Barry Lenny - Page 53

For forty years or so The Corinthian Singers have been the chamber choir that essentially kept the concept of the small, highly skilled vocal ensemble alive in Adelaide,

Christmas and Charles Dickens have gone hand in hand ever since he wrote the best known of all Christmas stories, A Christmas Carol.

As the year draws to a close it is time, once again, for that great Adelaide seasonal tradition, the Christmas Proms. When it comes to family shows, this one takes the cake.

Noel Coward's Hay Fever finds us in the 1920s at the very desirable home of the Bliss family.

Such was the enjoyment of the evening, that a number of people commented that it was such a shame that there was only the one chance to attend.

There is something about certain pieces of music that attract nicknames. Two of these three works have names attached.

The change of program necessitated by the new line up was still an impressive evening.

The Adelaide Repertory Theatre Society's final offering for the year was written by master of the farce , Ray Cooney, and his son, Michael,

The State Theatre Company of South Australia is presenting a modern setting of William Shakespeare's Othello, directed by Nescha Jelk, to close their 2014 season.

Independent Theatre could not have asked for a better production to end their thirtieth year.

If you have never met the Larkins, then you are in for a treat.

Marie Clark Musical Theatre Company are presenting the South Australian premiere of Young Frankenstein, the Mel Brooks musical.

Lally Katz's endearingly quirky sense of humour would surely win over even the grumpiest person in the world.

Once again, the State Opera Company of South Australia is offering a superior production that is sure to please Adelaide's opera lovers.

This is top quality professional theatre and everybody involved in the production has every right to feel extremely proud of what they have created.

This is yet another wonderful production from Bangarra Dance Theatre.

Restless Dance Theatre is presenting its latest work, In the Balance, which looks at relationships within a group. This is the first major Youth Ensemble production directed by their new Artistic Director, Michelle Ryan, who noticed the changes that occurred when new members joined this group of dancers, observing the various reactions and the change in the group dynamic. Her first production for the company bodes very well for the future.

This was a bold move by the Guild, and one that should pay off for them, with a theatrical classic and a modernisation of the same play juxtaposed.

Renowned director, Peter Brook, has stripped the production of all unnecessary accoutrements in order to focus entirely on the story.

This Circa production is fresh and innovative circus at its best.