The Twentieth Century Performance Reader is the key introductory text to all types of performance. Extracts from over fifty practitioners, critics and theorists from the fields of dance, drama, music, theatre and live art make up an essential sourcebook for students, researchers and practitioners.
This new third edition places a renewed focus on contributions from the world of music, as well as privileging the voices of practitioners themselves ahead of more theoretical writing. A bestseller...
Winner of the Pulitzer Prize for Drama and the Tony for Best Musical, South Pacific flourished as the golden musical of Broadway's post-WWII golden era. Nearly 60 years after its 1949 premiere, South Pacific returned to Broadway in Lincoln Center Theater's glorious Tony-winning production, setting box office records and bringing this timely and timeless musical to new generations. With a score by Rodgers & Hammerstein and a book by Hammerstein and Joshua Logan, based on James A. Michener's Puli...
Broadway's biggest musical comedy hit of the 1940s, this was one for the ages and built by a "dream team" - songwriter Irving Berlin, librettists Dorothy and Herbert Fields, producers Rodgers & Hammerstein, and star Ethel Merman - telling the improbable but true story of sharpshooter Annie Oakley. A staple of the touring and summer stock circuit for years, Annie Get Your Gun kept hitting bull's-eyes, with a film version, two television productions, and thousands of stage revivals over the years...
Laurents passed away early in 2011 but not before writing The Rest of the Story, in which he revealed all that had happened in his life since Original Story By, filled with the wisdom he gained by growing older and a new perspective brought on by Laurents' experience of deep personal loss, including the death of his longtime companion, Tom Hatcher. Laurents' style remains engrossing and brutally honest. His voice is still highly intelligent, loving, generous, and gracious. He remained committed ...
From one of the most famous and influential acting teachers of her time, of all time--whose generations of students include Marlon Brando, Robert De Niro, Al Pacino, Warren Beatty, Meryl Streep, Jerome Robbins, Annette Bening, Peter Bogdanovich, Sydney Pollack, and Mark Ruffalo--the long-awaited companion volume to her book On Ibsen, Strindberg, and Chekhov ("Evidence," wrote John Guare, "that Stella Adler is hands down the greatest acting teacher America has produced...Nobody with a serious in...
A wide-ranging, inspiring documentary history of the American theater movement as told, at the time of its making, by the visionaries who goaded it into being. This anthology collects over forty essays, manifestos, letters, and speeches that are each introduced and placed in historical context by the noted writer and arts commentator Todd London, who spent nearly a decade assembling this collection. The founding visions of theaters from across the country are represented here, including: Arena ...
Embodied Acting is a crucial, pragmatic intervention in the study of how neuroscience can be applied to theatre studies. Examining the nature of the acting process from the perspective of cognitive science, author Rick Kemp re-examines familiar questions of how an actor develops a character, and what is actually involved - physically, mentally - in training, rehearsing and performing. The result is an elegant blend of theory, practice and cutting-edge science, making a compelling case for disca...
Argues that performance is a crucial way of understanding the affective intercultural impact of the disappearance of John Franklin’s Northwest Passage expedition in 1845.
Applause is proud to continue the series that for over 70 years has been the standard of excellence for one-act plays in America. As previous series editor Ramon Delgado wrote in his introduction to The Best American Short Plays of 1989, the choice of entries for each edition has been based on the same goal: "to include a balance among three categories of playwrights: 1) established playwrights who continue to practice the art and craft of the short play, 2) emerging playwrights whose record of...
Stagecraft Fundamentals Second Edition tackles every aspect of theatre production with Emmy Award-winning author Rita Kogler Carver's signature witty and engaging voice. The history of stagecraft, safety precautions, lighting, costumes, scenery, career planning tips, and more are discussed, illustrated by beautiful color examples that display step-by-step procedures and the finished product. This second edition offers even more in-demand information on stage management, drawing and drafting (bo...
Theatre and architecture are seeming opposites: one a time-based art-form experienced in space, the other a spacial art experienced over time.This book will explore and disprovethese assumptions, demonstrating ways in which theatre and architecture are co-constitutive and contextualizing their dynamic and complex inter-relationship historically and culturally
From “Blue Moon” to “Where or When,” and “My Funny Valentine,” Lorenz Hart, together with Richard Rodgers, created some of the most beautiful and witty songs ever written. Here is the story of the strikingly unromantic life of this songwriting genius.His lyrics spin with pinwheel brilliance and sophistication, yet at their core is an unmistakable wistfulness. The sweetness of lyrics such as “My Romance” and “Isn’t It Romantic?” is unsurpassed in American song. But Hart’s lyrics could also be cy...
Light contains a range of classic accounts and rare documents that offer not only different approaches to light as a creative force in performance, but also an account ofits rich history as a practice. Considered through its equipment, its dramaturgy, and as an element of design, light is shown to have aprofound effect on an audience.
With 40 monologues for men chosen from plays written in the last 10 years, this collection offers a variety of compelling one-person pieces. Commentary from a theater professional who has worked on the play is included with each monologue, along with the context from the play in which the piece is taken. Offering characters that can be richly brought to life, this volume provides a useful tool for professional and amateur actors, acting students, and drama coaches.
