BWW Review: THE KING AND I at Mirvish is a Charming Revival of a Problematic MusicalJuly 17, 2018There's no escaping it - this Rodgers and Hammerstein classic has not aged well. Bartlett Sher's brilliant production of THE KING AND I has arrived in Toronto at Mirvish's Princess of Wales Theatre. While the cast does an exceptional job revitalizing the work, they can't escape the problematic cultural themes that form the structure of this beloved musical.
BWW Review: WICKED Shows No Signs of Slowing DownJune 25, 2018After nearly 15 years, WICKED is still defying gravity. The North American tour of Stephen Schwartz' blockbuster musical WICKED will be whisking Toronto audiences to Oz this summer at Mirvish's Ed Mirvish Theatre. Lucky for us Torontonians, this touring cast is more than capable at navigating the thrilling, challenging, and...popular score.
BWW Interview: National Ballet of Canada's Jack Bertinshaw Talks FRAME BY FRAMEJune 2, 2018Visionary Canadian director Robert Lepage teams up with Guillaume Cote, Principal Dancer and Choreographer at the National Ballet of Canada to present FRAME BY FRAME. We spoke to Second Soloist Jack Bertinshaw, playing filmmaker Norman McLaren, about his life as a professional dancer, the unique challenges in bringing a man's life to life on the stage, and the incredible three-year collaborative process to prepare FRAME BY FRAME for its world premiere.
BWW Review: The Magic Was Still Very Much Alive at HARRY POTTER AND THE PRISONER OF AZKABAN IN CONCERTMay 21, 2018Nothing brings people together quite like Harry Potter. The Toronto Symphony Orchestra (TSO) joined the Amadeus Choir and the Elmer Iseler Singers to present the third chapter of the Harry Potter: In Concert Series - HARRY POTTER AND THE PRISONER OF AZKABAN IN CONCERT. Beyond hearing the enchanting John Williams' score performed live by an incredible orchestra, the event is an incredible unifier - creating a space for Potter fans to congregate and celebrate.
BWW Review: Your Kids Will Love ANNIE at MirvishMay 1, 2018Puzzle pieces cover the stage, invoking a sense of kid-centric wonder in Mirvish's ANNIE. With music by Charles Strouse, lyrics by Martin Charnin, and a book by Thomas Meehan, ANNIE has stood the test of time as one of musical theatre's most beloved shows. Mirvish's production keeps the inspirational story and the hummable tunes - but offers a weird production concept that spends the entire show fighting itself.
BWW Review: CANDIDE at TSO Gives You Permission to LaughApril 30, 2018Conductor Bramwell Tovey began the evening by saying, 'in light of the way things are… I want to give you permission to laugh.' It didn't take very long before the audience was in stitches with laughter. The Toronto Symphony Orchestra performed Leonard Bernstein's CANDIDE last weekend, accompanied by some of the country's greatest classical voices - Judith Forst and Tracy Dahl - and the Toronto Mendelssohn Choir. The evening was a spectacular display of fine music, drama, and comedy.
BWW Review: Musical Stage Company's FUN HOME is a Little Show with a lot of HeartApril 22, 2018The Musical Stage Company has done it again. FUN HOME, presented as part of the off-Mirvish subscription series, is a testament to the power of effective musical theatre. With its gripping exploration of a dysfunctional family struggling with identity - internally and externally - a book and lyrics by Lisa Kron, and music by Jeanine Tesori (Thoroughly Modern Millie, Shrek The Musical), FUN HOME packs a punch. It may be the biggest show in the Musical Stage Company's history, but FUN HOME is really an intimate story about love and acceptance.
BWW Review: Broadway Stars Shine Bright in TSO's ON BROADWAYApril 11, 2018Two of musical theatre's finest voices filled the Roy Thomson Hall last night at the Toronto Symphony Orchestra's ON BROADWAY. Two-time Tony Award-nominee Stephanie J. Block joined Tony Award-nominated Canadian performer Ramin Karimloo and Steven Reineke, Principal Pops Conductor, in a night of Broadway highlights ranging from Rodgers & Hammerstein, to Stephen Sondheim, to Stephen Schwartz.
