Michael Dale - Page 124

Monty Python's tale of the fellow born in the stable next to Jesus' has gone from blasphemous to delightful family fun.

Samuel D. Hunter's drama of a mundane little community is in itself a rather mundane evening.

After a two-month Broadway run, the story of the rockstar rabbi returns Off-Broadway with a pared-down script.

Bernard Pomerance's one Broadway play is a clinical, alienating drama.

Truman Capote's short story doesn't provide enough plot for this two-act musical.

Director Eric Ankrim's solid mounting is bursting with brassy talent.

Kateri Hall's drama dares the audience to accept a miracle.

Peter Mills and Cara Reichel revamp their wonderful F. Scott Fitzgerald musical of nearly ten years ago.

Sam Shepard's riff on Sophocles is a chore to comprehend.

Pam MacKinnon's starry production has its stumbling points.

John Doyle cuts Rodgers and Hammerstein's experimental musical extensively and casts actor/musicians.

Young Jean Lee's new drama may actually be a satire.

The 1997 flop with a big cult following returns with major revisions.

Simon Stephens' tense and chilling drama attempts to explain why the unthinkable is becoming more commonplace.

Hugh Jackman stars in the longest 90 minutes on Broadway..

Quincy Tyler Bernstine offers beautiful understated pathos in Heidi Schreck's touching new drama.

Candice Bergen and Alan Alda may be among the most endearing and believable pairs to take on A.R. Gurney's Pulitzer finalist.

John Hawkes does some stellar work in David Auburn's intimate drama.

Douglas Carter Beane and Kathleen Marshall whip a movie classic into a fun new musical.

David Rabe's 1972 Tony-winner darkly satirizes America's self-image during the Vietnam era.