Michael Dale - Page 126

Neil LaBute's new comedy is a riot from start to finish.

Grace McLean and Brian Charles Rooney are both wildly funny in this musical spoof.

The story of a lifelong relationship between two people is told through the handwritten correspondence sent between them throughout the decades.

Bridget Everett's obsessively aggressive raunchiness gets tiresome very quickly.

The Mint mounts a fine revival of playwright George Kelly's final Broadway effort.

Anna D. Shapiro's Steppenwold production softens Kenneth Lonergan's satirical edges.

Robert O'Hara uses hilarious sketches and sobering drama in a collage of experiences from growing up gay and black.

The phrase "community theatre" rarely inspires such vibrant dramatics and joyful pageantry as when the Public Theater's Public Works program takes the Delacorte stage.

Alli Mauzey and Josh Grisetti shine in a a daffy, enjoyable lark.

Lila Neugebauer directs an intriguing and touching production of A.R. Gurney's community of moments.

Naomi Wallace's intimate drama contrasts a women's prison and the prison free women encounter.

Theresa Rebeck adds nothing fresh regarding the subjectivity of morality.

Ivar Pall Jonsson's pitiful attempt at allegorical whimsy lacks basic musical theatre craft.

Genet's erotically intimate drama gets played for broad laughs in Benedict Andrews' production.

Delacorte production more ritual than theatrical.

Cirque's touring show riffs on flight and cheesy lounge acts.

Stephen Adly Guirgis' new play offers crackling, streetwise dialogue and tension-packed drama.

A new comedy demonstrates a knowledgeable affection for the Ridiculous style but the evening never takes off into the kind of hilarity expected.

Bert Berns bio-musical has a swell cast, fun songs and a book that drags mercilessly.

Encores! Off-Center brings back one of Broadway's more surprising success stories.