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Barry Lenny - Page 42

Barry Lenny Born in London, Barry was introduced to theatre as a small boy, through being taken to see traditional Christmas pantomimes, as well as discovering jazz and fine music at a very young age. High school found him loving the works of Shakespeare, as well as many other great playwrights, poets and novelists. Moving to Australia, he became a jazz musician, playing with big bands and his own small groups, then attended the Elder Conservatorium of Music at the University of Adelaide, playing with several orchestras. This led to playing in theatre pits, joining the chorus, playing character roles, playing lead roles (after moving into drama), then directing, set and lighting design, administrative roles on theatre boards and, finally, becoming a critic. After twenty years of writing he has now joined the Broadway World team to represent Adelaide, in South Australia. Barry is also a long time member of the prestigious Adelaide Critics Circle.




BWW Review: DAVID STRASSMAN'S ITEDE Combines Ventriloquism With Electronic Puppetry
BWW Review: DAVID STRASSMAN'S ITEDE Combines Ventriloquism With Electronic Puppetry
May 29, 2016

Talented craftsmen like Strassman are proof that puppetry is here to stay.

BWW Review: THE LITTLE PRINCE Delighted Its Young Audience
BWW Review: THE LITTLE PRINCE Delighted Its Young Audience
May 29, 2016

Perhaps there will be a return season of this charming and cleverly devised piece.

BWW Review: NUNSENSE Lets The Little Sisters Of Hoboken Loose On Unsuspecting Audiences
BWW Review: NUNSENSE Lets The Little Sisters Of Hoboken Loose On Unsuspecting Audiences
May 24, 2016

Nunsense was a night out that had the audience laughing and applauding from start to finish.

BWW Review: SEX CELLS Explores Many Aspects Of Motherhood And Families
BWW Review: SEX CELLS Explores Many Aspects Of Motherhood And Families
May 22, 2016

There are lots of laughs, but also drama and tragedy in Longaretti's script.

BWW Review: THINGS I KNOW TO BE TRUE Is A Sure Fire Success
BWW Review: THINGS I KNOW TO BE TRUE Is A Sure Fire Success
May 21, 2016

Andrew Bovell has provided another of his powerful and captivating scripts.

BWW Review: THE DA PONTE PROJECT: MAKING MOZART Brings Operatic History Superbly Alive
BWW Review: THE DA PONTE PROJECT: MAKING MOZART Brings Operatic History Superbly Alive
May 18, 2016

The Marriage of Figaro, Don Giovanni, and Cosi Fan Tutte, were the result of the collaboration Mozart and da Ponte.

BWW Review: MORTAL CONDITION Challenges The Secondary Role Of Females In Games
BWW Review: MORTAL CONDITION Challenges The Secondary Role Of Females In Games
May 16, 2016

It is an extraordinary adventure through the medium of contemporary dance.

BWW Review: CLOUDSTREET Is A Major Australian Success Story
BWW Review: CLOUDSTREET Is A Major Australian Success Story
May 14, 2016

State Opera has pulled out all the stops for this opera, which has been five years in the making.

BWW Review: THE MIKADO Gets A New Look With Rich Characterisations
BWW Review: THE MIKADO Gets A New Look With Rich Characterisations
May 13, 2016

Co-Opera and the Gilbert and Sullivan Society of South Australia have joined forces to perform The Mikado.

BWW Review: TWO GENTLEMEN OF VERONA Is Where Shakespeare Began
BWW Review: TWO GENTLEMEN OF VERONA Is Where Shakespeare Began
May 11, 2016

The first prize for stealing scenes must go to Diesel the dog.

BWW Review: SUGAR Is A Real Crowd Pleaser
BWW Review: SUGAR Is A Real Crowd Pleaser
May 9, 2016

Sugar is the musical adapted from the film, Some Like it Hot.

BWW Review: GORGON Deals With Youth Deaths And Coping With Grief
BWW Review: GORGON Deals With Youth Deaths And Coping With Grief
May 4, 2016

Elena Karapetis has moved into scriptwriting and is presenting her second play, Gorgon.

BWW Review: THE FULL MONTY Sees The Phoenix Rise From The Ashes Of Six Lives
BWW Review: THE FULL MONTY Sees The Phoenix Rise From The Ashes Of Six Lives
May 3, 2016

Seeing the women of Buffalo going crazy over a performance by the Chippendale male striptease performers gives Jerry an idea.

BWW Review: LITTLE SHOP OF HORRORS Is Frightfully Good
BWW Review: LITTLE SHOP OF HORRORS Is Frightfully Good
April 25, 2016

The whole work just screams quality and the cast are full of enthusiasm.

BWW Review: THE MOON'S A BALLOON Totally Captivated The Young Audience
BWW Review: THE MOON'S A BALLOON Totally Captivated The Young Audience
April 20, 2016

The child audience was riveted by this performance, and the final applause went on and on.

BWW Review: THE WEE FREE MEN Is A Story Of Magic Bought To Life
BWW Review: THE WEE FREE MEN Is A Story Of Magic Bought To Life
April 19, 2016

This production will enchant and take you on a very special trip.

BWW Review: MACHU PICCHU Reinforces The Imperative Of Carpe Dium
BWW Review: MACHU PICCHU Reinforces The Imperative Of Carpe Dium
April 18, 2016

The ending is very powerful and affecting, and sends the audience out with emotions stirred.

BWW Review: THE ELEPHANT MAN Reminds Us Never To Judge A Book By Its Cover
BWW Review: THE ELEPHANT MAN Reminds Us Never To Judge A Book By Its Cover
April 16, 2016

The Rep has a sensational production on their hands and Dansie has another hit production to add to her resume.

BWW Review: HAMLET Is A Radically Young Production With Remarkable Clarity
Mental Health Charities fundraiser - #nofilter, Cocktails & Art event
Mental Health Charities fundraiser - #nofilter, Cocktails & Art event
April 8, 2016

#nofilter's art exhibition; The Asylum Room, exhibits the works of South Australian artists and the broader community.



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