Analisa Bell - Page 2

Night of 1000 Judy’s wasn’t just a fabulous show—it was a rallying cry, a hug, and a high kick all at once. A triumphant kickoff to Pride, and a vital reminder that the legacy of Judy Garland, and the protection of LGBTQ+ youth, remains as urgent and luminous as ever.

From the moment Mironti stepped onto the stage—radiant and refreshingly real—there was no doubt we were in for an evening that would celebrate both polish and the glorious rough edges of a life well-lived. Catch it again on 9/5

A night to be remembered at Gotham Comedy Club last Monday, April 14 as New York's cabaret community gathered to celebrate the Bistro winners at it's 40th anniversary awards night.

In Reservations for Two, veteran chanteuse Sue Matsuki and musical director/pianist Gregory Toroian celebrate an extraordinary 31-year artistic partnership with a performance brimming with polish, playfulness, and mutual respect.

With Ryan Silverman bowing out due to illness, Brown had less than a day to come up with a solo show. But she proved the consummate professional by delivering a delightful set!

Maggie Kneip has a story to tell—and on Wednesday night, March 5, at Don’t Tell Mama, she told it with a grace, vulnerability, and raw honesty. Kneip’s masterful storytelling made for a captivating evening.

Cabaret troupe member Caroline Sorokoff said, 'Everything at French Woods feels like family!” And that warm, fuzzy feeling of family echoed on throughout the night at the 2/28 show.

The show was an exquisite celebration of both the rich history of Weill’s compositions and the unique interpretative brilliance of Ute Lemper.

Don’t Forget Me was a glorious celebration of women in history—an evening that was both reflective and empowering. This reviewer looks forward to seeing what Fernandez does next!

Hannah Jane shines in 'Lady Legends of Broadway' at Green Room 42. She had the audience captivated from the moment she stepped on stage. With her talent, charisma, and deep understanding of Broadway’s rich history, she’s certainly one to watch.

Norm Lewis brought his signature charisma and warmth to 54 Below in a performance that left the audience thoroughly enchanted. This show was a true gift, one that will undoubtedly be remembered by everyone lucky enough to witness it!

Kidwell is a storyteller with an extraordinary ability to capture the full spectrum of human emotion. Through her powerful vocals, thoughtful selections, and deeply personal reflections, her performance was as moving as it was memorable.

Jason Ellis’ THE PIRATES OF PENZANCE-ISH, an adaptation of the Gilbert and Sullivan work, delivered a raucous, fun-filled Saturday afternoon on December 14th.

This Don't Tell Mama technician stepped out of the booth and onto the stage with great aplomb! Overall, this was a very strong debut, with great song choices and entertaining patter, masterfully directed by Lennie Watts.

Lena Moy-Borgen is one very talented, very funny lady! On Friday, December 13, the sold-out crowd at Don’t Tell Mama was treated to her latest show, a tour-de-force entitled “A Very Jewish Christmas Story” and this reviewer thinks it is one of the best cabarets I’ve seen all year!

Talman’s affectionate tribute to Elizabeth Taylor and her story of a friendship that transcended Hollywood glamour made for an unforgettable evening. The show beautifully reflected the deep connection Talman shared with the iconic actress.

Amy Wolk’s one-woman show Amy Has Some Things to Wolk On, performed at Don’t Tell Mama on Monday, November 25, was a delightful and hilarious journey showcasing her unique comedic sensibility and impressive vocal talent.

The Australian Theatre Festival NYC continues to be a highlight of this reviewer’s calendar, offering a taste of down-under brilliance with every performance. It was a thrilling celebration of Aussie talent.

Joshua Redman and company put on an epic performance on 11/16. Redman’s saxophone gleamed with his signature liquid-gold tone, while his mellifluous improvisation intertwined beautifully with Gabrielle Cavassa’s smooth, silky vocals.

Knowing it was the last performance at the venue that Mosher has called home for six years added a certain 'je ne sais quoi' to the evening. That being said, the sense of community and artistry Mosher has built through her curated showcase was palpable.