Rich Mehrenberg - Page 9

Robbins's choreography was athletic and imaginative. His incorporation of unusual props like briefcases and swim flippers made the dance numbers highly memorable and very enjoyable.

The show's songs are electric and in your face; movement is sharp and aggressive. In a nutshell, Spring Awakening is the show that American Idiot aspires to be.

Tolpegin is magnificent in her portrayal. So often...an actor's depiction of mental illness is totally externalized...sobbing hysterical laughter, jerky body movements. Tolpegin doesn't rely on such tricks. We learn about her through her dialogue and song, but we are not always privy to her private internal struggles and suffering. This is the difference between a caricature and a character.

Susquehanna Stage is a theatrical gift embedded within the Mareitta Center for the Arts' pretty wrapping paper

Follow Geunevere's advice and seek out the show's "simple joys", and you won't be disappointed.

You would be advised to hide your matches, because the Sophisticated Ladies cast was determined to set the stage on fire.

I Am My Own Wife is a true life tale of survival. The biographical play tells the story of Charlotte von Mahlsdorf. Charlotte is a transgendered museum curator who built herself a life of strength, acceptance, and understanding in Nazi Germany.

Dirty Rotten Scoundrels is a show that is both fun and funny.  The Resident Theater Company has once again upped their game and produced a very high quality show.  Their tagline of 'NY Theatre in West Chester' is no mere hyperbole. 

Fulton Theatre's current production of Once is plagued by an unforgivable flaw...it's boring.

Dutch Apple emphasizes the amazing in their current production of Joseph and the Amazing Technicolor Dreamcoat. The show is a dazzling spectacular of sight, sound, and movement.

Theatre Harrisburg's Doubt is a profound, thoughtful and timely night of theater. The horrendous accusations of sexual abuse within the clergy is as relevant today as it was during the show's fictional 1960's Catholic school setting.

You might not be familiar with the latest Dutch Apple production, Lucky Stiff. The 1988, Off-Broadway show might best be described as 2 parts Weekend at Bernie's, 1 part Brewster's Millions, with a splash of The Bucket List thrown in for good measures. Those who appreciate broad, farcical comedies will also probably enjoy this show.

Fulton's production of The Glass Menagerie is a very good show presented in a mediocre environment. It's like sitting down to lobster in a school cafeteria.

Spamalot is a enjoyable 'knight' at theater, full of nonsense and fun.

The Fulton's Chicago is sexy and sultry. It is going to get you hot and bothered. So much so that exit doors were opened during intermission to cool down both actors and audience.

Valentine's Day is right around the corner. It is prime time for lovers of all sorts, especially theater lovers. Select a 'dream Valentine' below and consider making a date to see her 'favorite show'.

The Dutch Apple production of Stand By Your Man provides a non-glamorized portrayal of one of country music's biggest icons.  The performances are very strong within a script that could still use a little work.

I am so thrilled to report that director Greg Trax and his company completely nailed this show from beginning to end in this production at the Gettysburg Community Theatre.

Lend me a Tenor is an ebullient and highly professional production. The Resident Theater Company have a hit on their hands, and the town of West Chester should be proud to own a tiny slice of Broadway.

    The Dutch Apple's production of A Christmas Carol is a great piece of festive entertainment.  Although it doesn't set out to reinvent the story in any significant way, many audience members will  appreciate the tradition and familiarity that it brings.