Krista Garver - Page 4

You will be hard-pressed to find anything more fun than this super sassy, high-energy celebration of self-acceptance, inclusivity, and, of course, big hair.

IMO you should never pass up the opportunity to see an August Wilson play, and that certainly goes for SEVEN GUITARS.

This is very intimate theatre, and not just because it’s performed for small groups in small rooms. Every piece deals with an intimate subject – something we don’t like, or don’t know how, to talk about. So, buckle up. And go see it.

Madeline Sayet’s sweeping and poetic one-person play WHERE WE BELONG tells the story of Achokayis, a Mohegan theatre-maker, who in 2015 moves to England to get her PhD in Shakespeare. It deals with issues that we as a country have actively worked to avoid talking about, or at least to relegate them to the past, even when their impacts are ongoing.

YOUNG AMERICANS a quiet contemplative sort of play. It asks you to reflect on a question -- What does it mean to be an American? -- that has no definitive answer in a way that takes a wide variety of perspectives into account.

Whether you feel like a romantic comedy or a look at an important moment in our civil rights history, WHAT I LEARNED IN PARIS fits the bill.

WELCOME TO ARROYO'S is a moving and must-see play about family, grief, love, art, and the importance of being open to new perspectives and experiences. But more than anything else, it’s about community.

Do you remember those brilliant Kodak commercials way back when that chronicled people’s lives through photographs and seemed specifically designed to tug at every last heartstring? In all the best ways, SNAPSHOTS: A MUSICAL SCRAPBOOK, now running at Broadway Rose, is a full-length musical version of one of those.CAL SCRAPBOOK at Broadway Rose?

MS. HOLMES & MS. WATSON – APT 2B simultaneously plays homage to and flips on its head the detective story tropes to show what happens when women are in charge.

The national tour of this Broadway hit, now running at Keller Auditorium, literally defines the word spectacular. It’s dazzlingly gorgeous and also oh-so-much fun!

I count on Portland Playhouse's A CHRISTMAS CAROL every year to get me into the holiday spirit, and it has never failed. It will work for you too.

What did our critic think of IT’S A WONDERFUL LIFE: A LIVE RADIO PLAY at Portland Center Stage? It's the theatrical equivalent of hot cocoa with whipped cream.

Amed with fabric, scissors, and a sewing machine, Kristina Wong goes to war against COVID with her squad of mask-sewing Aunties. Catch her show KRISTINA WONG, SWEATSHOP OVERLORD at Portland Center Stage.

KING OF THE YEES combines biting humor, keen social commentary, and the thrill of discovery into a touching and also wildly entertaining package.

Through two unnamed characters – lonely people struggling to find purpose and connection – the play explores how fundamental empathy is to our existence. I give this production my absolute highest recommendation.

This beautiful play wraps a history lesson about the social justice movement of the 1960s in a poignant family drama. Also, the final scene is one of the most beautiful expressions of joy I've ever seen on stage.

Kristoffer Diaz's play is one of those rare treats that is a heck of a lot of fun and also has something meaningful to say.

This play takes you into the darkest parts of human nature and doesn’t give you a path back out, and it forces you to think about what you would do in these situations, where every choice is a bad one. And because of that, it’s must-see theatre.

Families, amirite? And where better to experience the whole spectrum of family dynamics than at a funeral! In Douglas Lyons' comedy CHICKEN & BISCUITS, now running at Portland Playhouse, the Jenkins family is gathering for the funeral of their patriarch and pastor.

Excellent performances help mask the weaknesses of this not-particularly-romantic romantic comedy.