Courtney Symes

Over seventy years after its initial publishing, C.S. Lewis’s The Lion, the Witch, and the Wardrobe continues to entertain children of all ages. FreeFall Stage is bringing the classic story to life on stage with an adaptation by Joseph Robinette. Director DeeDee Eldridge is at the helm of this project and, when asked why she chose this story to tell, said, “It’s a wonderful, iconic story and it’s been twenty years since I did it with my students.” She has assembled another great cast to deliver Lewis’s message of perseverance, courage, and hope.

When I heard that Celebration Arts was performing a Lynn Nottage play, I knew I had to be there. My first experience with her work was last year seeing Clyde’s at Capital Stage. I was struck by the characters and how they interacted with each other. They were all multi-faceted and so human, filled with joy and flaws. Celebration Arts’ selection, Crumbs from the Table of Joy, is set in a different place and time, yet equally complex.

The numbers vary by source, but over fifty million Americans care for an elderly or disabled family member. Many do so while holding other jobs and receiving no respite. It’s a topic that all of us can relate to in some way. Local playwright Charlotte Higgins, nationally recognized for her other works, addresses this unifying issue in her new play, ROGUES. Director Lori Russo is at the helm of its West Coast premiere at The Stage at Burke Junction.

When a show opens with what is widely considered one of the most offensive words in the English language, I’m hooked. Selina Fillinger’s POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive does just that. This Tony Award-nominated work is a genius feminist farce brought to life by director Devin Valdez and a fantastic all-female cast. It also may be my favorite Big Idea Theatre production to date.

Two of Sacramento’s most visible theatre professionals have come back to the local theatre community after a brief absence. Michael Laun and Natasha Hause were integral to the staging of numerous successful pieces at the former Sacramento Theatre Company. After STC’s dissolution, they both enjoyed success with Sierra Repertory Theatre in last fall’s production of The Graduate.  Now, they’re putting their names back in the spotlight in a joint venture: a fresh and dazzling new project, Diamond Stage Company. Natasha and Michael spoke to BroadwayWorld about their new theatre company and their plans for the future.

Admittedly, I have a soft spot for stories about the Asian-American experience. Korea, in particular, has always fascinated me. When I was growing up, I heard my mother’s stories about her life in Korea and the challenges she encountered as an immigrant to the United States. My grandmother’s hardships were worse. Entering the United States as an adult was a culture shock. A new language, different customs, and a life that was completely unrecognizable from the one she had known for thirty years took a toll. I wish I had listened more and asked more questions. She was lonely and yearned for companionship with someone who understood her unique position, much like the two characters in Lloyd Suh’s poignant take on friendship, The Heart Sellers. Its Northern California premiere is happening now at Capital Stage, after which it will then go on to two other Bay Area theatres in a triple co-production.

Thanks to festivals and features in movies, bluegrass music is enjoying a rise in popularity that was originally eclipsed by the rise of rock music. The nostalgia for old-time America mixed with honest lyrics add to its appeal. Coming up on October 15, The Sofia is hosting Damn Tall Buildings. The group is comprised of only three members: Avery Ballotta, Max Capistran, and Sasha Dubyk. They’re a damn good bluegrass band, and BroadwayWorld spoke to violin player and vocalist Avery Ballotta about their tour, what bluegrass means to them, and how you'll have a damn great time at their show.

Going into this election season is a perfect time to reflect upon what our country means to us. What are our values and how have we changed over the past four years? Our democracy has been, in the past, a utopian ideal that was modeled by others. More recently, it seems that we are the ones catching up as countries adopt new constitutions or reform old ones. Can we agree on the changes needed to update a centuries-old document? That’s the idea at the crux of Heidi Schreck’s Tony-nominated play, What the Constitution Means to Me, which is playing now at the B St. Theatre.

