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Natalie O'Donoghue

Natalie O'Donoghue

Natalie has been covering for BroadwayWorld Scotland since 2013 and heads up the site's Edinburgh Festival Fringe coverage. Based in Glasgow, she covers as much as she can around Scotland and is a member of the judging panel of the Critics' Awards for Theatre in Scotland (CATS). When not at the theatre, Natalie loves spending time with her cat Dolly Purrton and is a big fan of country music. She is usually covered in glitter. You can follow Natalie on Twitter at @nataliealana87 




LEARN MORE ABOUT Natalie O'Donoghue

First Show:

Blood Brothers West End/Ghost on Broadway

Favorite Show:

Wicked

Favorite Stories:

  • Rachel Fairburn- Showgirl Interview - I've been following Rachel Fairburn's career for a long time and was thrilled to chat to her about her tour show.
  • Wicked Review- Edinburgh - Wicked is my all time favourite theatre show so it was an honour to be invited to review it.
  • 2023 Year in Review - I enjoy recapping my year in theatre.
  • Battery Park review - Battery Park was a show I really loved in 2023 and I enjoy being able to highlight amazing Scottish theatre.
  • Mark Nelson Interview - I have been a fan of Mark Nelson's work for many years so really enjoyed being able to pick his brain about the Scottish comedy industry.


MOST POPULAR ARTICLES


Review: CHRISTMAS BY CANDLELIGHT, 18 Candleriggs
Review: CHRISTMAS BY CANDLELIGHT, 18 Candleriggs
December 19, 2024

Join us as we celebrate the festive season with a mix of Carols and Christmas party classics.

Review: THE NUTCRACKER, Theatre Royal
Review: THE NUTCRACKER, Theatre Royal
December 19, 2024

Scottish Ballet’s The Nutcracker brings light and joy to winter for audiences of all ages. Enjoy a visual feast as we take you and your family on a fantastical adventure. With live music played by the Scottish Ballet Orchestra, this ever-popular ballet is the perfect festive treat.

Review: PINOCCHIO, Lanternhouse
Review: PINOCCHIO, Lanternhouse
December 14, 2024

All Pinocchio has ever wanted is to be a real boy. But hold on…if he wants things, surely that means he has thoughts and feelings. And if he has thoughts and feelings, then doesn’t that mean he has a brain and a heart? And if he has all that, doesn’t that make him a real boy already?

Review: BEAUTY AND THE BEASTIE, Pavilion Theatre
Review: BEAUTY AND THE BEASTIE, Pavilion Theatre
December 14, 2024

Life in Cludgie on the Cobbles is quiet and peaceful. Belle passes her days helping her mother, Professor Porridge and their neighbours Dame Dolly Drumchapel and her son, Hector.

Review: JACK AND THE BEANSTALK, Beacon Arts Centre
Review: JACK AND THE BEANSTALK, Beacon Arts Centre
December 13, 2024

p his castle in the clouds, Giant Greedyguts plans to destroy the pantomime kingdom of Inverstrone if Dame Trot doesn’t give him her precious cow, Moomoo, for his lunch. This is just the adventure that Dame Trot’s daredevil daughter, Jack, has been waiting for.

Review: RUMPELSTILTSKIN, Platform
Review: RUMPELSTILTSKIN, Platform
December 10, 2024

Rumpelstiltskin has never fitted in. Is he a Troll? A Goblin? A Stinky Bog Monster? No one really knows! But he’s excited to head out into the world and start making friends.

Review: THE SOUND OF MUSIC, Pitlochry Festival Theatre
Review: THE SOUND OF MUSIC, Pitlochry Festival Theatre
December 9, 2024

The Sound of Music is the Pitlochry Festival Theatre's winter show and the final show to be directed by Elizabeth Newman in her role as artistic director of the theatre. 

Review: SLEEPING BEAUTY, Adam Smith Theatre
Review: SLEEPING BEAUTY, Adam Smith Theatre
December 7, 2024

The wait is over, Sleeping Beauty is now on! Bring your family and friends to experience the magic, laughter and heart-warming charm of this year’s must-see panto. With Christmas just around the corner, there’s no better way to get into the festive spirit!

Review: MOTHER GOOSE, Ayr Gaiety
Review: MOTHER GOOSE, Ayr Gaiety
December 7, 2024

With an original script written by Fraser Boyle and Ken Alexander, Ayr Gaiety pantomime isn't one of the flashy 'copy and paste' pantomimes that are staged up and down the country. The Gaiety is also working with the support of Solar Bear and is the first hearing-led Scottish panto to feature D/deaf actors.

