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Gary Naylor - Page 2

Gary Naylor

Gary Naylor is chief London reviewer for BroadwayWorld (https://www.broadwayworld.com/author/Gary-Naylor) and feels privileged to see so much of his home city's theatre. He writes about cricket for The Guardian (https://www.theguardian.com/profile/gary-naylor) and is a lead commentator at Guerilla Cricket (https://www.guerillacricket.com/). He podcasts on 80s and 90s football at https://www.nessundormapod.com/. He writes on films at Letterboxd  https://letterboxd.com/garynaylor999/. He tweets at https://twitter.com/garynaylor85. 






Review: THE REAL THING, The Old Vic
Review: THE REAL THING, The Old Vic
September 4, 2024

Hard going with characters largely bereft of sympathetic virtues, delivering dialogue long on ideas, but short on heart

Review: THE MARRIAGE OF FIGARO, Royal Ballet and Opera
Review: THE MARRIAGE OF FIGARO, Royal Ballet and Opera
September 3, 2024

Mozart, music and mayhem in a tale of an outfoxed aristocrat brought down to earth

Review: THE INCREDIBLY SCARY OBJECT, Jack Studio Theatre
Review: THE INCREDIBLY SCARY OBJECT, Jack Studio Theatre
August 24, 2024

A NASA press conference goes off the rails as the probe, and the probing, goes awry

Review: UTØYA, Arcola Theatre
Review: UTØYA, Arcola Theatre
August 18, 2024

With Far Right terrorism and toxic masculinity defacing the summer, this 2015 play's UK premiere could no be more timely

Review: FARM HALL, Theatre Royal Haymarket
Review: FARM HALL, Theatre Royal Haymarket
August 14, 2024

Katherine Hoar's debut play makes a seamless and well-deserved transition to a major West End venue to challenge and intrigue a public who have enjoyed Oppenheimer at the cinema

Review: THE YEARS, Almeida Theatre
Review: THE YEARS, Almeida Theatre
August 2, 2024

Five actors + 80 years + a soupçon of French ennui = an evening that will spark many a conversation

Review: LIFE WITH A LITTLE 'L', Riverside Studios
Review: LIFE WITH A LITTLE 'L', Riverside Studios
August 1, 2024

This heartfelt show would benefit from a tighter focus and a harder edge

Review: GO! THE MUSICAL, Upstairs at the Gatehouse Theatre
Review: GO! THE MUSICAL, Upstairs at the Gatehouse Theatre
July 25, 2024

New musical runs into familiar structural issues but has strong singing and pleasing songs

Review: OLIVER!, Chichester Festival Theatre
Review: OLIVER!, Chichester Festival Theatre
July 25, 2024

Matthew Bourne brings sensational dance routines to the stage, adding a cherry to the cake of one of the greatest scores in musical theatre history

Review: IL SEGRETO DI SUSANNA / PAGLIACCI, Opera Holland Park
Review: IL SEGRETO DI SUSANNA / PAGLIACCI, Opera Holland Park
July 18, 2024

Opera Holland Park delivers two short pieces - an ideal introduction to the form's unique capacity to bring emotional weight to any story

Review: THE LOST LIONESSES, The Space Arts Centre
Review: THE LOST LIONESSES, The Space Arts Centre
July 18, 2024

The struggle to establish women's football in the UK told through the eyes of those who defied the establishment to play in a world cup in Mexico

Review: NEW VIEWS FESTIVAL 2024, National Theatre
Review: NEW VIEWS FESTIVAL 2024, National Theatre
July 9, 2024

Luke Fields and Emyr Strudwick take honours with plays set in Northern Ireland and South Wales

Review: YOUR LIE IN APRIL, Harold Pinter Theatre
Review: YOUR LIE IN APRIL, Harold Pinter Theatre
July 7, 2024

A show that could go very wrong gets everything right

Review: SPARKS, Jack Studio Theatre
Review: SPARKS, Jack Studio Theatre
July 5, 2024

Emma Riches and Lisa Minichiello give committed performances, but the play is short on the narrative drive required to carry its issues

Review: EDGAR, Opera Holland Park
Review: EDGAR, Opera Holland Park
July 3, 2024

A curious opera that is beautiful and ugly all at once

Review: KISS ME, KATE, Barbican Theatre
Review: KISS ME, KATE, Barbican Theatre
June 18, 2024

Adrian Dunbar is the starriest of a starry cast, but lacks the specific experience required to lead the show to its fullest potential

Review: MY FAIR LADY, Leeds Playhouse
Review: MY FAIR LADY, Leeds Playhouse
June 8, 2024

Two terrific leads will delight audiences, but the source material's misogyny proves too much to simply sweep aside

Review: HOUDINI'S GREATEST ESCAPE, King's Head Theatre
Review: HOUDINI'S GREATEST ESCAPE, King's Head Theatre
June 5, 2024

New comedies are hard to get right and often land in a highly subjective space, but this one has to be called out as a bit of a dud

Review: THE BOYS FROM THE BLACKSTUFF, National Theatre
Review: THE BOYS FROM THE BLACKSTUFF, National Theatre
May 30, 2024

It's not a seamless transition from screen to stage, but it works well enough and, sadly, it still resonates with a truth albeit in a very different world

Review: TOSCA, Opera Holland Park
Review: TOSCA, Opera Holland Park
May 29, 2024

Opera Holland Park open the season with a faithful revival of a much loved classic



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