Courtney Symes - Page 7

2023 is already starting off on a great note, with the musically diverse The Last Wide Open charming audiences at the B Street Theatre. Playwright Audrey Cefaly tells the story of Lina and Roberto, coworkers who, in three different yet concurrent planes of existence, find love, heartbreak, and companionship in this beautiful, hilarious, and creative take on serendipity.

What did our critic think of THE TELL-TALE HEART at Markiewitz Audioworks?

The beauty and mystique of Arendelle have come to Sacramento in the North American tour of Frozen. Based on the award-winning 2013 film of the same name, Frozen opened on Broadway in 2018 with additional songs and a formidable creative team. Led by original screenwriter Jennifer Lee as the book writer and duo Kristen Anderson-Lopez and Robert Lopez on music and lyrics, Frozen garnered three Tony Award nominations in 2018, including Best Musical, Best Book of a Musical, and Best Original Score.

What did our critic think of MISSISSIPPI MOTEL AND A NAUGHTY CHRISTMAS NIGHT at Ooley Theatre?

Reindeer and aliens and elves, oh my! The B Street Theatre has kicked off the holiday season for the family with ‘Tis the Season, a rollicking romp of holiday cheer that is guaranteed to entertain kids and adults alike. Written by the B Street Company, this show is a collection of festive stories that embody the essence of this time of year.

As we reach the end of 2022, it’s time to pause and reflect on the past year. Have we been naughty or nice? Stingy or generous? While most of us can’t boast of being the best miser, like Scrooge, or the most innocent, like Tiny Tim, we can find solace that we are somewhere in the middle and most likely will not be visited by three specters in the middle of the night. As familiar as A Christmas Carol is to most of us, it continues to teach us lessons almost 180 years after its inception. As Director Michael Laun says, “All we need to do is place a cardboard sign in the hands of the ‘beggar child’ and we can see the relevance still today.” Indeed, its themes of helping the needy and the greed of the wealthy are themes that we see every night on our television news. Change Scrooge to a contemporary politician or business mogul and A Christmas Carol could be set in 2022 America. Charles Dickens was a staunch proponent of social reform, and the Sacramento Theatre Company champions his vision with their adaptation of this staple of the holiday season.

Thanksgiving this year was a wonderful gathering at home, enjoying the riches of food and family. Ironically, the next night was spent ruminating about how Life Sucks. This work by playwright Aaron Posner is a modern adaptation of Anton Chekhov’s 1898 play, Uncle Vanya. Big Idea Theatre has brought this tale to life with a mishmash of quirky personalities and underground flair.

‘Tis the season to be jolly!  Unless you’re Santa, whose ancient body has compiled a laundry list of ailments. Playwright Buck Busfield has imagined a contemporary North Pole in this sweet and salty tale of Christmas hijinks at the B Street Theatre.

As I watched The Laramie Project at Sacramento State University on Saturday night, I thought to myself how far we’ve come as a society and how much progress we’ve made since 1998. That was the year Matthew Shepard was beaten and tied to a fence in rural Wyoming by two young men – left to die simply because he was gay. What I didn’t know was that, at about the same time, another tragedy was unfolding in Colorado as another young man opened fire on innocent victims at an LGBTQ nightclub, proving that we have much further to go and illuminating the importance of pieces like The Laramie Project.

A cozy parlor, a warm hearth, an inviting inn…what could possibly go wrong when seven strangers gather to seek refuge from a storm?  Come find out in Freefall Stage’s production of Dame Agatha Christie’s The Mousetrap. Known as the world’s longest-running play, it has run in London’s West End continuously since 1952, only halting temporarily due to Covid restrictions. 

Our favorite doorbell-ringing devotional devotees are back in Sacramento with a new and improved version of the Tony Award-winning hit, The Book of Mormon.  It’s been four years since they brought the good word of the creators of South Park (Trey Parker and Matt Stone) and Avenue Q (Robert Lopez), and we are ready for a refresher! 