I’ve just found the new definition of fun, and it’s Mrs. Doubtfire. Broadway Sacramento continues its season of excellence with director Jerry Zaks’s comedy based on the 1993 film that starred Robin Williams. It had a limited run on Broadway immediately before and following the pandemic, but enjoyed renewed success in London in 2023. Its score by Wayne and Karey Kirkpatrick (Something Rotten) was nominated for an Outer Critics Circle Award in 2022. This show is just what we didn’t know we needed – lighthearted hilarity with a touch of nostalgia and feeling. It’s a recipe even Mrs. Doubtfire can’t mess up.

The B St. Theatre is celebrating twenty years of bringing its Family Series magic to the community. Local children have been enjoying B St. programming for even longer, as it was started in 1986 as a touring theatre to bring live performances to area schools. The next show in the Series begins this weekend and showcases the stories of some very special youngsters. Tiny Trailblazers: Kids Who Changed the World shows how some of the smallest humans can make the biggest impact. BroadwayWorld spoke to Lyndsay Burch, B St. Theatre’s Executive Director and CEO, about this very special anniversary and their impressive lineup of upcoming shows.

Broadway Sacramento’s 2024 season is here and is opening up with Stephen Sondheim’s 1970 hit, Company. Following several Tony Award wins for its 2021 Broadway revival, Company is stopping in Sacramento this week as it closes its national tour. The book by George Furth has undergone some changes, while Sondheim’s signature sound continues to thrill audiences nationwide with recognizable songs such as “Being Alive.”

What can I say? Big Idea Theatre has some of the best picks in town. Constantly evolving and pushing through what feels comfortable and even sane, they’ve upped the ante with their latest offering. The Beauty Queen of Leenane is a deliciously dark and suspenseful tale by Martin McDonagh.

Capital Stage is embarking on an exciting 20th anniversary season. Kicking it off is Jackie Sibblies Drury’s Pulitzer Prize-winning play, Fairview. It’s a timely discussion about race, society, and expectations that leaves one asking questions long after the last bo

Pickleball is the fastest growing game in the country, and you can experience it now, out of the heat and inside the B St. Theatre, with the aptly titled Pickleball. Jeff Daniels’s play is an amusing farce about the dangers of middle-aged competition and a reminder to not take life too seriously – just pickleball.

Oh, what a night at Broadway at Music Circus! Their final show of the season is the Tony Award-winning Jersey Boys, The Story of Frankie Valli & The Four Seasons, which tells the rags to riches story of the original New Jersey boy band, The Four Seasons. Director Glenn Casale has helmed another must-see show this summer, and it’s fitting to close this exciting season with such an iconic title.

The countdown is on, Sacramento! Less than a week remains until Grammy Award-winning duo Twenty One Pilots electrifies the Golden 1 Center with their unique sound and unparalleled energy. On August 25th, Tyler Joseph and Josh Dun arrive on The Clancy World Tour to perform songs from their seventh full-length album, Clancy.

Waitress, the Tony-nominated musical with an all-female creative team, is heating up the round at Broadway at Music Circus. It boasts an incredible score by Grammy winner Sara Bareilles and a book by screenwriter Jessie Nelson. It was adapted from the independent film of the same name by screenwriter Adrienne Shelly who, tragically, was killed only a few days before the film was accepted by the Sundance Film Festival. Its themes of redemption, love, perseverance, and courage are universally appealing. Like its unique pies, Waitress is a blend of sugar, spice, hilarity, and feel-good feminine power.

Help Me is inspired by real-life scenarios shared on Tumblr and the #MeToo movement. Director Emma Eldridge of Freefall Stage has crafted this latest production as a labor of love sparked by righteous anger at the inequalities and danger women face every day.

There are few issues as polarizing as that of women’s reproductive rights in the United States. In the wake of the June 2022 overturning of Roe v. Wade, several states have enacted laws making abortion illegal, while many others have bans in place or are currently considering them. This is the crux at the heart of Arlene Hutton’s mesmerizing new play, Blood of the Lamb. It’s been performed to rave reviews in Scotland, Australia, and Alaska, and will be at the B St. Theatre for a limited engagement before opening Off-Broadway this fall.