Zac Thriffiley

Despite some moving performances from the supporting cast, seasoned fans of and newcomers to THE OUTSIDERS may be underwhelmed by a production whose various elements leave it struggling to “stay golden.”

Open Space Arts's production of LIGHT SWITCH shines a much-needed spotlight (no pun intended) on the struggles of neurodiverse members of queer communities, thanks in large part to its captivating leading man.

Featuring a strikingly charismatic yet grounded performance from its leading actor, HENRY V presents a compelling study of the excitement and danger inherent in even the best-intended feelings of nationalism.

Now receiving its Chicagoland premiere, Northlight Theatre’s THE FLYING LOVERS OF VITEBSK features brilliant performances and moments of exquisite stagecraft, though the play’s lean script occasionally saps the production of necessary tension and greater thematic depth.

THE HOUSE OF IDEAS provides an entertaining history of Marvel’s precipitous rise to pop cultural supremacy that nicely captures the collaborative spirit of Kirby and Lee’s frequently tumultuous partnership. But more casual fans of the brand may find themselves lost in the play’s more intricate plot points and initially dizzying pace.

Redtwist’s THE NORMAL HEART is frequently an emotionally affecting piece, thanks to the powerfully palpable talents of its principal cast. However, some uneven performances and an occasionally murky directorial vision prevent the production’s themes and message from beating forth as forcefully as one might hope.

Writers Theatre’s latest production is an impressive commitment to craft and community that invites audiences to reflect on questions of masculinity, race, and responsibility that stimulate the brain while tickling the funny bone.

Fans of the novel may be enthralled at seeing the characters and events of THE KITE RUNNER brought to life before their eyes, largely through moving performances and clever stagecraft. But this dramatization feels unsatisfying, an adaptation that ultimately fails to convince audiences that it is necessary much less an improvement on the original.

Blank Theatre’s ON THE 20TH CENTURY makes for a delightful ride through a farcical facsimile of Broadway’s Silver Age, if one can accommodate a few bumps along the way.

Under the meticulous direction of Chuck Smith, the Goodman’s newest revival of JOE TURNER’S COME AND GONE emphasizes the play’s continued relevance through masterful performances that find cause for celebration and laughter even in the face of oppression. The production has already been extended through May 19 due to popular demand.

Under the direction of BJ Jones, John Patrick Shanley's newest play boasts a talented cast gifted with good humor and heartfelt emotion, but the uneven script feels as though it shrank in a dryer fed by clichés rather than coins.

Charles Newell's final project as Court Theatre's artistic director offers audiences a hilarious exploration of what makes us human as well as a stunning reminder of his keen dramaturgical instincts. The production has already been extended through April 28 due to critical acclaim and popular demand.

This newest adaptation of PETER PAN unquestionably corrects injustices that never should have been committed in the first place. But by flying Peter so enthusiastically into 2024, the creative team has stripped him and his story of some of their magic, making the boy who wouldn't grow up more out of touch than out of time.

No matter your preference, your favorite Sondheim shows will be represented in Theo Ubique's latest cabaret revue, which is as much an informative crash course in the composer's oeuvre as it is a heartfelt memorial to his rich life and lasting legacy. The production runs through April 28 at Theo's performance space in Evanston.

Premiering at Rivendell Theatre under the inventive direction of Tara Mallen, WIPEOUT gifts audiences a hilarious exploration of aging, friendship, and womanhood that's as fun as a day at the beach and as bittersweet as a setting sun.

The semi-improvised, fourth-wall-breaking musical now receives a delightful production at Music Theater Works that's heavy on humor if occasionally light on heart. It runs through March 31 at the North Shore Center for the Performing Arts in Skokie.

Invictus Theatre Company's production of the Pulitzer Prize-winner TOPDOG/UNDERDOG has moments of comedic entertainment and dramatic import, but it struggles to live up to the play's substantial reputation. It runs through March 31.

Director Zi Alikhan has gifted Chicago audiences with a production of THE BAND'S VISIT whose talent and creative execution equal---and may even exceed---those of the Broadway and touring productions. It runs through March 17 at Writers Theatre in Glencoe.

Alex Edelman's newest solo show JUST FOR US is a riotously hilarious and surprisingly heartfelt meditation on internet culture, Jewish identity, and the limits of radical empathy. It runs through February 25 at Steppenwolf's Downstairs Theater. Critic's recommendation: get your tickets immediately.

Paul Michael Thomson's newest dramedy BROTHER SISTER CYBORG SPACE, now receiving its world premiere at Raven Theatre, occasionally loses itself in a flood of introspection. But it's buoyed along by a cast of thoughtful and charismatic performers.