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Kat Mokrynski - Page 15

Kat Mokrynski

Kat Mokrynski is currently a writer for BroadwayWorld UK, having previously written for BroadwayWorld as a part of the Student Blogger program from November 2019 to September 2022. Some of her favourite shows include Les Misérables, Come From Away, The Play That Goes Wrong, and David Byrne's American Utopia. She enjoys interviewing people involved in the theatre industry and reviewing a range of shows, from one-hour comedies to four-hour immersive experiences. Kat recently graduated from King's College London with a Master's Degree in Arts and Cultural Management. 

When she's not working or seeing as many shows as possible across London, you can usually find Kat wandering around historic sites, watching TikToks, or traveling around the UK.

You can follow Kat on Twitter @larkofparis






Interview: 'I've Been Doing a Lot of Kissing!': Actor Georgina Castle of ELF THE MUSICAL on Christmas Joy and Returning to the Role of Jovie
Interview: 'I've Been Doing a Lot of Kissing!': Actor Georgina Castle of ELF THE MUSICAL on Christmas Joy and Returning to the Role of Jovie
December 5, 2023

BroadwayWorld chatted with Georgina Castle about what it has been like returning to the show. We discussed what she loves about the production, how the musical compares to the film and how she found love on stage!

Review: TOM BRACE: A TRICK DOWN MEMORY LANE, Pleasance London
Review: TOM BRACE: A TRICK DOWN MEMORY LANE, Pleasance London
November 6, 2023

The introduction of Tom Brace: A Trick Down Memory Lane is a fascinating one in which a disembodied voice recounts the time when Derren Brown played Russian Roulette live on television, creating a controversy not only in the world of magic but in general.

Review: LUKE WRIGHT'S SILVER JUBILEE, Pleasance London
Review: LUKE WRIGHT'S SILVER JUBILEE, Pleasance London
November 3, 2023

What do you get when you combine poetry, comedy, and a little bit of drum and bass? You get Luke Wright’s Silver Jubilee. The show, a celebration of Wright’s 25 years performing and touring poetry is an hour of the poet/comedian discussing a range of topics including being adopted, privilege, and cats named Bagel and Sir John Betjeman.

Review: THE INTERVIEW, Park Theatre
Review: THE INTERVIEW, Park Theatre
November 3, 2023

What role does a journalist play in telling the truth versus getting a good story? How does one find the line between the truth and an agreed narrative? Jonathan Maitland’s new play, The Interview, attempts to tackle these questions by taking a close look at the BBC Panorama interview with Princess Diana in 1995.

Review: SAM MORRISON: SUGAR DADDY, Soho Theatre
Review: SAM MORRISON: SUGAR DADDY, Soho Theatre
October 27, 2023

From the beginning of Sam Morrison: Sugar Daddy, Morrison does not hide who he is - he is an “anxious, asthmatic, gay, diabetic Jew” who has a love for big-bellied men (or, as he calls it, the Bridgerton Belly™.

Review: OLGA KOCH: PRAWN COCKTAIL, Soho Theatre
Review: OLGA KOCH: PRAWN COCKTAIL, Soho Theatre
October 30, 2023

From the beginning, Olga Koch: Prawn Cocktail gives audiences the chance to see Koch at her wittiest and dirtiest, usually both at once. The theme of the show? Reframe, reframe, reframe. Reframing as a form of comedy, reframing as a form of coping, this show has got it all. 

Review: BAD TEACHER, Pleasance London
Review: BAD TEACHER, Pleasance London
October 30, 2023

Bad Teacher is a show that struggles to decide whether it is going to be a serious reflection on mental health in the current education system or a funny tale from the perspective of an exhausted young teacher.

Interview: Keir Ogilvy, Trevor Fox, and Laurie Ogden of THE OCEAN AT THE END OF THE LANE on Bringing the Show to the Stage
Interview: Keir Ogilvy, Trevor Fox, and Laurie Ogden of THE OCEAN AT THE END OF THE LANE on Bringing the Show to the Stage
October 31, 2023

Broadwayworld spoke with Trevor Fox (Dad), Laurie Ogden (Sis) and Keir Ogilvy (Boy) about the show coming to the West End. We discussed what it is like being in an adaptation of Neil Gaiman's work, how The Ocean at the End of the Lane is theatre for everyone, and how they each relate to their characters.

Review: HALLOWED PEAK: LUNAR FESTIVAL, Phantom Peak, London
Review: HALLOWED PEAK: LUNAR FESTIVAL, Phantom Peak, London
October 16, 2023

A town has appeared once more in Canada Water, bringing with it a cast of curious townspeople and exciting mysteries to uncover. In this town, you can become a paranomal investigator, make new friends (or enemies!) and even go fishing for platypuses. Will you pass through the gates of Phantom Peak and answer its call?

Interview: 'Everyone is Blown Away By the Spectacle': Actor Oliver Ormson on FROZEN THE MUSICAL, Audience Reaction and Acting with Sincerity
Interview: 'Everyone is Blown Away By the Spectacle': Actor Oliver Ormson on FROZEN THE MUSICAL, Audience Reaction and Acting with Sincerity
November 2, 2023

BroadwayWorld spoke with Oliver Ormson, who returns for a second year to play the role of Prince Hans of the Southern Isles. We discussed what it has been like taking on a character from the beloved animated movie, how the musical expands upon the original, and fun audience reactions!

