BWW Review: A CHRISTMAS CAROL, The VaultsDecember 11, 2016Charles Dickens' A Christmas Carol is one of the most well-known and best-loved stories of the season. Over the years, a number of radio adaptations of it have been broadcast; always faithful to the story and always professional.
BWW Review: POTTED PANTO, Garrick TheatreDecember 12, 2016James Seabright must be a very busy man at the moment. With numerous productions currently playing across London, including the excellent Transpotting and F**king Men at The Vaults, he now brings Olivier Award-nominated show Potted Panto to the Garrick Theatre for a suitably festive run.
BWW Review: THE WIND IN THE WILLOWS, Rose TheatreDecember 11, 2016After the success of last year's A Christmas Carol, Kingston's Rose Theatre have again turned to talented Ciaran McConville for their festive show. 2016 sees a festive adaptation of Kenneth Grahame's much-loved children's tale of love and friendship, The Wind In The Willows.
BWW Review: HAMLET, Trafalgar StudiosDecember 8, 2016The famous story of the Prince of Denmark follows Hamlet on his murderous quest to avenge the death of his father. The enduring appeal of Shakespeare's tragedy is the writer's skill in retaining mystery about the eponymous protagonist. He is an enigma and audiences' perceptions of him always vary.
BWW Review: TRAINSPOTTING, The Vaults, 8 November 2016November 9, 2016Incredibly, it is over two decades since Irvine Welsh's cult classic, Trainspotting, landed on bookshelves and twenty years since Danny Boyle's film impacted on modern culture in a way rarely seen before.
BWW Review: THE SHAKESPEARE REVUE, Richmond Theatre, 7 November 2016November 8, 2016A revue is a rare theatrical treat these days. In its heyday, the irresistible combination of light comedy, song and dance sketches was incredibly popular. Its golden age lasted from the early 1920s to the late 1950s and for much of that time its greatest practitioner was Noel Coward who wrote and appeared in a succession of revues on both sides of the Atlantic such as London Calling! (1923) and Sigh No More (1945).
THE TEMPEST, Orange Tree Theatre, 27 October 2016October 28, 2016Kelly Hunter, a Royal Shakespeare Company actress, began working with autistic children in 2002. Through this work and a desire to bring Shakepeare to children who do not have access to it, she developed the Hunter Heartbeat Method. Through this technique, autistic children are introduced to Shakespeare through the use of games and the rhythm of the iambic pentameter.
BWW Review: BLUE HEART, Orange Tree Theatre, 18 October 2016October 19, 2016Carol Churchill is one of our greatest playwrights; gems such as Top Girls and Far Away have challenged the concepts of theatrical writing in wonderful and exciting ways. Blue Heart at Orange Tree Theatre is a different animal. It is both clever and absurd, and Churchill tests many traditions of theatrical form, yet feels a little empty at its core.
BWW Review: THE DRESSER, Duke of York's Theatre, 13 October 2016October 14, 2016In the theatre it is well known that; no matter what, the show must go on. This sentiment has rarely been portrayed so poignantly as it is in Ronald Harwood's Olivier award-nominated play The Dresser. First performed in 1980, the play returns to the West End in a fabulous revival of the tragic comedy that delves into the psyche of an actor well past his prime.
BWW Review: SOMEWHERE IN ENGLAND, New Wimbledon Studio, 12 October 2016October 12, 2016Somewhere in England is a piece of 1940s war-time nostalgia with a big heart, brought to life in the cosy surroundings of New Wimbledon Studio this week.
The show is an escapist and pastoral view of an interesting part of history, when American GIs arrived in England to prepare for the invasion of Normandy. They brought with them nylons, Coca Cola and bags of energy and fun. The appearance of the lively and girl-deprived young soldiers in the quiet village creates ripples with all the residents; some welcome, some less so. The show tells the story as the GIs settle into village life over the course of an eventful year; falling in love, creating a stir and making life-long friendships.
BWW Review: GIRLS, Soho Theatre, 1 October 2016October 2, 2016Theresa Ikoko's brilliant debut play, Girls, is a visceral portrayal of life for three young girls, kidnapped and held captive by Islamic extremists somewhere in West Africa.
As the danger to their lives becomes more apparent, the dynamic between the trio shifts. The friendship is tested by the circumstances they find themselves in and each must do what they can to survive.
BWW Review: GOOD CANARY, Rose Theatre Kingston, 21 September 2016September 22, 2016The first thing to say about Good Canary is it is not always an easy play to watch. Zach Helm's expletive-ridden play is a darkly comic portrayal of mental disintegration, drug addiction and literary brilliance that is mesmerising and ultimately exhausting to sit through
BWW Review: DINNER AT THE TWITS, The Vaults, 14 September 2016September 15, 2016The genius of Roald Dahl created some wonderfully villainous characters and two of the most vile must be the disgustingly horrible Mr and Mrs Twit. Bringing their story to life, with details such as the house turned upside down, worm spaghetti and bird pie, is a challenge few could tackle.
BWW Review: THE FALL, Finborough Theatre, 10 August 2016August 11, 2016As part of the celebrations of its 60th anniversary, the National Youth Theatre is presenting a trio of new plays at the Finborough Theatre. This week sees Olivier Award-nominated writer James Fritz's world premiere of The Fall, a mini epic in three parts, exploring the stark realities of contemporary themes of home ownership, financial difficulties and the care system in this country.