Cindy Marcolina - Page 48

In 1960s Los Angeles, traffic police officer Effie-Lou (Katrina Foster) is looking for her PI friend Jo after she went missing. As Effie-Lou investigates Jo's disappearance, she falls into a world of murder and sex trafficking, coming to terms with her past as a prostitute.

Stage and screen actress Gwen Taylor takes on the role of Lady Bracknell in The Importance of Being Earnest, touring the UK until late April.

When Bea receives a text from her mum saying that they need to talk as soon as she gets home, she goes into a panic. She specifies that it's not just a scary text to receive no matter who sends it, she is afraid because her mother might have figured out that she's working as a stripper.

Nicole Henriksen takes Vault Festival by a quiet storm, tackling mental health, feminism, and stereotypes at once with A Robot In Human Skin. Presenting herself already on stage, wielding a ukulele in her bra, pants, and worn-out socks, and wearing a tin-foil tv screen as a helmet, she is honest and powerful as she walks the audience through her life.

Golem! takes part in Vault Festival with Tomorrow Creeps, a new play that features sixteen works of Shakespeare. A mashup of quotes and circumstances that, in the eerie and humid atmosphere of The Vaults, isn't always coherent, but promising nonetheless.

Jermyn Street Theatre kicks off their Scandal season with Woman Before a Glass, in which Peggy Guggenheim tells her own story. Written by Lanie Robertson and staged by Tom McClane in a recreation of Austin Pendleton's New York production, the piece is as gossip-filled and sleek as its main character.

Fabricate Theatre is debuting at Tristan Bates Theatre with Bunny, Jack Thorne's 2010 play. Directed by Lucy Curtis and performed by Catherine Lamb, the piece is sharp and eye-opening, and as relevant now as it was when it first premiered at Edinburgh Fringe Festival if not even more.

On their annual holiday together at the seaside, Luce (Eva-Jane Willis) and Anthony (Niall Bishop) meet Madeleine (Tanya Fear). As their friendship develops and the two already best friends form a strong bond with the stranger, they'll have to come to terms with past trauma, mental illness, and acceptance.

Catherine Lamb is an actress and Artistic Director of Fabricate Theatre. She's about to take the stage in her new production of Jack Thorne's Bunny at the Tristan Bates Theatre directed by Lucy Curtis.

Tall Stories are back as part of Vaudeville Theatre's celebration of Oscar Wilde. They condense the author's fairy tales in Wilde Creatures, exploring morality in a show tailor-made for young audiences.

Joe McElderry - who won the 2009 edition of The X Factor - is ready to end the year taking the UK tour of Joseph and the Amazing Technicolor Dreamcoat to Newcastle, his hometown.

What would happen if instead of Belle, there was Beau, Gaston was transformed into Chevonne, and the Beast wore a velvet corset? Fat Rascal Theatre gender-swap the classic fairytale and transform it into a hysterical and fast-paced musical.

It's 1680 in London, Arabella Hunt (Marilyn Nadebe) is secretly married to Amy (Georgia Bruce) in what inadvertently becomes the first ever recorded gat marriage in England. In the meantime but in 1936, Alan Turing (Darren Sia) is paying a final visit to Isobel Morcom (Phoebe Hames), mother to his first and only love, Christopher. San Fernando Valley sees Tammy Frazer (Francesca Zoutewelle) become a pornstar for Callisto Pornographic Studios in 1979. In 2223, on the Moon, Lorn (Jonny Purkiss) is explaining to his A.I. partner Cal (Nicholas Finerty) what it means to be loved. These four stories that have nothing and yet everything in common intertwine in Callisto: a queer epic, becoming a vast exploration of love and passion across time.

In a quaint little 1917 English village, a weird old man invites eight strangers to say at his house. The choice of guests is anything but casual, as they all have something in common, even though they don't know what it is. When a mysterious wood appears on Midsummer Night, their lives take an unexpected turn. As directed by Jonathan O'Boyle, J.M. Barrie's Dear Brutus is compelling and elegant, with a text that's still fresh and modern.

Mrs. Sharpe's (Anna Mottram) run-down boarding house is the home of a bizarre group of people. Harry's (Benjamin Chandler) music career is going down the drain, Vivian (Claire Redcliffe) is being forced to marry a man she doesn't love, Alick (Richard Stirling) is planning another deception, Stasia (Ella Dunlop) goes through her motions as a maid, while Mrs. Sharpe herself has become a hardened woman. But their lives seem to take a turn when a mysterious stranger arrives.

Robyn Grant is a writer and performer. She is also the Artistic Director of Fat Rascal Theatre, a company whose aim is to create feminist musical theatre. She's embarking on a new journey with Beauty & the Beast, her reimagined and gender-swapped musical inspired from the classic tale.

Lucy Kerbel and Tonic Theatre presented the fifth Tonic Celebrates event on 24 November at The Other Palace. The guests of the night were Rosalie Craig, Phyllida Lloyd, and Danielle Tarento, who opened their hearts and discussed their career paths in an empowering and emboldening evening.

Directed by Jermyn Street Theatre's own artistic director Tom Littler, Miss Julie is revived in an effortlessly visceral new production.

Eighteen-year-old Callum is taking his first steps out of care, dreaming of becoming a track star. He is immediately flung into a world of poverty and toxic company, and when his legs start to fail him, he loses the only control he has on his life.

When Becca (Holly Donovan) is sent to a hospice in order to serve a community punishment, she meets Anna (Clare Corbett), a cancer patient at terminal stage. An unlikely friendship starts between the two women, who at first glance have nothing in common but being confined in the same space. As they share stories, their bond grows.