Cindy Marcolina - Page 26

Harvey Fierstein's response to the AIDS outbreak in the 80s and the subsequent silence from the government came in the form of three one-act plays. The Network Theatre Company picked to stage Safe Sex as part of VAULT Festival, an accidental choice that turns out to be exceptionally timely at this point of threatening pandemic.

E.V. Crowe debuts her new play Shoe Lady directed by the Royal Court's artistic director Vicky Featherstone. Katherine Parkinson returns to the stage as a woman who accidentally loses a shoe on her way to work. What ensues from the incident is a bleak reflection on middle-class anxiety.

Mary Rodger's (yes, daughter of that Richard Rodgers) 1959 musical Once Upon a Mattress makes an appearance in Highgate in a revival that, unfortunately, looks old and stuffy despite all the talent on stage.

In 1989, the fall of the Berlin Wall is a beacon of light and the emblem of freedom for everyone in the free world. Around 30 years later, Donald Trump is militating for a barrier to be erected between the United States and Mexico to prevent migrants from crossing the border. Closed Lands takes a hard look at the invisible and metaphorical walls that promote division and hatred.

Incognito Theatre are back at VAULT Festival with an adaptation of Erich Maria Remarque's All Quiet on the Western Front. Brutal, visceral, and told in Incognito's own exquisite brand of physical theatre, the show is a moving and detailed account of the Great War from the perspective of the German soldiers.

Fat Girl (Erin Gill) is in love with Pizza (Geraint Rhys). Her fatphobic Mother (Vaani K Sharma) signs her up for a reality show with the aim of losing weight and she meets Hot Boy (Ewan Pollitt), an entitled D-list celebrity.

Not even the threatening pandemic managed to keep Cheek by Jowl to introduce the Babican Theatre to the brilliant company of Milan's Piccolo Teatro. Declan Donnellan is directing his first Italian show, presenting Thomas Middleton's The Revenger's Tragedy in a bold, unabashed, sexy extravaganza of power and corruption.

Jason Robert Brown's The Last Five Years has come back to London after a stint in the West End in 2016 as an intimate and exceptionally touching production directed by Jonathan O'Boyle. The iconic musical follows Cathy and Jamie's five-year relationship through all the highs and lows of a natural, declining love story.

Trainers is one of those shows that have their public gaping at the stage. It's a political and radical experience. The title is an entire microcosm in itself: Trainers Or The Brutal Unpleasant Atmosphere Of This Most Disagreeable Season: A Theatrical Essay. The website of the Gate Theatre forewords the synopsis with a?oeThe only rule is to break the rulesa??, which fits perfectly within the work as a whole.

Following their hyper-successful Sunday Favourites at The Other Palace, the venue are launching another series of one-off concerts that will see performers get up close and personal in an acoustic setting. With their main stage being dark on a Monday, the theatre are taking the chance to bring more stars to their fans, hosting an impressive line-up, including John Owen-Jones and Kerry Ellis later in the spring.

The theatre stars aligned this past Sunday for the 20th Annual WhatsOnStage Awards at the Prince of Wales Theatre, which shrug off its usual Mormon clothes for the occasion. Marking this huge milestone, the team turned it up a notch and celebrated in style, with Paul Taylor-Mills as a producer.

Vivid imaginations, beware! Immersive company Darkfield have taken over Lewis Cubitt Square in King's Cross with a collection of torment-inducing shows. After taking theatre festivals around the UK by storm with Séance and Flight, they are bringing their disturbing creations back to London along with their brand spanking new and equally affecting Coma.

When the Voyager spacecrafts were launched in 1977, they contained two golden records that were meant to reproduce sounds and noises coming from Earth so that alien life could learn about us.

A debut play is always tricky business and This Queer House is no exception, with poet Oakley Flanagan penning a piece that's all over the place stylistically and thematically. A young queer couple inherit a house and start renovating it. Their projects, however, are met with resistance by the house itself, which strives to break them apart.

Laura (Lucy Roslyn) has just returned from Hong Kong after reporting from the protests. When Vicky (Melissa Woodbridge) offers her a job at an independent newspaper with the promise of letting her tell the story of how her friend died, her personal and professional lives are put on the line. The paper's Chinese investors demand her stories to have a certain angle, and her Hong Kong born boyfriend Mark (Robert Bradley) start to question her morals and their relationship.

Actor and writer Emily Renée pens a story about family love, coincidences, immigration, and all the elements that, combined, build an identity. Alice is directed by Tamar Saphra, whose contribution is slightly mercurial throughout but turns out to be effective in the long run.

Erinn Dhesi invites her audience to an educated analysis of social media usage, its effects on perception and lifestyle, and how cultivating an identity has become a feasible female-centric career. She mainly focuses on Instagram and tackles the subject with flair and specificity, creating an anti-boomer show that's a?oerooted in academya??.

The premise of Fire Hazard Games' latest feat is simple: a series of horrendous crimes are being discovered by the police and there are reasons to believe you are involved. But you have no memory of anything that happened the previous night. Following their gut, the participants need to hit the streets of Lambeth to put the pieces together, find out the truth, and decide their future.

Elyot is a peculiar man. He lives ruled by an eccentric routine, learning new words, and listening to Beethoven and pop tunes from which he's removed all the sung parts. When Laquaya breaks into his house in Peckham, everything changes. His strict pattern blows up as she violently barges into his life.

a?oeExcept for Hydrogen, all the atoms that make each of us up [...] were manufactured in the interiors of a collapsing stara??. But we amount to something more than the simple sum of our atoms, and Perhaps Contraption are proof of it. Their latest work, perfectly titled Nearly Human, is a joyous celebration of life. We follow the a little particle as it makes its way from being to being in what is a mesmerising blend of music and theatrics.