Jay Irwin - Page 42

Not to let Christmas go by unscathed, Seattle Public Theater has cooked up two somewhat off kilter Christmas shows this year. Each containing something for theater goers of all ages, they may not be your typical holiday fare but they are a breath of fresh air from the norm and both left this jaded audience member thrilled to have a little something extra slipped into his eggnog.

I'll admit I was one of the first to roll their eyes in disdain when I heard they made a musical of the Will Ferrell movie "Elf", back in 2010. "Oh Good," I thought, "another overly sweet yet bland movie adaptation designed to get families in the theater and sell merchandise (in this case, elf hats)." And so even more eye rolling occurred when the 5th Avenue Theatre announced they would be putting up a production of it this year. And while the show may be most of those things I mentioned (especially the elf hats) what it isn't is bland. More importantly what the production at the 5th Avenue manages is a super engaging and absolutely adorable evening of elfish fun.

It's always a risk when a professional company such as the Rep dusts off an old chestnut such as "Inspecting Carol". I mean, it's kind of become a go to Christmas show for hundreds of regional theaters and might be a little dated. But I can understand why since it was created at the Rep back in 1991 by then Artistic Director Daniel Sullivan and the Seattle Repertory Theatre Resident Company. And while the remount this year definitely had some laughs, overall it felt clunky and filled with holes and didn't deliver the constant barrage of gut busters I was expecting.

When I think of the truly great sketch comedy out there I immediately look to those Monty Python boys or The Carol Burnett Show. Those were true masters of taking ordinary situations and turning them on their head to make them absolutely hilarious. Well, I think we can add The Habit to that list. Five very funny guys who take on sketch comedy with an absurdist bend and deliver an hour of non-stop laughs.

It's tough taking on an icon, especially an iconic movie and trying to translate that onto stage. But that's exactly what Seattle Children's Theatre is attempting with their current stage production of the iconic 1939 film "The Wizard of Oz" based on L. Frank Baum's 1900 book. And while the technical artistry of the show is top notch and completely conveyed the magic of the film, a few of the performances left me wanting.

Manners and tawdry secrets collide at Theater Schmeater with their current production of Noel Coward's "Fallen Angels". And Coward's signature send-up of the upper crust combined with some stunning characterizations and timing from the cast add up to one delightfully funny and slightly naughty evening.

There's a certain amount of pressure when a theater company becomes the first in the area to produce a big name show locally. Yes, it's a coup to be the first to get the rights (and Balagan seems to be cornering the market on that this season) but they also need to do the show justice or else, why bother? This is why what Balagan is pulling off with their current production of "Avenue Q" is all the more spectacular. Not only have they put up one of the new hot shows but they've done it in a way that rivals any tour of the show and created an outstandingly fun time that will leave you grinning all the way home.

When your first introduction to a show is a bad one it can color your perception of the show for years to come if not forever. Such was the case of my experience with "Fiddler on the Roof" which I have always looked upon as just being long. Luckily Village Theatre currently has a production that is so filled with warmth, joy and heart that even a long time cynic toward the show as myself can come away with a great evening and even a little tear in his eye.

A Shakespearean tale of one of the most famous couples in all of history performed by some of the best actors in town and directed by one of Seattle's best directors. You'd think it'd be a slam dunk success wouldn't you? Well, you'd be right. And even with a few moments that missed the mark for me and a show that could still use a little tightening, this almost three and a half hour production of "Antony and Cleopatra" from Seattle Shakespeare Company grabbed my attention and wouldn't let go.

The problem I've always faced in the past with productions of Tennessee Williams' "The Glass Menagerie" is no matter how engaging the story is I just don't find myself invested in the characters. The show is a memory play and with that most productions fall into the trap of over accentuating the obvious flaws and guilt of the characters within Tom's memory. But what director Braden Abraham and the cast of the current production at the Rep have done is to keep those flaws but still present real and honest characters which allow the audience to care about their mistakes and well being. And that's what makes this production a complete success.

