Krista Garver - Page 3

PORT AUTHORITY reels you in and makes you care deeply about simple, ordinary, broken people. If you’re a fan of monologues, this is one you’ll definitely want to see.

The play, directed by Rebby Yuer Foster, is like a dream that exists in that space in between sleeping and waking. It speaks to the part of the brain that processes emotions and memory below the level of consciousness.

In Adam Overett’s THE DOUBLE-THREAT TRIO, now playing at Broadway Rose, the question is, can three double-threats make it to Broadway?

Especially in an election year, this play isn’t just a must-see, but a civic duty.

The reason this musical is the third-longest running in Broadway history (and that its Portland tour stop is three weeks rather than the typical one week) is because it’s truly magical.

At the end of 2023, Many Hats Collaboration, which creates theatre performances that reimagine music and movement onstage, wrapped up its 5 in 5 Initiative.

If you don't want to hear another Christmas carol, DRACULA, A FEMINIST REVENGE FANTASY, REALLY may be the wild and refreshing alternative you’re looking for.

Appropriate for opera newbies, opera aficionados, and all the rest of us in between, this classic detective-story-meets-fairy-tale opera composed by Evan Meier with libretto by E.M. Lewis truly has something for everyone.

There is no better way to get into the holiday spirit than this beautiful production of a timeless classic.

This show, starring Portland’s fabulous Liberace and Liza Minnelli impersonators, David Saffert and Jillian Snow, is a delight not to be missed.

If you are a teenager, have a teenager, or want to know more about what it’s like to be a teenager right now, definitely go see this play.

Every time I go to Shaking the Tree, I wonder what surprises, delights, and disturbances artistic director Samantha Van Der Merwe and her highly creative crew have in store for us. Federico García Lorca's BLOOD WEDDING, now on stage, has its fair share of all three.

This ambitious production – a cast of nearly 20, including 10 children! – is totally enchanting.

What did our critic think of MY BEDROOM IS AN INSTALLATION at Imago Theatre?

Go for the nostalgia, the music, and above all the great performances.

AIN’T MISBEHAVIN’ is a great musical showcase, as well as a much-needed diversion. The hooting, hollering, clapping, and toe-tapping audience seemed to agree.

Samuel Beckett’s 1961 masterpiece HAPPY DAYS, now being presented by the Northwest Classical Theatre Collaborative, is a tragicomic meditation on how to hang onto our humanity as time marches us slowly toward death. It’s equal parts LOL funny and deeply depressing, and it’s eerily relevant to our current post-pandemic world that is also burning.

What did our critic think of ROGERS + HAMMERSTEIN'S CINDERELLA at Broadway Rose?

Blending 16th century history with modern pop culture and music, SIX is a super-smart, high-energy celebration of women reclaiming the narrative of their own lives. Most of all it’s just really fun.

CARDIAC ORGAN is excellent fun – not the good, clean type, but the vastly superior creepy, twisted type. Slither up to the bar for a Red Rabbit and enjoy the show.