Review: JACK AND THE BEANSTALK, Eastwood Park Theatre
Review: JACK AND THE BEANSTALK, Eastwood Park Theatre
December 5, 2024

Get ready to roar with laughter and cheer our hero Jack on his magical journey to Cloudland as he battles to save his best friend Daisy the Cow! As always there’ll be spectacular scenery, dazzling costumes, amazing special effects and lots of audience participation.

Review: SNOW WHITE, Macrobert Arts Centre
Review: SNOW WHITE, Macrobert Arts Centre
December 2, 2024

Oh dear. Things aren’t going too well down in Stirling Stella. The Baroness Fantasia De’Wharff needs a nanny to control her seven unruly step-children particularly, the rather wild Snow White. Step forward Nanny Maria Shut-Yon-Trapp who wants to fill the pantosphere with her own Sound Of Music.

Review: ALADDIN, Paisley Arts Centre
Review: ALADDIN, Paisley Arts Centre
December 1, 2024

This Christmas, PACE Theatre Company is delighted to announce its annual pantomime will be a new version of Aladdin; a re-imagining of the classic tale with a distinctly Scottish flavour. A seasonal treat for adults and children alike, Aladdin will run from Wednesday 27 November 24 – Sunday 5 January 25 in the newly refurbished Paisley Arts Centre.

Review: WEANS IN THE WOOD(LANDS), Oran Mor
Review: WEANS IN THE WOOD(LANDS), Oran Mor
November 30, 2024

Join us again at Oran Mor for another hysterical, subversive Christmas panto full of laughs, boos and, of course, a pie! The Oran Mor winter panto takes the timeslot of A Play, A Pie and A Pint from late November through to January.

Review: TREASURE ISLAND, Royal Lyceum Theatre
Review: TREASURE ISLAND, Royal Lyceum Theatre
November 30, 2024

It’s Christmas Eve and young Jim Hawkins works at North Edinburgh’s finest accommodation for reformed pirates and past-it privateers. Talk of cutlasses, ships and gold can be dangerous in such company. It’s not long before the story of their greatest voyage takes over… Jim, Ben Gunn and Lean Jean Silver are soon reliving their time hunting for treasure on the Hispaniola. Ahoy!

Review: CINDERELLA, Festival Theatre
Review: CINDERELLA, Festival Theatre
November 29, 2024

Packed with all of the traditional pantomime ingredients Edinburgh audiences expect, Cinderella features laugh-out-loud comedy, stunning scenery, beautiful costumes and plenty of boos and hisses.

Review: PETER PAN, King's Theatre
Review: PETER PAN, King's Theatre
November 29, 2024

Celebrate 60 years of panto at The King's with amazing special effects, stunning sets, beautiful costumes and barrel-loads of laughter, Peter Pan will take your whole family on a magical trip to Neverland like never before!

Review: PETER PANTO AND THE INCREDIBLE STINKERBELL, Tron Theatre
Review: PETER PANTO AND THE INCREDIBLE STINKERBELL, Tron Theatre
November 27, 2024

With a blast of magic from the mighty Stinkerbell, Peter Pan whisks West End Wendy away from the safety of her Byres Road residence to a place full of treachery, deceit and chippies that never close. Welcome to the rambunctious and radgey Riverland!

Review: MIRACLE ON DEANSTON DRIVE, Oran Mor
Review: MIRACLE ON DEANSTON DRIVE, Oran Mor
November 16, 2024

Christmas time in Glasgow is not so magical when you’re a cab driver dealing with drunken passengers, potholes and never-ending rain.

Review: 101 DALMATIANS, King's Theatre
Review: 101 DALMATIANS, King's Theatre
November 13, 2024

When fashionista Cruella de Vil plots to swipe all the Dalmatian puppies in town to create her fabulous new fur coat, there’s trouble ahead for Pongo and Perdi and their litter of adorable, tail-wagging young pups.

Review: DEMENTIA THE MUSICAL! Paisley Arts Centre
Review: DEMENTIA THE MUSICAL! Paisley Arts Centre
November 10, 2024

Dementia the Musical! is a new musical theatre production by Ron Coleman, Scottish poet and writer living with dementia, in collaboration with renowned director Magdalena Schamberger and one of Britain’s top Jazz musicians Sophie Bancroft as composer and musical director plus additional music by esteemed songwriter Andrew Eaton-Lewis.



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