The Daily Beast were kind enough to call me "a man with an encyclopedic knowledge of the city’s underground culture" and I have been editing/reviewing stage productions since 2010 for some of London's biggest websites covering theatre, opera, dance, cabaret, immersive and everything in between.
BWW Review: COSÌ FAN TUTTE, London Coliseum
March 15, 2022
March 15, 2022
Phelim McDermott is among the very top tier of opera directors and, with this welcome revival of his 2014 interpretation of Così fan tutte, it is easy to see why.
BWW Review: DANCE, Sadler's Wells
March 10, 2022
March 10, 2022
This rare revival of Dance is the epitome of Philip Glass' artistic ethos, combining minimalism and layered music with huge projections and skilful dancing.
BWW Review: MUCH ADO ABOUT NOTHING, ROYAL SHAKESPEARE COMPANY, Royal Shakespeare Theatre
February 22, 2022
February 22, 2022
For those searching for some mid-winter glam to lift the gloom, look no further than @TheRSC’s latest take on Much Ado About Nothing.
BWW Review: AN EVENING WITHOUT KATE BUSH, Soho Theatre
February 10, 2022
February 10, 2022
Kate Bush was just 19 when she had her first hit in 1977 and went on to produce a catalogue of songs which are still admired today. In her show, superfan Sarah-Louise Young pays tribute not only to the iconic music but also to the star and her loyal supporters.
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