BWW Review: HOLY LAND, The SpaceJune 14, 2019Everybody knows that the internet is the host of some very awful matter. Images and links are permanent and if you dig hard enough, an underworld of crime starts spreading behind the screen.
BWW Review: ODYSSEUS FILO, The Coronet TheatreJune 9, 2019The second edition of the Italian Theatre Festival comes to end with a real gem.
Multi-talented performer Marco Paolini graces the stage of The Coronet with a tremendous take on the myth of Ulysses. Accompanied by Saba Anglana and Lorenzo Monguzzi, he delivers a devastatingly honest tale of loss and retribution.
BWW Review: WINSTON VS CHURCHILL, The Coronet TheatreJune 9, 2019The Italian Theatre Festival begins its swansong bringing one of Italy's most distinguished performers to the Coronet stage. Giuseppe Battiston takes on the role of Winston Churchill in Carlo G. Gabardini's play Winston vs Churchill.
BWW Review: REMEMBER ME: HOMAGE TO HAMLET, The Coronet TheatreJune 8, 2019After the female-led kick-off, the Italian Theatre Festival at The Coronet centres the attention on the United Kingdom's favourite writer, Shakespeare. Fabrizio Gifuni dissects and disassembles Hamlet in an intimate examination of the character through voice and music.
BWW Review: THREE ITALIAN SHORT STORIES, The Coronet TheatreJune 8, 2019The Italian Theatre Festival is back at The Coronet Theatre for their second edition. After a less than overwhelming first experiment last year, the Italian Cultural Institute start their new program with a moving and culturally aware kick-off.
BWW Review: CUTTINGS, The Hope TheatreJune 7, 2019YouTuber Arthur Moses has unexpectedly gone on to win an Olivier Award and delivered the most offensive acceptance speech in the history of the ceremony. It's time for his publicists Gracelyn (Joan Potter), Ruchi (Natasha Patel), and Danica (Maisie Preston) to clean up his mess.
BWW Review: THE KNIGHT OF THE BURNING PESTLE, Barbican CentreJune 6, 2019In 1607 Francis Beaumont was about to premiere his new play The Knight of the Burning Pestle, the pastiche that was set to change British comedy forever. It sees a bunch of audience members taking charge and invading the stage, dissatisfied with how the show they're watching is developing. Cheek By Jowl's current touring collaboration with Moscow Pushkin Drama Theatre is a revisited version of the piece.
BWW Review: ARMADILLO, The Yard TheatreJune 5, 2019Sam (Michelle Fox) has been trying to deal with her traumatic past for most of her life. When another 13-year-old girl is kidnapped the same way she'd been, her coping mechanisms blow up and she goes down a spiral of obsession and angst. While her brother Scotty (Nima Taleghani) indulges her fixation, her husband John (Mark Quartley) tries to steer her back to their shared path of healing.
BWW Interview: Tom Littler Talks PICTURES OF DORIAN GRAY at Jermyn Street TheatreJune 6, 2019Jermyn Street Theatre end their Portrait Season with Pictures of Dorian Gray, an exciting new take on Oscar Wilde's masterpiece directed by Tom Littler. Four actors juggle their roles, switching nightly (or, on matinee days, twice daily), presenting four different gender combinations that shine a new light on the story. We caught up with the director to learn more about the project, and his long-standing link to Dorian Gray.
BWW Review: COUNTRY MUSIC, Omnibus TheatreJune 1, 2019Country Music starts in 1983. Jamie and Lynsey are in a car, barely 18 years old, driving away after he's committed a crime. While he's convinced that this won't have any effect on the future he dreams for them, the young women isn't so sure. The audience then meets him twice over the years, his life entirely changed by that act.
BWW Review: THE GLASS MENAGERIE, Arcola TheatreMay 30, 2019Tennessee Williams's first success The Glass Menagerie lands at Arcola Theatre in an exciting and tremendously thought-provoking production directed by Femi Elufowoju jr. It's 1937 in St Louis. Amanda Wingfield's (Lesley Ewen) hopes that her two children will lead a more stable life than hers grapple with their own sense of individuality. While their mother lives in a past made of suitors and debutantes worrying about the future of her unmarried daughter Laura (Naima Swaleh) - a shy and scarred young woman who spends her days polishing her glass trinkets - Tom (Michael Abubakar) desperately wants to break free from his dead-end job at a shoe warehouse.
BWW Interview: Louise Jameson and Thomas Mahy Talk VINCENT RIVERJune 1, 2019Actors Louise Jameson and Thomas Mahy are currently starring in Philip Ridley's play Vincent River at Trafalgar Studios. We caught up with them to hear about their characters, their love for theatre, and why the play has special resonance in post-Brexit London.
BWW Review: BENEATH THE BLUE RINSE, Park TheatreMay 25, 2019Simon Sudgebury (Kevin Tomlinson) has been scamming older ladies forcing them to buy expensive alarm systems in order to earn a huge bonus. 75-year-old Flora Parkin (Marlene Sidaway) isn't the kind to let anyone take advantage of her. When the salesman shows up at her door, he quickly finds out that, with the help of her 72-year-old lover George (Ian Redford), she's running something bigger and more dangerous than her trinket-lined household.
BWW Review: BLUEPRINT MEDEA, Finborough TheatreMay 24, 2019Medea (Ruth D'Silva) becomes a Kurdish militant seeking asylum in the UK. Blueprint Medea tracks her journey from 2006 to 2016 as she leaves her home country, meets Jason (Max Rinehart), and then departs again. Written and directed by Julia Pascal, the piece is introduces too many themes at once only to neglect most of them.
BWW Review: THE TALENTED MR. RIPLEY, Wilton's Music HallMay 23, 2019Tom Ripley is struggling to make a living in New York City. When he's approached by Herbert Greenleaf - shipping magnate and father to an old university acquaintance of his - he sets sail for Italy to convince his son Dickie, whose friendship he exaggerates greatly, to go back to the US and join the family business. There, he gets a taste of the life of luxury afforded by the Greenleafs and a string of lies, deception, and scams kicks off.
BWW Review: HOARD, Arcola TheatreMay 22, 2019Bili (Kemi Durosinmi) is introducing her boyfriend Brian (Tyler Fayose) to her sisters Rafi (Elizabeth Ita) and Ami (played by Estella Daniels on book due to Emmanuella Cole's being ill on press night). When their mother Wura (Ellen Thomas) decides to crash their dinner party unannounced, the reason why she's unaware of Brian's involvement with her daughter comes to the surface and unearths a series of deep-rooted family issues.
BWW Review: TESTAMENT, The Hope TheatreMay 19, 2019Max (Nicholas Shalebridge), his girlfriend Tess (Jessica Frances), and his brother Chris (William Shackleton) are involved in a terrible car accident that results in Tess' death. After he wakes up in a hospital following a suicide attempt months later, he believes Tess is still alive and wonders why she's not visiting him there. His brain injury kicks off a convoluted oneiric experience.
BWW Review: THE CURIOUS CASE OF BENJAMIN BUTTON, Southwark PlayhouseMay 18, 2019F. Scott Fitzgerald was 26 years old when his short story The Curious Case of Benjamin Button was first published in Collier's Magazine. It tells the tale of Benjamin, a man born in unusual circumstances. Instead of growing old, he becomes younger, trapped into a body he doesn't recognise as his own and forced to experience his life backwards.
BWW Review: WHITE PEARL, Royal Court TheatreMay 17, 2019Clearday has gone from a small Singaporean start-up to an international cosmetic brand. When resentment and revenge come into play, an old draft of an advert promoting their cutting-edge skin whitening product is posted online resulting into a media disaster.