Gary Naylor - Page 51

Gary Naylor sees a tremendously impassioned production of Puccini's masterpiece, its power given full rein by musicians and singers who can fill a large theatre with this magical opera.

Gary Naylor sees a rare revival of one of Gaetano Donizetti's many works and finds it lovely to listen to and as packed with emotion as one has come to expect from Italian opera.

Gary Naylor sees a show that goes straight to the crowdpleasing mega-hits dispensing with any plot and lets the songs stand, magnificently, on their own two feet.

Gary Naylor sees a ballet version of Romeo and Juliet that builds the story through scenes drawing on a wide range of music and dance.

Gary Naylor enjoys an extraordinary evening of vignettes by ultra-talented dancers that underlines, again, that balance, grace and technique lie at the heart of what pleases the eye in any physical endeavour.

Gary Naylor sees a reminder of the persistence of the brutality of war sung wonderfully well with the power of an orchestra in the pit and a libretto that does not flinch in the face of horror.

Gary Naylor sees a show full of great songs and strong performances and the professional debut of Liberty Buckland - a name to remember.

Gary Naylor sees a show that isn't quite stand-up, but isn't quite experimental theatre either, delivered by an 80s and 90s icon who is channeling his energies into a call to action.

Gary Naylor sees a Romeo and Juliet that boldly goes into territory often left dormant by more orthodox directorial decisions.

Gary Naylor sees a show that will appeal to teens, show that takes plenty of liberties with computing history, but that fails to deliver its potential due to sound problems.

Gary Naylor sees a deluxe jukebox musical that delivers fantastic entertainment through great songs and a magnificent central performance.

Gary Naylor sees an entertaining revival of Gilbert and Sullivan's tale of reviving ancestors delivered with the Charles Court Opera Company's undying joie de vivre.

Gary Naylor sees a fascinating, powerful play that examines the life of cult Hollywood director James Whale, a man wrestling with a past and present that grants him no comfort at the end of a long and fulfilling life.

Gary Naylor sees a revival of a 1963 musical that looks gorgeous and is filled with lovely melodies, but doesn't reach its potential due to its leads not quite sparking as lovers.

Gary Naylor sees a magnificently staged adaptation of a film that charmed cinema audiences and critics in 1998 and is now repeating the trick for theatregoers in 2015.

Gary Naylor sees a play about cancer - or rather, about how cancer is faced by patients and medics. He is entertained by music and comedy, and is given much on which to ponder.

Gary Naylor sees a fine, serious, thought-provoking production of the classic late 50s story anchored by splendid music and a marvellous central performance.

Gary Naylor sees a show that tltillates, tickles and ultimately triumphs with a potent mix of superb songs and dubious jokes, as Rocky Horror meets the Carry-Ons.

Gary Naylor sees a now legendary show based on a legendary film and a legendary King. So, does it live up to its status?

Gary Naylor is invited into the presence of Marlene Dietrich and finds much that is unique, and much that is universal, in this towering figure of 20th century culture.