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Barry Lenny - Page 43

Barry Lenny Born in London, Barry was introduced to theatre as a small boy, through being taken to see traditional Christmas pantomimes, as well as discovering jazz and fine music at a very young age. High school found him loving the works of Shakespeare, as well as many other great playwrights, poets and novelists. Moving to Australia, he became a jazz musician, playing with big bands and his own small groups, then attended the Elder Conservatorium of Music at the University of Adelaide, playing with several orchestras. This led to playing in theatre pits, joining the chorus, playing character roles, playing lead roles (after moving into drama), then directing, set and lighting design, administrative roles on theatre boards and, finally, becoming a critic. After twenty years of writing he has now joined the Broadway World team to represent Adelaide, in South Australia. Barry is also a long time member of the prestigious Adelaide Critics Circle.




BWW Review: OLD TIMES Shows That Reminiscing Can Be Hazardous
BWW Review: OLD TIMES Shows That Reminiscing Can Be Hazardous
April 8, 2016

Tony Knight has created a stylised production, with dialogue delivered at a crisp pace.

BWW Review: THE PHILADELPHIA STORY Looks At A High Society Marriage Dilemma
BWW Review: THE PHILADELPHIA STORY Looks At A High Society Marriage Dilemma
April 4, 2016

The Philadelphia Story opens the year for the Therry Dramatic Society.

BWW Review: CATS Are Prowling In Adelaide Again
BWW Review: CATS Are Prowling In Adelaide Again
March 21, 2016

A standing ovation by the entire audience with applause going on and on, showed that the performance was a success.

BWW Review: ADELAIDE FRINGE 2016: EQUINOX Displayed Adelaide's Young Talent
BWW Review: ADELAIDE FRINGE 2016: EQUINOX Displayed Adelaide's Young Talent
March 18, 2016

Equinox, was a great opportunity for young dancers.

BWW Review: ADELAIDE FESTIVAL 2016: BODY OF WORK Is A Multimedia Masterpiece
BWW Review: ADELAIDE FESTIVAL 2016: BODY OF WORK Is A Multimedia Masterpiece
March 18, 2016

Using very effective multi media equipment and choreographic stage craft skills, Atlanta has created an amazing meeting point of technology and dance.

BWW Review: WOMADELAIDE 2016: DAY 4 Closed A Wonderful Long Weekend
BWW Review: WOMADELAIDE 2016: DAY 4 Closed A Wonderful Long Weekend
March 17, 2016

The final day of WOMADelaide 2016 started with cooler weather, much to everyone's delight.

BWW Reviews: WOMADELAIDE 2016: DAY 3 Had A Surprise Audience Performance
BWW Reviews: WOMADELAIDE 2016: DAY 3 Had A Surprise Audience Performance
March 17, 2016

"There are just too many great things to see here!" complained a punter. What a wonderful problem to have.

BWW Review: ADELAIDE FRINGE 2016: THE ISABETTA PROJECT Is Unique A Blend Of Ancient And Modern
BWW Review: ADELAIDE FRINGE 2016: THE ISABETTA PROJECT Is Unique A Blend Of Ancient And Modern
March 16, 2016

The Isabetta Project, performed is a Mediaeval/modern production performed in a promenade style.

BWW Review: ADELAIDE FRINGE 2016, SYLVIA BRECKO IS DOING IT HER WAY And It's Fun
BWW Review: ADELAIDE FRINGE 2016, SYLVIA BRECKO IS DOING IT HER WAY And It's Fun
March 16, 2016

Sylvia Brecko is a most personable performer, chatting to the audience like old friends.

BWW Review: ADELAIDE FRINGE 2016: #NOFILTER Is One Of The Most Incredible Pieces That You Will Ever See
BWW Review: ADELAIDE FRINGE 2016: #NOFILTER Is One Of The Most Incredible Pieces That You Will Ever See
March 16, 2016

I see no reason why this should not tour overseas and, in fact, it should.

BWW Review: WOMADELAIDE 2016: DAY 2 Continued To Amaze
BWW Review: WOMADELAIDE 2016: DAY 2 Continued To Amaze
March 15, 2016

The extraordinary diversity of music, information, play and entertainment can be quite overwhelming.

BWW Reviews: WOMADELAIDE 2016: DAY 1 Was A Sensational Start To The Four Day Festival
BWW Reviews: WOMADELAIDE 2016: DAY 1 Was A Sensational Start To The Four Day Festival
March 15, 2016

As opening nights go this was a big one and if this level of artistry, diversity and energy is going to be maintained, we are in for quite a weekend.

BWW Review: ADELAIDE FESTIVAL 2016: NELKEN Honoured Pina Bausch
BWW Review: ADELAIDE FESTIVAL 2016: NELKEN Honoured Pina Bausch
March 14, 2016

The two hour long performance was based on Pina Bausch's memories of life in post-war Germany.

BWW Review: THE PEACH SEASON Tells Of Love And Growing Up
BWW Review: THE PEACH SEASON Tells Of Love And Growing Up
March 14, 2016

It is about a mother's love and having to let go of the woman/child she has cared for and protected.

BWW Review: ADELAIDE FESTIVAL 2016: DELUGE Will Keep You Alert Following The Conversations
BWW Review: ADELAIDE FESTIVAL 2016: DELUGE Will Keep You Alert Following The Conversations
March 11, 2016

In effect, there are five plays running at the same time.

BWW Review: ADELAIDE FESTIVAL 2016: GOLEM is Technical Wizardy Warning Against Technology
BWW Review: ADELAIDE FESTIVAL 2016: GOLEM is Technical Wizardy Warning Against Technology
March 9, 2016

The combination of the live and video performances is impeccable.

BWW Review: ADELAIDE FESTIVAL 2016: THE COUNTRY Is A Powerful Psychological Thriller
BWW Review: ADELAIDE FESTIVAL 2016: THE COUNTRY Is A Powerful Psychological Thriller
March 9, 2016

What is clear is that this is a joint effort by the three actors and the director.

ADELAIDE FRINGE 2016: SYLVIA BRECKO IS…DOING IT HER WAY!
ADELAIDE FRINGE 2016: SYLVIA BRECKO IS…DOING IT HER WAY!
March 8, 2016

German cabaret personality returns to Adelaide Fringe!

BWW Review: ADELAIDE FESTIVAL 2016: MONUMENTAL Is Intensely Thought Provoking
BWW Review: ADELAIDE FESTIVAL 2016: MONUMENTAL Is Intensely Thought Provoking
March 8, 2016

The performance left me questioning my reason for living in the city.

BWW Review: ADELAIDE FESTIVAL 2016: GODSPEED YOU! BLACK EMPEROR Mesmerised The Audience
BWW Review: ADELAIDE FESTIVAL 2016: GODSPEED YOU! BLACK EMPEROR Mesmerised The Audience
March 7, 2016

Godspeed You! Black Emperor is an experience rather than a band.



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