Review: BRENT WOULD'S GOT WOOD, Soho TheatreFebruary 12, 2024'Brent Would’s Got Wood is a “drag king cabaret romp,” with Would (Francesca Reid) desperately attempting to find love through flirting with and singing to audience members. The show’s description even mentions the opportunity to “win a date” with Would - it would appear we’re in for quite the romantic evening!'
Review: JESSICA FOSTEKEW: METTLE, Soho TheatreFebruary 12, 2024'Jessica Fostekew: Mettle is a show in which Fostekew talks about her life through observational comedy. Whether it’s her son’s obsession with drill rapper Central Cee or her partner’s strange flirting techniques, Fostekew is looking at her life and sharing her thoughts with us - the good, the bad and the controversial.'
Review: HENRY MOSS: HENRY QUEEN OF SQUATS, Soho TheatreFebruary 9, 2024'Henry Moss: Henry Queen of Squats begins with the sounds of an orchestra warming up before the lights dim. From those first few seconds, you can tell that you’re in for a dramatic performance, and Moss certainly lives up to these expectations'
Review: LOVE'S A BEACH, Soho TheatreFebruary 9, 2024'Written by Katie Sayer and Will Johnston and directed by Phoebe Gibby, Love’s A Beach follows Ben [Iain Ferrier] and Cyrus [James Akka], the winners of a dating reality show, after their time on the screen as they settle into life together as a couple.'
Review: HEXENHAMMER, Soho TheatreFebruary 9, 2024'Written by and starring Sidsel Rostrup and Suzy Kohane, Hexenhammer takes a look at the book of the same name, translated into English as “The Hammer of Witches,” the 15th-century guide to witch hunting. Rostrup and Kohane take on the roles of the authors of Hexenhammer, Heinrich Kramer and Jacob Sprenger, throwing on monk’s robes.'
Review: SELF-RAISING, Soho TheatreFebruary 9, 2024'Self-Raising begins with a sack of flour. But it’s not just a sack of flour. The show begins with writer and performer, Jenny Sealey, telling us how it was originally meant to be an adaptation of Annie Fine’s Flour Babies, but quickly changed into Sealey telling her own life story. Just with a few more bags of flour.'
Review: JULIA MASLI: HA HA HA HA HA HA HA, Soho TheatreFebruary 7, 2024Julia Masli: ha ha ha ha ha ha ha is an absurd yet strangely comforting hour of agony aunt-style comedy that will leave you slightly nervous about having a microphone attached to a prosthetic leg being placed in front of your face for you to confess your fears to the world.
Review: GWYNETH GOES SKIING, Pleasance LondonFebruary 5, 2024Gwyneth Goes Skiing is a fun and delightfully queer show that has lots of hilarious audience participation and some great musical moments (even if it is a play with music). It is full of joy and some truly silly puns that had be groaning with a smile. I look forward to seeing more from Awkward Productions in the future!
Review: BRONCO BILLY - THE MUSICAL, Charing Cross TheatreFebruary 2, 2024Bronco Billy is a fun show with some great performers and catchy songs. While a more developed plot would have been appreciated, it is still a show that will have you smiling throughout. If you’re a fan of pantomimes and/or a fan of country music, you’ll definitely be a fan of this!
Review: JODIE MITCHELL: BECOMING JOHN TRAVULVA, Soho TheatreFebruary 1, 2024'Jodie Mitchell: Becoming John Travulva is a fantastic comedy show that does an excellent job in discussing the role that gender plays in comedy, whether consciously or unconsciously. Whether they are Jodie Mitchell or John Travulva, Mitchell is a great comedian and I look forward to seeing more from both of their acts in the future.'
Review: LOUISE YOUNG: FERAL, Soho TheatreJanuary 29, 2024Louise Young: Feral is a fun show that will have you thinking your life is pretty tame compared to what Young has gone through. And, according to her, there are still plenty of stories she hasn’t told - I look forward to hearing them!
Review: AHIR SHAH: ENDS, Soho TheatreJanuary 29, 2024Ahir Shah: Ends is a fascinating show, but it ends up feeling like more of an aggressive talk than a comedy performance. The comedic moments are brilliant and really let Shah’s sense of humour shine, but I would have liked more of them throughout the show instead of just towards the beginning.
Review: JOHN TOTHILL: THE LAST LIVING LIBERTINE, Soho TheatreJanuary 26, 2024Ultimately, John Tothill: The Last Living Libertine is a fascinating, rambly take on not only Catholocism but a range of topics that will have you in stitches. Tothill somehow manages to prove his hypothesis that Catholicism is the same as Acid Techno with a brilliant ending that has the audience members on their feet.