It's Halloween time and so the 5th Avenue Theatre has chosen to fill up our candy bags with a spooky little treat with "The Addams Family". And while this may not be the equivalent of the house on the block that's giving out the full size chocolate bars, it's far from the house that's handing out toothbrushes and dental floss. It's definitely the fun size candies and you can take a few of them.

Do you know what a paraplegic, a wolf, a fairy, two pregnant teens and a dancing hooker have in common? Neither do I! But that's what the current show "The Skriker" at the Erickson Theatre offered up in director Janice Findley's imagining of Caryl Churchill's creepy look at a world filled with magical spirits seducing young unwed mothers. And after seeing the show I can honestly say I STILL have no idea what they have in common.

In "The Music Man" Professor Hill teaches the school board how to sing by explaining to them that singing is just sustained talking. Unfortunately the creators of Annex Theatre's current production "A Mouse Who Knows Me" need to be explained that the same does not go for songwriting as many of the numbers in their world premiere musical about laboratory mice seemed to simply be sung dialog. This ultimately led to a cute show that droned on.

On the chance that you only read the first few sentences of my review of "Ramayana", currently playing at ACT, let me just say this right at the start. Go see this show! Hire the babysitter, arrive early (to catch the awesome Indian bazaar in the lobby), and prepare yourself for one of the most glorious and magical evenings I've had in the theater for quite awhile as ACT Theatre presents an exquisite and epic tale that mesmerizes from beginning to end.

Is it possible I've seen "Wicked", currently playing at the Paramount Theatre, too many times? It's not like I'm even into the double digits here having only seen it three times. But even with those three, has it lost its luster or have I become jaded. The dragon still roars, the monkeys still cavort and the green girl still flies into the rafters. So why was I not as wowed by this production as others? I'm going to have to say (at least in Act One) the energy just wasn't there. They picked it up in Act Two but in Act One there seemed to be a lot of motion going through.

I understand that opening night isn't always the glorious shining gem that it ought to be. Sometimes, no matter how good a show it may be, it's just not quite there yet. Such was the case with the Seattle Rep's opening night of Cheryl L. West's new play with music "Pullman Porter Blues". With a combination of opening night nerves, technical gaffs and a muffled sound system, it just wasn't the show I was so eagerly awaiting since I saw the workshop of the piece some years back. But even through its shortcomings the show still managed to shine through with history and heart and had some killer moments.

If for some reason you weren't indoctrinated with "The Cat in the Hat" or any other Dr. Seuss as a child then you have my sympathies. And I mean the original stories and cartoons and not the recent film knock-offs. But for the other 99% of us, we gleefully remember the gripping tales of The Cat, The Lorax, The Grinch and Horton (to name just a few) and have those stories and images burned into our brains. And now Seattle Children's Theatre has come along with their production of this tale of two bored children and a crazy cat with "The Cat in the Hat" and while it may be lacking a bit of spark for this jaded adult, the stunning visuals are all there and the kids ate up the slapsticky staging of it all.

Every once in awhile a production comes along that completely surprises you. A production that manages to transcend the ordinary and create something special. A production that concocts the perfect alchemist recipe of script, cast and crew to create theatrical gold. Seattle Public Theater's current production of Tracy Letts' "Superior Donuts" is just such a production.

First off let me say that the language in this is difficult at best to get through. And no, I don't mean coarse language (although there's plenty of that too) but the Irish accents and regional terms. Fortunately Sound Theatre Company's current production of "Disco Pigs" is being performed by two gifted actors who manage to wade through the accents and come out the other side with an engaging tale.

Back in 2008 Seattle audiences were treated to the pre-Broadway tryout of what would become the 2010 Tony award winner for best musical, "Memphis" by Joe DiPietro and David Bryan. And as amazing as the show was back then, the current production at the 5th Avenue Theatre shows how much better it got since it left us and how good American musical theater can be.