This collection considers what is at stake when a theatrical space is created and when a performance takes place, asking under which circumstances the topology of theatre becomes political. The book focuses on this issue from various angles, taking theatre as a cultural paradigm for political dimensions of space in its respective historical context. From its very beginnings, theatre has been both an art and a public space shared by actors and spectators, and as a result its entity and history i...
Since its modest beginning in 1959, The Second City in Chicago has become a world-renowned bastion of hilarity. A training ground for many of today’s top comedic talents—including Alan Arkin, Dan Aykroyd, Stephen Colbert, Tina Fey, Bill Murray, and Amy Sedaris— it was an early blueprint for improv-based sketch revues in North America and abroad. Its immeasurable influence also extends to television, film, and the Broadway stage. Mike Thomas interviewed scores of key figures who have contributed...
Three new works from José Rivera, a writer known for his lush language, open heart, and stylistic flirting with the surreal. Boleros for the Disenchanted is the moving story of the playwrights own parents: their sweet courtship in 1950s Puerto Rico, and then forty years later in more difficult times in America. With Brainpeople, Rivera explores the troubled minds of three women in a post-apocalyptic setting who feast on a freshly slaughtered tiger. In School of the Americas, he imagines Che Guev...
For more than seven decades the circuses enjoyed tremendous popularity in the Soviet Union. How did the circus—an institution that dethroned figures of authority and refused any orderly narrative structure—become such a cultural mainstay in a state known for blunt and didactic messages? Miriam Neirick argues that the variety, flexibility, and indeterminacy of the modern circus accounted for its appeal not only to diverse viewers but also to the Soviet state. In a society where government-legiti...
Providing an international overview of the latest work and thinking in Drama and Education, and featuring interviews with a worldwide variety of leading practitioners and theorists, this book explores how Educational Theatre, Applied Theatre and Drama Therapy facilitate change within schools, community centres, prisons, and theatres.
Garrison Keillor and Philip Brunelle have performed together with a long list of great orchestras: the New York Philharmonic, Boston Symphony, Chicago, L.A. Philharmonic, Cleveland, St. Louis, Minnesota Orchestra, Seattle, and San Francisco. After years on the road, they brought the show home to St. Paul, the Fitzgerald Theater, and the Saint Paul Chamber Orchestra. As always, Keillor served as amiable host and narrator, Brunelle as guest conductor.
The Saint Paul Chamber Orchestra was the f...
Theater Careers is designed to empower aspiring theater professionals to make savvy, informed decisions through a concise overview of how to prepare for and find work in the theater business. Tim Donahue and Jim Patterson offer well-researched information on various professions, salary ranges, educational and experience requirements, and other facets certain to enlighten students contemplating a theater career, as well as inform counselors, teachers, and parents of available opportunities and t...
This book considers the hundred years of re-writes of Anton Chekhov’s work, presenting a wide geographical landscape of Chekhovian influences in drama. The volume examines the elusive quality of Chekhov’s dramatic universe as an intricate mechanism, an engine in which his enigmatic characters exist as the dramatic and psychological ciphers we have been de-coding for a century, and continue to do so. Studying the practice and the theory of dramatic adaptation both as intermedial transformation (...
For any lover of Shakespeare, the thought of time-traveling back to London to see one of his plays at the Globe represents the ultimate theatrical fantasy. The look and feel of Shakespeare's London, the streets, shops, and churches the poet would have visited; the bookstalls where he found source material; the objects that appeared on his stages or sparked his imagination--what were they like?
Shakespeare: Staging the World presents an extraordinary collection of objects that evoke London in...
Funny: The Book is an entertaining look at the art of comedy, from its historical roots to the latest scientific findings, with diversions into the worlds of movies (Buster Keaton and the Marx Brothers), television (The Office), prose (Woody Allen, Robert Benchley), theater (The Front Page), jokes and stand-up comedy (Richard Pryor, Steve Martin), as well as personal reminiscences from the author's experiences on such TV programs as Mork and Mindy. With allusions to the not-always-funny Carl Ju...
Can the inadvertent clashes between collaborators produce more powerful effects than their concordances? For Thomas Middleton and William Rowley, the playwriting team best known for their tragedy The Changeling, disagreements and friction proved quite beneficial for their work.
This first full-length study of Middleton and Rowley uses their plays to propose a new model for the study of collaborative authorship in early modern English drama. David Nicol highlights the diverse forms of collabo...
Stage Turns documents the development and innovations of disability theatre in Canada, the aesthetic choices and challenges of the movement, and the multiple spatial scales at which disability theatre operates, from the local to the increasingly global. Kirsty Johnston provides histories of Canada's leading disability theatre companies, emphasizing the early importance of local efforts in the absence of national coordination. Close readings of individual productions demonstrate how aesthetic ch...
This book examines experimental Irish theatre that ran counter to the naturalistic 'peasant' drama that became synonymous with Irish playwriting. Focusing on four marginalised playwrights who premiered works after the death of W.B. Yeats, it charts an alternative tradition linking the experimentations of the early Irish theatre movement with the innovations of contemporary Irish and international drama. Drawing on archival material never before published this study rediscovers the vibrant and d...