Interview: 'OTHELLO is a Tragedy, But It's a Love Story': Michael Fox And Martins Imhangbe on Bringing Shakespeare Into the Modern World
Interview: 'OTHELLO is a Tragedy, But It's a Love Story': Michael Fox And Martins Imhangbe on Bringing Shakespeare Into the Modern World
October 30, 2023

BroadwayWorld spoke with two of the actors in the show; Martins Imhangbe (Othello) and Michael C. Fox (Iago). We discussed what made this production of Othello unique, how they worked on developing their characters and how Othello is relatable hundreds of years after it was first published.

Interview: 'It's Like an Out-of-Body Experience': Shelly Berger, Manager of The Temptations, on AIN'T TOO PROUD and its Legacy
Interview: 'It's Like an Out-of-Body Experience': Shelly Berger, Manager of The Temptations, on AIN'T TOO PROUD and its Legacy
October 12, 2023

Recently, BroadwayWorld had the chance to sit down and talk with Shelly Berger, the current manager of The Temptations who has been with the group for over sixty years. We discussed what it has been like to see himself portrayed on stage, the journey of Ain’t Too Proud across the pond, and even Berry Gordy’s first reaction to the show!

Interview: 'I'm in Awe of Everyone Every Day': Patrick Gibson on Cooking on Stage and Returning to the World of Lynn Nottage in CLYDE'S
Interview: 'I'm in Awe of Everyone Every Day': Patrick Gibson on Cooking on Stage and Returning to the World of Lynn Nottage in CLYDE'S
October 16, 2023

BroadwayWorld sat down with Patrick Gibson, who played Jason in SWEAT back in 2019 at the Donmar Warehouse and returns to the same venue to play the same character.

Review: ALL THE FRAUDULENT HORSE GIRLS, The Glory
Review: ALL THE FRAUDULENT HORSE GIRLS, The Glory
October 10, 2023

All the Fraudulent Horse Girls is an absurd, awkward yet delightful show that will bring joy to everyone in the audience, regardless of their horse girl status. To quote the show itself, “None of this makes any goddamn sense,” but that is part of what makes it so great.

Review: FOIL, ARMS & HOG, London Palladium
Review: FOIL, ARMS & HOG, London Palladium
October 6, 2023

If you haven’t seen Foil, Arms & Hog live, you’ve probably seen one of their many sketches on YouTube, where their videos have reached hundreds of millions of views. The trio’s specialty is sketch comedy, and their show at the Palladium brings audiences exactly that.

Interview: 'To Coin Norma Desmond, “I've Come Home at Last!”': Rachel Tucker on Her Upcoming Concert at Cadogan Hall and Guest-Starring in Jamie Lloyd's SUNSET BOULEVARD
Interview: 'To Coin Norma Desmond, “I've Come Home at Last!”': Rachel Tucker on Her Upcoming Concert at Cadogan Hall and Guest-Starring in Jamie Lloyd's SUNSET BOULEVARD
October 18, 2023

Recently, BroadwayWorld had the chance to talk with Tucker about her upcoming concert at Cadogan Hall. We discussed what it’s like to be performing at such an iconic venue, her creative process for her new album, and even some of her favourite songs to perform to audiences!

'You Will Have to Forge Your Own Path': Sir Tim Rice on His New BBC Maestro's WRITING AND PERFORMING MUSICAL THEATRE Course
'You Will Have to Forge Your Own Path': Sir Tim Rice on His New BBC Maestro's WRITING AND PERFORMING MUSICAL THEATRE Course
October 25, 2023

Do you have a love for musical theatre? Have you ever wanted to learn how to write your own show? Well, look no further. Sir Tim Rice, the iconic lyricist and author behind hits like Joseph and the Amazing Technicolour Dreamcoat, The Lion King, and Beauty and the Beast has released a 23-lesson-long course with BBC Maestro to teach you how!

Review: IAN SMITH: CRUSHING, Soho Theatre
Review: IAN SMITH: CRUSHING, Soho Theatre
October 6, 2023

“A show about stress, love and driving a tank with your hairdresser.” If that show description doesn’t capture your attention, I don’t know what will. Ian Smith: Crushing at the Soho Theatre is an hour-long comedy in which Smith describes what his life has been like recently, particularly the stress that has been a part of his life post-engagement.

Review: ROSIE JONES: TRIPLE THREAT, Soho Theatre
Review: ROSIE JONES: TRIPLE THREAT, Soho Theatre
October 4, 2023

Rosie Jones is a triple threat in several ways, all of which you will find out throughout her new show, appropriately titled Triple Threat. And, according to Jones, there are only three jokes in the show, and all of them are placed at the end, so you have to wait!

Interview: 'It Feels Like a Reckoning': Mei Mac of UNTITLED F*CK M*SS S**GON PLAY on Southeast Asian Representation and Reclamation
Interview: 'It Feels Like a Reckoning': Mei Mac of UNTITLED F*CK M*SS S**GON PLAY on Southeast Asian Representation and Reclamation
October 3, 2023

Recently, we had the opportunity to speak with Mei Mac, who stars as Kim in untitled f*ck m*ss s**gon play at the Young Vic. We discussed what it is like to portray Kim’s journey through a hundred years of cycles, how Mac separates the traumatics subjects of the play from her own experience, and Mac’s own mentorship scheme, Rising Waves.



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