Interview: Q&A with OTHER SIDE OF THE GAME's Amanda ParrisOctober 13, 2017OTHER SIDE OF THE GAME marks the playwriting premiere for Toronto-raised writer, Amanda Parris. Presented by Cahoots Theatre and Obsidian Theatre, Parris' play gives voice to the stories of Black women, who are too often silenced. Parris chats with BroadwayWorld's Taylor Long about the process of bringing OTHER SIDE OF THE GAME to the stage.
BWW Review: COC's ELIXIR OF LOVE is Charming to the CoreOctober 12, 2017Small town charm is the fuel for the Canadian Opera Company's ELIXIR OF LOVE. Set in any town Ontario, Donizetti's beloved characters appear even more appealing and recognizable in James Robinson's quaint production. As part of the bel canto operatic repertoire, beautiful singing is an exceptionally fitting description for this production, masterfully sung by a cast of emerging Canadian artists.
BWW Review: Canadian Opera Company's ARABELLA Sparkles in Every WayOctober 6, 2017Swanky sets, shimmering voices, sumptuous costumes - it all sparkles when met with sublime Strauss. The Canadian Opera Company presents the Canadian premiere of ARABELLA, a lyric comedy by Richard Strauss. A co-production with Santa Fe Opera and Minnesota Opera, ARABELLA is sung in German with English surtitles, the libretto by Hugo von Hofmannsthal still resonating humorously against Strauss' score. Director Tim Albery has created a fine production, where every detail brims with elegance.
BWW Review: Britta Johnson's LIFE AFTER is Musical Theatre PerfectionSeptember 30, 2017Sometimes you know, within the first thirty seconds, that you're seeing something truly special. Britta Johnson's LIFE AFTER is exquisite from start to finish. Produced by the Musical Stage Company, Canadian Stage and Yonge Street Theatricals, the new Canadian work is the epitome of well-constructed musical. Johnson's remarkable, complex score binds with a moving story, creating a musical that is concise, complete - perfect.
Interview: Soprano Erin Wall Prepares for COC's ARABELLASeptember 29, 2017Soprano Erin Wall is one busy woman. Luckily, the talented (and funny!) singer had some time to sit down with BroadwayWorld's Taylor Long to talk about singing, joke about her composer boyfriends, and share some of the preparation involved in mounting a large-scale opera like ARABELLA.
BWW Review: Technical Wizardry Astounds in Mirvish's NORTH BY NORTHWESTSeptember 26, 2017You've never seen anything like it! Mirvish's NORTH BY NORTHWEST, based on Alfred Hitchcock's famous film, fills the gorgeous Royal Alexandra Theatre with suspense and intrigue. Adapted by Carolyn Burns and directed by Simon Phillips, the new stage adaption thrills with witty, technical innovation.
BWW Review: TORONTO SYMPHONY Season Launch Delivers SurprisesSeptember 21, 2017A night of surprises, enthusiastic artistry and brave new compositions graced the Roy Thomson Hall Tuesday night. The TORONTO SYMPHONY ORCHESTRA opened its 2017-2018 season with a program that effortlessly mingled the classical with the contemporary. This is a year of big changes for the orchestra. For the past 14 years, music director Peter Oundjian has been successfully anchoring the TSO as one of the finest orchestras in the world. The audience could not have been more appreciative during the opening night of Oundjian's final season.
BWW Review: Soulpepper's PICTURE THIS is a Weird, Wacky, Whimsical FarceSeptember 17, 2017Just when you think you've run out of laughter, PICTURE THIS demands more. Written by Morris Panych and Brenda Robins, Soulpepper's PICTURE THIS is a heap of slapstick, comedic gold wrapped in the packaging of Ken MacDonald's gorgeous, intelligent set. Inspired by Melchior Lengyel's 'The Battle of Waterloo', PICTURE THIS captures the virile hunger of the struggling artist and presents it in a way that is enormously funny.
BWW Review: Nothing is Everything in Soulpepper's WAITING FOR GODOTSeptember 15, 2017Beckett's masterpiece, WAITING FOR GODOT proves its relevance in Soulpepper's riveting revival, opening their 2017-18 season. GODOT's structure, atmosphere and design plays like a contemplation on mindfulness - a search for meaning, in the seemingly meaningless.
North American Regional Premiere of WE WILL ROCK YOU Opens in Thunder BaySeptember 8, 2017Magnus Theatre in Thunder Bay, ON is excited to announce the dynamic and thrilling cast for the North American Regional premiere of the musical WE WILL ROCK YOU, featuring the music of Queen with a book by Ben Elton. Directed by Magnus Theatre's Artistic Director Thom Currie, WE WILL ROCK YOU is the inaugural production of our 2017-2018 season, opening September 8 and running through September 23.
National Theatre's Acclaimed Play YERMA Coming to TheatresSeptember 7, 2017National Theatre's acclaimed production of YERMA hits the big screen September 21 & 23. Cineplex theatres across Canada, including in Toronto, will broadcast the live transmission of Federico Garcia Lorca's play, directed by Simon Stone and starring Doctor Who's Billie Piper.
BWW Interview: Pretty Little Liars' JANEL PARRISH Talks GREASE TorontoSeptember 5, 2017GREASE says 'You're the One That I Want' to Pretty Little Liars star, Janel Parrish. With previews beginning November 1st at Toronto's Winter Garden Theatre, Parrish will be taking on the iconic role of Sandy - but did you know that she auditioned for a different role?
BWW Review: DIVINE at SummerWorks Entertains with Adventure in a Grim FutureAugust 10, 2017Can you imagine life without water? It's something we take for granted. Water is always accessible. It's easy to find. DIVINE, by Natalie Frijia, imagines a world without these luxuries. Directed by Claire Burns, DIVINE presents this one potential future as a post-apocalyptic wasteland - a wild-west complete with bandits, heroes and spies. A mix of fantasy and adventure, DIVINE is a delightfully entertaining glimpse at a dystopia that is too close for comfort.