Following the ethos and ambition of the Shakespeare NOW! series, and harnessing the energy, challenge and vigour of the 'minigraph' form, Shakespeare and I is a provocative appeal and manifesto for a more personal form of criticism. A number of the most exciting and authoritative writers on Shakespeare examine and scrutinise their deepest, most personal and intimate responses to Shakespeare's plays and poems, to ask themselves if and how Shakespeare has made them the person they are. Their resp...
It's not an exaggeration to say that The Sound of Music is the most beloved film musical of all time. It has touched more than one generation, as over the years, many parents have shared the magic of this wonderful movie with their children. Seven very special children experienced The Sound of Music firsthand: the seven young actors cast as the von Trapp children. Now, for the first time, they tell their stories about making this celebrated film, from their auditions to rehearsals in Los Angeles...
In February 1999, Steven Sater conceived the radical notion of creating a rock musical from Frank Wedekind's notorious Symbolist drama, Fruhlings Erwachen, and he enlisted his friend and writing partner Duncan Sheik in the enterprise. That night, Sater came home and began writing the first lyric of Spring Awakening: "Mama Who Bore Me" - a lyric which still stands, verbatim, just as he first wrote it. Ten years later, in the wake of the enormous international success of this groundbreaking, mult...
Before "Fred and Ginger," there was "Fred and Adele," a show-business partnership and cultural sensation like no other. In our celebrity-saturated era, it's hard to comprehend what a genuine phenomenon these two siblings from Omaha were. At the height of their success in the mid-1920s, the Astaires seemed to define the Jazz Age. They were Gershwin's music in motion, a fascinating pair who wove spellbinding rhythms in song and dance.
In this book, the first comprehensive study of their theatr...
A short, clear, critical study of David Hare's work for theatre, film and television, concentrating on questions of staging, performance and narrative and dramatic form.
All roads lead to London - and to the West End theatre. This book presents a new history of the beginnings of the modern world of London entertainment. Putting female-centred, gender-challenging managements and styles at the centre, it redraws the map of performance history in the Victorian capital of the world. Bratton argues for the importance in Victorian culture of venues like the little Strand Theatre and the Gallery of Illustration in Regent Street in the experience of mid-century London, ...
New Playwriting Strategies has become a canonical text in the study and teaching of playwriting, offering a fresh and dynamic insight into the subject. This thoroughly revised and expanded second edition explores and highlights the wide spread of new techniques that form contemporary theatre writing, as well as their influence on other dramatic forms.
Paul Castagno builds on the innovative plays of Len Jenkin, Mac Wellman, and the theories of Mikhail Bakhtin to investigate groundbreaking new ...
Alan Hughes presents a new complete account of production methods in Greek comedy. The book summarises contemporary research and disputes, on such topics as acting techniques, theatre buildings, masks and costumes, music and the chorus. Evidence is re-interpreted and traditional doctrine overthrown. Comedy is presented as the pan-Hellenic, visual art of theatre, not as Athenian literature. Recent discoveries in visual evidence are used to stimulate significant historical revisions. The author ha...
Maria Irene Fornes provides an enlightening introduction to a pivotal figure in both Hispanic-American and experimental theater. From her theatrical origins in 1960s Cuba to her precedent plays for the US stage, this book presents an important guide of work to this politically-charged playwright.
Drama at the Heart of the Secondary School provides a rationale for the curricular centrality of drama together with rich and detailed examples of cross-phase thematic projects which are drama-led, but which promote learning across a wide range of curriculum areas, from the humanities and other arts, to English and literacy, science and PSHE.
Each unit explores relevant and stimulating themes and topics that will engage the students, promote empathy, pose questions, and produce creative respo...
This book examines the intersection of religion and theatrical performance in modernity/postmodernity. Religion, no longer sequestered in the "private sphere," has become an explicitly public force. It stimulates and complicates public actions; it is a crucial component of performance.
The writings here suggest that performance studies and religious studies can inform one another, leading to innovative and deepened understandings within and between the disciplines. Religion must receive its ...
Modern international studies of world theatre and drama have begun to acknowledge the Arab world only after the contributions of Asia, Africa and Latin America. Within the Arab world, the contributions of Algeria, Tunisia, and Morocco to modern drama and to post-colonial expression remain especially neglected, a problem that this book addresses.
Performance Affects, now in paperback and with a new preface, explores performance projects in disaster and war zones to argue that joy, beauty and celebration should be the inspiration for the politics of community-based or participatory performance practice. Applied Theatre has traditionally concentrated on effects - impacts, themes communicated or 'truths' revealed. Performance Affects challenges this orientation by suggesting that an affective realm needs to be the focus for a renewed aesthe...
An Actor's Craft is a handbook for acting students that provides critical approaches and guidance.
Speaking passionately about the art of acting, David Krasner illuminates the multifaceted job of an actor. Combining technique with personal examples, he demonstrates how to achieve excellence in performance, how to recognize quality acting, and how to use the technique of acting in an advanced way.
