Barry Lenny - Page 56

The joint forces of the Elder Conservatorium Symphony Orchestra and the Adelaide Youth Orchestra combined for the Elder Hall Titan performances.

Mark Nadler's latest performance, Runnin' Wild, is guaranteed to win him more fans.

There were so many students good enough to be involved this year that it was necessary to divide them and have two full performances.

Kate Fuller, takes on the role of Annie Ross at the closing night of her short lived jazz club, Annie's Room.

Four young people who appeared in the Class of Cabaret last year are back with their own show, Class of Cabaret Graduates.

Former Cabaret Festival Artistic Director, David Campbell, and Broadway Composer, John Bucchino, presented a marvellous performance.

Little Bird was commissioned by the company especially as a platform for Paul Capsis, and what a magnificent performance he gives.

Musical theatre fans rushed to see Anthony Warlow and Faith Prince: Direct From Broadway.

Kylie Ferreira, Louise Messenger, and Valeska Laity have done a superb job of bringing the sounds of the Boswell Sisters to life again.

Robert Davi does not try to mimic Sinatra's voice, or blatantly copy his phrasing and styling.

Rhonda Burchmore is song and dance lady of the first order who really knows how to please an audience.

Kim Smith is a regular visitor to the Adelaide Cabaret Festival, and we just can't enough of his style of cabaret.

Jamie Jewell, as Candy Chambers, is a very rare thing, a drag queen who relies on sheer talent rather than bitchy sniping.

Seven years was a long time to wait for another appearance by the fabulous Parisian cabaret chanteuse, Caroline Nin, but the wait was more than worth it.

The Adelaide Cabaret Festival once again begins with the Variety Gala Performance, an immensely popular part of the Festival which presents short performances by many of the artists appearing over the next three weeks.

Eye Music triggers questions about the personal autonomy of the severely disabled, and the confused motives and behaviours of their carers and families.

Galleon have a history of quality productions and this is another feather in their cap.

This is an excellent production, with a great cast, and strong leadership from the production team:

If you want to know why the first fifty years of the 20th century saw a remarkable resurgence of creative energy, then just look at the music Leigh Harrold programmed for the Kegelstatt Ensemble.

Unseen Theatre Company takes on another Sir Terry Pratchett novel, in this case, the very popular Thief Of Time.