BWW Review: Second City's THE BEST IS YET TO COME UNDONE Delivers Comedy that Packs a Moral PunchApril 11, 2018It's the type of humour that makes your gut ache from both laughter and contemplation. Second City is presenting their new mainstage revue, TITLE OF SHOW, a sketch comedy piece incorporating music, dance?, and of course, face-melting comedy. The ensemble tackles everything from Weight Watchers, to Google Home, to an exploration of how everything ultimately relates to the musical, CATS.
BWW Review: AN AMERICAN IN PARIS at Mirvish is the Gorgeous Show You Can't MissApril 3, 2018This must be one of the prettiest shows for the stage. AN AMERICAN IN PARIS, currently being presented at Mirvish, will have you shaking your head in wonder at Bob Crowley's imaginative set design and Christopher Wheeldon's breathtaking direction and choreography. The musical, inspired by the Academy Award-winning motion picture with Gene Kelly and Leslie Caron, features the sublime music and lyrics by George and Ira Gershwin. Although the performances are tremendously uneven, the musical is a feast for the eyes that is an unmissable theatrical attraction in Toronto.
BWW Review: GOBSMACKED Has Impressive Parts but Struggles as a UnitMarch 25, 2018'The world's best a capella and beatboxing show,' delivers less energy than you'd think. Touring North America, GOBSMACKED is a collection of mainstream hits all performed completely a capella - like a live version of 'Glee' with less musical theatre. Individually the performers are wonderfully talented, but the collaborative team effort struggles to produce enough energy to make the show a hit.
BWW Review: ANIMAL FARM at Soulpepper Uses Humour to Reel You InMarch 20, 2018I would watch a Ravi Jain directed production of the phone book. ANIMAL FARM, presented by Soulpepper, is an adaption of George Orwell's famous novel by Canadian playwright Anthony MacMahon. Jain and MacMahon design a campy, satirical world for the farm animals, using humour as a reel to hook the audience into deeper discussions about humanity and society. It's persuasive, troubling, and honestly funny.
BWW Review: Soulpepper's IDOMENEUS Resonates Through Jarring StorytellingMarch 15, 2018'That's not what happened.' Soulpepper's IDOMENEUS tells the story of a famous Greek myth - but plays with the mode of storytelling to create something remarkable. Roland Schimmelpfennig's modern play comes to life in a timeless zone of monochromatic universality in Alan Dilworth's production, designed by Lorenzo Savoini. Using a chorus of voices, the narrative weaves between past and present, fact and fiction - presenting themes that resonate not only within the world of Soulpepper, but within the world at large.
BWW Review: National Ballet Delivers Grand Spectacle with THE SLEEPING BEAUTYMarch 11, 2018Tchaikovsky's exquisite score meets Nureyev's exhilarating choreography in a sensational grand ballet experience. The National Ballet of Canada brings back their celebrated production of Tchaikovsky's THE SLEEPING BEAUTY, choreographed by the late Rudolf Nureyev. A dancer himself, Nureyev's creative stamp on the piece expands the already technically challenging choreography originally created by Marius Petipa - adding depth to the Prince's role with variations of amplified difficulty. Even the most ardent ballet critic is sure to be impressed by the extreme athleticism required to dance this production.
BWW Review: National Ballet's MADE IN CANADA Fascinates with a Mixed All-Canadian ProgramMarch 6, 2018Slip into a painting. Slip into the life of a man. Slip into nature. MADE IN CANADA stimulates the imagination with a program of three invigorating Canadian ballets - Robert Binet's The Dreamers Ever Leave You, James Kudelka's The Four Seasons, and Crystal Pite's Emergence. This program offers something for everyone from classical choreography, to contemporary and everything in between.