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Franco Milazzo - Page 11

Franco Milazzo

The Daily Beast were kind enough to call me "a man with an encyclopedic knowledge of the city’s underground culture" and I have been editing/reviewing stage productions since 2010 for some of London's biggest websites covering theatre, opera, dance, cabaret, immersive and everything in between.






Review: A DEAD BODY IN TAOS, Wilton's Music Hall
Review: A DEAD BODY IN TAOS, Wilton's Music Hall
November 3, 2022

David Farr made his name in 2016 bringing John le Carré's book The Night Manager to vivid life in a hit TV adaptation. In his latest play A Dead Body In Taos, re-animation is again the name of the game.

Review: JORDAN GRAY: IS IT A BIRD?, London Palladium
Review: JORDAN GRAY: IS IT A BIRD?, London Palladium
October 29, 2022

Jordan Gray is having one hell of a year. Five-star reviews at the Edinburgh Fringe have led to a run at Soho Theatre, a controversial slot on Channel 4’s Friday Night Live and the chance to work on an ITV show with Simon Pegg and Nick Frost.

Review: TRAINSPOTTING LIVE, Riverside Studios
Review: TRAINSPOTTING LIVE, Riverside Studios
October 20, 2022

Choose Trainspotting Live for an unforgettable experience. The good kind.

Review: THE CHOIR OF MAN, Arts Theatre
Review: THE CHOIR OF MAN, Arts Theatre
October 14, 2022

If Irvine Welsh had been born in England and written Trainspotting while sat in an old school boozer high on molly, this show may very well have been the result.

Review: GERMAN CORNEJO'S TANGO IN THE DARK, Peacock Theatre
Review: GERMAN CORNEJO'S TANGO IN THE DARK, Peacock Theatre
October 13, 2022

Those searching for proof of George Bernard Shaw's view that dancing is “a perpendicular expression of a horizontal desire” need look no further than this show.

Review: ONLY AN OCTAVE APART, Wilton's Music Hall
Review: ONLY AN OCTAVE APART, Wilton's Music Hall
October 3, 2022

“Keep it pretty, keep it shallow, keep it moving.” As well as being words that American cabaret singer Justin Vivian Bond (pronoun v) lives by, they go some way to sum up Only An Octave Apart, this eye-catching and pacy two-hander with Grammy-winning countertenor Anthony Roth Costanzo.

Review: THE WITCHES OF OZ, The Vaults
Review: THE WITCHES OF OZ, The Vaults
October 2, 2022

If you're looking for some dinner-cabaret, this show really is a no-brainer.

Review: DIDO'S BAR, The Factory
Review: DIDO'S BAR, The Factory
September 30, 2022

What began with an encounter between director Josephine Barton and Kurdish Iranian musician Marouf Majidi in 2017 in Helsinki has culminated in a converted factory space in Newham and Dido’s Bar, a story of immigrants fleeing war and persecution and finding love in foreign lands.

Review: EUREKA DAY, Old Vic
Review: EUREKA DAY, Old Vic
September 26, 2022

Jonathan Spector’s much-anticipated comedy Eureka Day starring Helen Hunt explores how a group of people with the same overt goals can diverge so wildly in their approaches to meeting them. By making its lead an opponent of vaccination, though, it treads a dangerous path.

Review: GROOVE, Oxford House
Review: GROOVE, Oxford House
September 23, 2022

Produced by Outbox and Shoreditch Town Hall, Groove tells a story at the heart of every gay community: that of the dancefloor and those who gather on it.

Review: CAGES, Riverside Studios
Review: CAGES, Riverside Studios
September 22, 2022

What fresh hell is this? Those who come to see musical theatre for the acting, the songs and the story may be wondering where Cages fits into this art form.

Review: DON GIOVANNI, Royal Opera House
Review: DON GIOVANNI, Royal Opera House
September 14, 2022

With the opening night delayed due to the death of Queen Elizabeth II and coming at a period of national mourning, this latest revival of Kasper Holten’s take on Don Giovanni is as cathartic an experience as it gets.

Review: SALOME, Royal Opera House
Review: SALOME, Royal Opera House
September 12, 2022

If you thought horror as a genre wasn’t something opera dabbled in, think again. The fourth outing for David McVicar’s 2008 production of Richard Strauss’ is as bloody and gruesome as it gets in Covent Garden.

Review: THE TIGER LILLIES: THE LAST DAYS OF MANKIND, Wilton's Music Hall
Review: THE TIGER LILLIES: THE LAST DAYS OF MANKIND, Wilton's Music Hall
September 11, 2022

The Last Days Of Mankind is undeniably one of the strangest plays few people have heard of. Written by Karl Kraus during and about the First World War, this docudrama which ends in a Martian invasion is rich pickings for the dark cabaret trio. @wiltonmusichall @thetigerlillies

Review: THE GOLDBERG VARIATIONS, BWV998, Sadler's Wells
Review: THE GOLDBERG VARIATIONS, BWV998, Sadler's Wells
September 7, 2022

Complex chords are paired with seminal choreography in The Goldberg Variations, BWV 988 from choreographer Anne Teresa De Keersmaeker and pianist Pavel Kolesnikov.

Review: NOT F**KIN' SORRY, Soho Theatre
Review: NOT F**KIN' SORRY, Soho Theatre
September 6, 2022

As the title suggests, the crip-cabaret crew Not Your Circus Dog collective are definitely, truly and utterly not f**king sorry. Anyone leaving this show not even slighty more aroused, enlightened or happier than when they arrived should be checked for signs of life.

Review: REUBEN KAYE: THE BUTCH IS BACK, Soho Theatre
Review: REUBEN KAYE: THE BUTCH IS BACK, Soho Theatre
September 6, 2022

Those new to Reuben Kaye should be warned that there are few holy cows that he is unwilling to turn into beefburgers. Sexuality, gender, race, politics, economics and religion are all grist to his mill. Imagine if legendary comedians Bill Hicks and George Carlin had a bastard child in the shape of a glitterbomb and you'll have some idea of what to expect.

Review: VENUS, CUPID, FOLLY, & TIME: 30 YEARS OF THE DIVINE COMEDY, The Barbican Centre
Review: VENUS, CUPID, FOLLY, & TIME: 30 YEARS OF THE DIVINE COMEDY, The Barbican Centre
September 2, 2022

Celebrating thirty years of cerebral pop, The Divine Comedy return to the Barbican to pick up where they left off in 2020.

Interview: Laura Corcoran talks about WONDERVILLE: 'It's only just getting started'
Interview: Laura Corcoran talks about WONDERVILLE: 'It's only just getting started'
August 16, 2022

With a new venue and a new emphasis, variety show Wonderville has returned to London this month following on from its debut season last year at the Palace Theatre.

Review: THE BLACK CAT CABARET PRESENTS HALCYON NIGHTS, Crazy Coqs
Review: THE BLACK CAT CABARET PRESENTS HALCYON NIGHTS, Crazy Coqs
August 12, 2022

Few people looking back at this season of scorching heatwaves, political upheaval and financial crisis would label it “halcyon” but, in a small room under Piccadilly Circus, an idyll of music and cabaret can be found thanks to this welcome slice of old school Hollywood pizzazz.



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