It’s the dawn of a titillating new season at Sacramento Theatre Company (STC) and this one may be the best yet!  The 2022-2023 Season of Curiosity, Intrigue, and Suspense kicked off with previews of the adaptation of Agatha Christie’s famous whodunit, Murder on the Orient Express.  Published in 1934 to rave reviews, the story has stood the test of time.  Versions have been performed on stage, television, and, most recently, in a 2017 film featuring Kenneth Branagh.

Two of my guilty pleasures-romantic comedies and baseball-are married in a hilarious one-act play showing now at the B Street Theatre.  Love and Baseball is the latest success by B Street Theatre playwright Jerry Montoya.  This clever take on gender stereotypes has also recently been made into a movie that is streaming now on HBO Max.    

Once in a while, an event occurs that is so viscerally powerful that you will always remember exactly what you were doing when it happened.  Most people over 70 will remember what they were doing when John F. Kennedy was assassinated.  People my age remember the Challenger disaster vividly (I was in my 6th-grade classroom watching the launch on t.v.).  Arguably even more tragic are the events that transpired on September 11, 2001.  From the dust of the wreckage, though, came hope and a unified country.  Come From Away is a story of that hope and unification.  It makes its Sacramento premiere this week in a special engagement that had been postponed since 2020. 

A beautiful woman, international espionage, a mysterious stranger, and so many twists that you’ll be dizzy-that’s what’s happening at the B Street Theatre this week.  Based on the 1963 film starring Cary Grant and Audrey Hepburn, Charade has been adapted for the stage by Dave Pierini, who is also a Core Acting Company member of the B Street Theatre. 

For me, the end of summer in Sacramento is signaled by the same event every year-the last show of the Broadway at Music Circus season.  This summer’s end is particularly bittersweet, as it marks the finale of a return to the round after two years of being in the dark.  Fittingly, this show is the most powerful production of the summer.  The Color Purple is the last in what has been a remarkable season of unparalleled talent and delicate themes.  Based on Alice Walker’s 1982 novel and 1985 movie adaptation of the same name, The Color Purple opened on Broadway in 2005 and earned eleven Tony Award nominations. 

My first foray to the historical Woodland Opera House occurred this weekend to take a trip back to Washington Heights, the neighborhood that Lin-Manuel Miranda memorialized in In the Heights, his successful precursor to Hamilton.  It was written as an homage to the community that shaped him and the struggles of the immigrants that live there.  After premiering on Broadway in 2008, it took home four Tony Awards out of thirteen nominations, securing Miranda’s career as a lyricist and composer. 

Broadway at Music Circus is taking us back to England again, not to a shoe factory or the Globe Theatre, but to a gloomy moor in Yorkshire.  Based upon the 1911 Frances Hodgson Burnett novel of the same name, The Secret Garden premiered on Broadway in 1991 and earned three Tony Awards, including Best Book of a Musical. 

Cirque du Soleil is back in Sacramento, this time under the big top at Sutter Health Park.  It brings to us its reimagined classic, Alegria, which features updated costumes, characters, and music.  Boasting a multi-cultural cast from over 20 countries, Alegria takes the best the world has to offer and presents it on stage for all to enjoy.

Broadway at Music Circus welcomes you to the Renaissance with its newest resounding success, Something Rotten!  This is the first time the Tony Award-nominated musical is being performed at Music Circus and the round lends a special intimacy to the production that, I’ll admit, made it better than the national tour.  With a book by Karey Kirkpatrick and John O’Farrell and music and lyrics by Karey and Wayne Kirkpatrick, Something Rotten! will hilariously satisfy Oxfordians, who question how an uneducated man such as Shakespeare could have written such sophisticated content as is attributed to him.  Even loyal Stratfordians will enjoy the story of Shakespeare-as-plagiarist, for there is no resisting the irreverent humor and jaw-dropping talent that make up the show.