Gary Naylor - Page 21

The Hollow Crown continues with power slithering away from Richard to the reluctant usurper, Bolingbroke.

BWW will be reviewing the BBC's epic adaptation of Shakespeare's history plays, The Hollow Crown, available for streaming on Britbox (free 30 days trial).

The Winter's Tale at The Globe is a reminder of how things once were - and how we all hope they will be again, very soon.

Gabriel Lumsden, a BA Music and Drama student, was approaching the end of his first year at Manchester University when the country was locked down. He talks to BWW about what he has done since and what the future holds for students embarking on a very uncertain journey.

The Remote Read revive Sir Tom Stoppard's 1966 television play using the technology of 2020, and provide an interesting insight into theatre's enduring power - and a rattling good play!

This Saturday night, a revival of Sir Tom Stoppard's A Separate Peace - his 1966 play, set in a nursing home - will be broadcast live, starring David Morrissey, Jenna Coleman, Denise Gough, Ed Stoppard, and Maggie Service; Sam Yates directs.This is the first in a new virtual series, The Remote Read, offering performances with full creative and production elements - but all performed from the actors' homes. Producers Matt Humphrey and John Schwab talk to BroadwayWorld about this unique presentation.

National Theatre Live makes its celebrated 2011 production available free for online platforms but, rather like Frankenstein's Creature itself, its reviving isn't without its issues.

A surfeit of exposition and shouty scenes detract from an important story that resonates to this day.

The Barn Theatre stream their Henry V right into your living room - why not watch it with your stay at home band of brothers?

Mike Bartlett's play has aged not a jot in its analysis of how one generation's freedoms constrains anothers. Funny and clever, it hits hard, even if it ultimately stretches credibility a tad too far.

Jan Ravens and Julia Watson excel in three of Alan Bennett's famous monologues, two of which pack a surprising punch, 30 years on.

Angel Theatre Company bring Beckett to Brockley and leave this first time viewer looking forward to more.

The Whip packs so much into its near three hour running time that its issues, anger and need to educate drowns its dramatic potential and we're left with something that fails to reach its considerable potential.

This show, by the company of ex-Principal dancer at The Royal Ballet, Carlos Acosta, gives the audience a mixed bill, as up close as the title suggests, with as much Cuba as you would find in a hand-rolled cigar.

Flights looks into the hearts of three men whose lives in rural Ireland are not working out as they once hoped.

In just 45 minutes, Caryl Churchill's Far Away walks a tightrope between tricksy surrealism and dystopian warning but stays upright due to its sheer theatricality.

monolog 3 presents a range of plays that explore life as it's lived today through the voices of single performers drawing on Chickenshed's uniquely inclusive approach to theatre. @CHICKENSHED_UK

Kate O'Flynn is in award-winning form as the baby who grows into a girl and then a woman before her life's span is through in Alistair McDowall's clattering monologue.

Roy Williams and Clint Dyer's one man play explores the complexities of white working class identity in a multicultural, post-Brexit England with verve and passion.

Antony McDonald's production of Gerald Barry's hurtling dash through Wonderland and behind the Looking Glass is a delight from start to finish - or it will be for some.