Gary Naylor is chief London reviewer for BroadwayWorld (https://www.broadwayworld.com/author/Gary-Naylor) and feels privileged to see so much of his home city's theatre. He writes about cricket for The Guardian (https://www.theguardian.com/profile/gary-naylor) and is a lead commentator at Guerilla Cricket (https://www.guerillacricket.com/). He podcasts on 80s and 90s football at https://www.nessundormapod.com/. He writes on films at Letterboxd https://letterboxd.com/garynaylor999/. He tweets at https://twitter.com/garynaylor85.
Favorite Stories:
BWW Reviews: FINGS AIN'T WOT THEY USED T' BE, Union Theatre, May 13 2011
May 14, 2011
May 14, 2011
Gary Naylor, a Northerner, enjoys a good ol' Cockney knees-up in Southwark, innit?
BWW Reviews: PROOF, Greenwich Playhouse, May 12 2011
May 14, 2011
May 14, 2011
Gary Naylor finds Proof a lot more rewarding than A Beautiful Mind.
BWW Reviews: CARL BARRON LIVE, Riverside Studios, May 11 2011
May 12, 2011
May 12, 2011
Aw look mate, Gary Naylor finds bonzer Aussie comic Carl Barron really rather English.
BWW Reviews: HAMLET: 1603, The White Bear Theatre, May 5 2011
May 8, 2011
May 8, 2011
Gary Naylor sees a very good Bad Quarto.
BWW Reviews: GYLES BRANDRETH - THE ONE TO ONE SHOW, Riverside Studios, May 6 2011
May 7, 2011
May 7, 2011
Gary Naylor enjoys Gyles Brandreth's show almost as much as the man himself.
BWW Reviews: MATTHEW BOURNE'S CINDERELLA , New Wimbledon Theatre, May 3 2011
May 4, 2011
May 4, 2011
Gary Naylor is taken back 70 years to a time when bombs and bombshells were on a pilot's mind.
BWW Reviews: JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT, New Wimbledon Theatre, April 19 2011
April 20, 2011
April 20, 2011
Gary Naylor decides to lie back and think of Egypt.
BWW Reviews: BERKOFF - ONE MAN, Riverside Studios, April 16 2011
April 17, 2011
April 17, 2011
Gary Naylor salutes a grand old man of British Theatre - he'll like that, won't he?
BWW Reviews: LONDON ROAD, The National Theatre, April 14 2011
April 15, 2011
April 15, 2011
Gary Naylor reflects on evil and art and is captivated by plain words.
BWW Reviews: THE CORONATION OF POPPEA, The Kings Head Theatre, April 12 2011
April 13, 2011
April 13, 2011
Gary Naylor finds much that reminds him of present day Rome in an opera written in 1642 about events 2000 years ago. What's Italian for plus ca change?
BWW Reviews: MACBETH, Greenwich Playhouse, April 9 2011
April 12, 2011
April 12, 2011
Gary Naylor ponders the universal nature of ambition, madness and evil.
BWW Reviews: THE THREE MUSKETEERS, The Unicorn Theatre, April 7 2011
April 10, 2011
April 10, 2011
Gary Naylor sees swashes buckled and the triumph of all for one and one for all as three become four.
BWW Reviews: SWAN LAKE ON ICE, New Wimbledon Theatre, April 6 2011
April 7, 2011
April 7, 2011
Gary Naylor enjoys a little ice after the London's first summery afternoon of 2011.
BWW Reviews: ROCKET TO THE MOON, The National Theatre, March 30 2011
March 31, 2011
March 31, 2011
Gary Naylor sees steamy temptation set in the Big Apple.
BWW Reviews: HMS PINAFORE, The Kings Head Theatre, March 27 2011
April 3, 2011
April 3, 2011
Gary Naylor sees silliness celebrated in song, and reflects on a tradition in humour.
BWW Reviews: THE HOLY ROSENBERGS, The National Theatre, March 26 2011
March 27, 2011
March 27, 2011
Gary Naylor, as a father, is uneasy at seeing the kind of choices fathers must make in Ryan Craig's examination of an Jewish household in Edgware.
BWW Reviews: REMEMBRANCE DAY, The Royal Court - Jerwood Theatre Upstairs, March 23 2011
March 24, 2011
March 24, 2011
Gary Naylor sees old enemies fail to bury the hatchet.
BWW Reviews: THE BARBER OF SEVILLE (OR SALISBURY), The Kings Head Theatre, March 20 2011
March 20, 2011
March 20, 2011
Gary Naylor finds out the original source for those great tunes he has heard so many times before.
BWW Reviews: LES BALLETS TROCKADERO, New Wimbledon Theatre, March 11 2011
March 12, 2011
March 12, 2011
Gary Naylor enjoys almost, but not quite, too much tutu.
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