Natalie O'Donoghue - Page 33

Alex is a social success. Her Instagram boasts a montage of members-only rooftops and clinking glasses – like after like after like! When her father dies, Alex reluctantly joins a bereavement group. She shares a little, and then lies... a lot.

When Grumms transforms from a normal girl into a squid monster ('Creature from the Black Lagoon' meets 'The Muppets'), they must hide their secret identity in order to pass in society. Stunning video projections, puppetry and physical comedy combine in this absurd exploration of gender and growing up 'normal'.

Pack your calculators, save your spread sheets and set your automatic email reply because Karen from Finance is heading Out of Office! She's hitting the road and she's hitting it hard. Say goodbye to the 80 hour work week and jump on board the Finance Express for this one-woman journey of self-discovery... and self-annihilation. Beloved Australian drag queen Karen from Finance presents her debut one woman show Out of Office which features all of her trademark high-camp and hilarious mashups, plus all the tomfoolery you can poke a presentation pointer at.

Highly anticipated debut from this 'one to watch' (FunnyWomen.com), 'rising star' (OxInABox.co.uk) and multi-competition finalist. She was 'innocent' (Oxford Mail) and 'adorable' (MumbleComedy.net) but in this thought-provoking and playful show, she explores the things that aren’t so lovely: sex, drugs and rock'n'roll*

BWW catches up with Annie George to chat about bringing Home Is Not The Place to the 2022 Edinburgh Festival Fringe.

A South-East London gangster starts to lose his grip on reality when he's forced to look back at the traumatic childhood that made him who he is. The more he remembers, the more brutal he becomes. But just when he's offered a second chance, it might all be too late.

Discover what happens behind the zoom camera in this 30-minute drama of Art Club. Audrey wants to know what doodling's got to do with love and goes back to her lover's childhood home to find answers.

Brian and Nick, collectively known as BriTANick blog for BroadwayWorld about making their Edinburgh debut, the difference between writing for stage and for screen and what is uniquely enjoyable about performing for a live audience.

BWW catches up with Tony Law about bringing A Now Begin in Again to the 2022 Edinburgh Festival Fringe

BWW catches up with Ignacio Lopez to chat about bringing El Cómico to the 2022 Edinburgh Festival Fringe.

BWW catches up with A Good Catch ahead of the show coming to the 2022 Edinburgh Festival Fringe

Ahead of its run at the 2022 Edinburgh Festival Fringe, Chris Gethard blogs for BroadwayWorld about bringing A Father and the Sun to the Gilded Balloon this August.

BWW catches up with Guy Masterson to chat about bringing 9 Circles to the 2022 Edinburgh Festival Fringe.

BWW catches up with Grumms to chat about bringing Something In The Water to the 2022 Edinburgh Festival Fringe.

Broadway producer David Carpenter blogs for BroadwayWorld about bringing The Twenty-Sided Tavern to the UK, the joys of combining technology and theatre and why the dynamic between the three creative partners works so well for the show

Cast member and Flabbergast Associate Artist Simon Gleave blogs for BroadwayWorld about bringing The Tragedy of Macbeth to the Fringe, how the creators and performers have integrated many different styles in the production and how this adds to the audiences’ understanding and experience of the story.

Company member and resident writer Josh King breaks down how the Say It Again Sorry team find things to go wrong when developing the show, and what he thinks Oscar Wilde would make of this adaptation.

BWW catches up with Emo Majok to chat about bringing African Aussie to the 2022 Edinburgh Festival Fringe.

Actor and co-writer of The Giant Killers; Andrew Pearson-Wright blogs for BroadwayWorld about bringing this tear-jerking tale to Edinburgh and why stories from so long ago still resonate with people today.

Debra Batton from A Good Catch blogs for BroadwayWorld about bringing new compelling theatre show Zoë to the Fringe and how the team create a breathtaking circus performance that speaks directly to the audience, telling the story of climate change through their work