is the greatest theatre man of our time." Bertolt Brecht
Judith Malina and The Living Theatre have been icons of political theatre for over six decades. What few realise is that she originally studied under one of the giants of twentieth century culture, Erwin Piscator, in his Dramatic Workshop at The New School in New York. Piscator founded the Workshop after emigrating to New York, having collaborated with Brecht to create "epic theatre" in Germany.
The Piscator Notebook docum... |
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Movement Training for Actors (5/15/2012)
"This book has strong appeal to movement teachers and students in a variety of theater departments" James Bundy, Dean, Yale School of Drama, US The RADA Guide to Movement for Actors illustrates a broad spectrum of approaches and encourages the development of multiple skills. This must-have resource for actors consists of a practical masterclass on movement from the Head of Movement at The Royal Academy of Dramatic Art, complete with video examples on a DVD. The book provides a complete curricul... |
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Inventing the Modern Yiddish Stage (5/15/2012)
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African American Women Playwrights Confront Violence (5/15/2012)
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The Craft of Theatre: Seminars and Discussions in Brechtian Theatre (5/12/2012)
The autobiographical account by one of German theater's great actors of his life in the theater.
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The Beauty of the Real (5/9/2012)
Even as actresses become increasingly marginalized by Hollywood, French cinema is witnessing an explosion of female talent—a Golden Age unlike anything the world has seen since the days of Stanwyck, Hepburn, Davis, and Garbo. In France, the joy of acting is alive and well. Scores of French actresses are doing the best work of their lives in movies tailored to their star images and unique personalities. Yet virtually no one this side of the Atlantic even knows about them. Viewers who feel shortc... |
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The Théâtre des Variétés in 1852 (5/8/2012)
This book gives a picture of a year's activities at the Theatre des Varietes. It includes an account of the financial side of the Theatre and impressions of the principal actors and actresses, as well as a month-by-month overview of what was actually performed. |
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Staging Holocaust Resistance (5/8/2012)
"Focusing on Jews and Gentiles who defied the Nazis by resisting decrees and orders, protesting Nazi genocidal policies, or rescuing Jews, Plunka argues that drama is the ideal art form to revitalize the collective memory of Holocaust resistance. Drama of and about the Holocaust can be staged worldwide, thereby introducing the Shoah to diverse audiences. Moreover, theater affects us emotionally, subliminally, or intellectually (sometimes simultaneously) in a direct way (between actor and audienc... |
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Readings in Performance and Ecology (5/8/2012)
Identifies, illuminates, and complicates ecocritical concerns as they relate to theatre and performance. |
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Plays and Performance Texts by Women 1880-1930 (5/8/2012)
This groundbreaking anthology, part of theWomen, Theatre and Performanceseries, brings together an extraordinary mix of one-act and full length plays and solo performance texts written by women. Included in the volume are texts by Beatrice Herford, Ruth Draper, Zora Neale Hurston, and G.B. Stern, originally performed across commercial and amateur theaters in Britain and America. Some of the plays have remained unpublished since their original performance – Georgina Weldon'sNot Alone, Clothilde ... |
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Starting Your Career as a Theatrical Designer (5/1/2012)
In the first book of its kind to be published in twenty years, ten award-winning and current Broadway designers—five set designers, four lighting designers, and one projection designer—discuss the business aspects of the theatre world, sharing relevant insider information and strategies that will prove invaluable to aspiring and seasoned theatrical designers alike. Culled from years of experience, the information offered in these enlightening conversations will strengthen readers’ understanding... |
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Women Vaudeville Stars (4/30/2012)
Mae West, Sarah Bernhardt, Ethel Barrymore and Helen Keller are perhaps among the best known women to appear on vaudeville stages. Each came to vaudeville by a different path and with a different offering: Mae West entered vaudeville with a song and dance routine when she was 13 years old. Ethel Barrymore dropped in on the Palace Theater to present one-act plays. Sarah Bernhardt was being celebrated by the British for her fifty years on the dramatic stage when she agreed to appear in the U.S. H... |
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Chinese Theatre (4/30/2012)
Many colorful theatrical activities can be found throughout China. The best known and most unique of these is perhaps traditional Chinese opera, which has a history of over 800 years. However, since the early twentieth century, following increased contact with the West, drama without music has also become popular in China. The development and prosperity of modern drama has created a new landscape for Chinese theater, which, as a whole, has become more diverse. In this illustrated introduction F... |
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The Art of Clowning (4/24/2012)
The Art of Clowning is the first book on clowning technique and offers a step-by-step process for actors and other theatrical enthusiasts to discover their "inner clown." This fun and accessible guide expands on theories and exercises to help students and beginners develop solo and group performances. Using twenty years of teaching experience, Simon reveals a complete system of clowning that is a must-have for amateurs and experts alike.
Now with even MORE ways to find your inner clown!
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The Study of Drama (4/19/2012)
The Study of Drama by Harley Granville-Barker was published as part of the Cambridge Miscellany series in 1934. It contains the text of a lecture delivered by the author in Cambridge in 1934 on the study of 'drama as drama, considered in relation to the theatre'. The lecture is printed together with extensive notes, which were added subsequently. |
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