Franco Milazzo - Page 13

In Séayoncé’s latest adventure, Dan Wye’s drag ghost whisperer joins forces with her ex-lover Satan to put on an anti-Christmas TV show. Well, that’s the plan at least: before long, she discovers that she has been duped by another former amour Santa to deliver the “real” message of the season.

Even 30 years after he created it, Matthew Bourne’s Swan Lake is still his defining production. Just why hasn’t he yet surpassed this masterpiece?

In a season where theatres are filled with the usual hoary horde - here a Christmas Carol, there a Nutcracker or Messiah - the Royal Opera House deserves praise and maybe even a standing ovation for bringing back its Yuletide hit from 2022. Ben Duke’s Ruination (a co-production between the Royal Ballet and his Lost Dog company) is perfect for this time of year, being a work about reflecting on the recent past and built around the notions of love, family and children. Then again, those expecting something cheery may also want to consider that the source material is Euripides’s Medea, a Greek tragedy that makes Titus Andronicus look like an episode of Bluey.

With an abundance of witty filth (and filthy wit), A Very Naughty Christmas is an adults-only musical burlesque which has come straight up from down under.

Alice In Wonderland? More like Alice Goes Underground as Poltergeist Productions’ take on the Lewis Carroll classic sees our heroine trapped on a tube.

Stepping out from behind the ones and twos, Lemon Jelly DJ and club promoter Fred Deakin takes us on an odyssey through his own life and times. Club Life was one of Edinburgh Fringe’s word of mouth hits last year, an immersive theatre piece that takes his career as a starting point and allows the audience the chance to jump on the dance floor.

Finding the funny in one of Europe’s most violent episodes of political tumult, YESYESNONO’s The Glorious French Revolution (or: why sometimes it takes a guillotine to get anything done) is a riotous romp.

Whether on the news or on Netflix, dystopia seems the theme of the year. With a disturbing score from Max Richter, Wayne McGregor’s enthralling and infuriating interpretation of Margaret Atwood’s Maddaddam trilogy is a panoramic work that peers into a future which is all too plausible and none too palatable.

Returning to the West End La Clique is back with a new cast. After two decades of presenting some of the finest vaudeville talent around, is this the beginning of the end or the end of the beginning for this cabaret institution?

Smashing together tap dance and film noir, Romain Rachline Borgeaud’s Stories is wrapped around an immersive form of storytelling. Is the world ready for tap noir?

With cabaret, sometimes it isn't about the singer, or the song, but the singer singing the song while bouncing a drumstick off a trio of skulls. Perfectly timed for Halloween, Monica Salvi’s Spirits In My Closet is a witch’s brew containing personal stories and the supernatural musings interspersed with songs written by Tori Amos, Randy Newman and Screamin’ Jay Hawkins.

There’s no shame in pulling an old favourite from the vaults but Jonathan Miller’s 1982 gangster-themed production is firing blanks in this latest revival.

Jarvis Cocker singing torch version of Tina Turner’s “Private Dancer”? Peter Serafinowicz doing an Elvis Presley impression for half an hour? In the Royal Albert Hall on a rainy Monday night? Welcome to the world of Chilly Gonzales, one of the most unique musicians around as he comes to the capital to promote his latest collection Gonzo.

James Cameron’s Avatar was this weekend the latest to be screened at the Royal Albert Hall as part of their Films In Concert series.

Featuring works as diverse as Michael Nyman’s “Strong on Oaks, Strong on the Causes of Oaks” and Felix Mendelssohn’s “Overture” from A Midsummer Night’s Dream, Sinfonia Smith Square’s environmentally-minded concert The Orchestral Forest is an enchanting sonic experiment.

Ever wanted to captain a spaceship on a mission to explore strange new worlds, seek out new life and new civilisations and perhaps shoot up some enemy ships along the way? With the aid of a shiny new £3.5m set, Parabolic Theatre’s Bridge Command realises every sci-fi geek’s dream.

As much a persona as a musician, the Canadian rapper and classical pianist Chilly Gonzales comes to the Royal Albert Hall on 28 October to promoting his latest album Gonzo with special guest Jarvis Cocker and Peter Serafinowicz as Elvis Presley.

With tickets costing £400 each and a storyline stretching over 24 hours, is Lemon Difficult’s The Key Of Dreams the ultimate in immersive theatre? 

Watching this reboot of Immersive 1984, a thought comes to mind: if, as we’re constantly being informed, we’re all living in the post-privacy, post-truth and post-politics world foretold in 1984, aren't we already inside an immersive version of George Orwell’s seminal book?

Based on the 2017 hit film about PT Barnum, Come Alive! The Greatest Showman Circus Spectacular is an immersive mishmash of circus, story and song that somehow manages to do a disservice to all three.