Aliya Al-Hassan

There's a party going on at the London Coliseum this summer. Unfortunately, it's one of those parties that you eagerly look forward to, only to wish you had stayed at home and read an improving book instead.

Gary Owen’s new play, a contemporary reimagining of Ibsen’s classic, is directed by Artistic Director Rachel O’Riordan, reuniting the team behind the critically acclaimed Iphigenia in Splott, Romeo and Julie and Killology.

With so much potential material to explore, it is incredible that until now, a play has not been written about speed awareness courses. Following the success of the Olivier-nominated Blue Mist, writer Mohamed-Zain Dada and director Milli Bhatia come to the Bush Theatre with their darkly amusing new production Speed.

It is said that we stand on the shoulders of those who have come before. In April De Angelis's Playhouse Creatures, she celebrates five women who were clever innovators and brave pioneers of the stage at a time when female actors were openly objectified, judged and derided.

Rosie Day is a playwright and actor, starring in the world premiere of (This is not a) Happy Room opening at the King's Head Theatre later this month. In this Guest Blog for BroadwayWorld, Rosie talks about the ever-increasing challenges to those working in the entertainment industry, isolation and the need for connection among young actors.

Clueless is a new musical comedy based on the Paramount Pictures classic film. The modern spin on Jane Austen’s Emma gets another timeless makeover from the original film’s writer-director alongside a majorly acclaimed creative team.

The global movement and charity WOW (Women of the World) is now in its 15th year. To mark the occasion, WOW held a special evening to celebrate International Women's Day on Saturday 8 March.

Sex, power, gender and class: August Strindberg's Miss Julie may have first been performed in 1889, but its themes live on. In Laura Lomas's vivid reimagining of the play, The House Party, a seemingly happy event becomes the chaotic centre for a night where misogyny and the insidious creep of social media has a devastating impact upon the lives of the teenagers involved.

Cate Blanchett and Tom Burke make their return to the stage in Thomas Ostermeier's new production of Chekhov’s The Seagull. What did the critics think?

Based on the memoir of Jacob Dunne, Punch is the sobering true story of the tragic and rippling consequences of a single punch thrown on a night out. 

Naomi Westerman's play Puppy is coming to the King's Head Theatre in April. Billed as  an outrageous, sex-positive, female-centric comedy about dogging, queerness, feminist porn, protest, the patriarchy, and Nick Clegg.

Legendary stage and screen actor Brian Cox stars as Johann Sebastian Bach in Oliver Cotton’s new play, The Score, originally presented at the Theatre Royal Bath.

Michael Abbensetts was the first Black writer to have a series commissioned by the BBC: the groundbreaking Empire Road, which had an almost entirely Black cast and crew. The Guyanese writer's work has been largely forgotten, so it seems appropriate that the National Theatre, with its important Black Plays Archive, has chosen to stage his play Alterations, not seen since 1978.

Direct from a sell-out run at Edinburgh Fringe Festival, The Last Laugh is a brand-new laugh-a-minute play which re-imagines the lives of three of Britain's all-time greatest comedy heroes – Tommy Cooper, Eric Morecambe and Bob Monkhouse.

How many ways can you re-tell Jane Austen? Isobel McArthur continues to prove it is more than possible to stage a show bursting with silliness, satire and the sharpest wit without losing the essence of Austen's beloved work.

Tom Hiddleston is Benedick and Hayley Atwell is Beatrice. Two of their generation’s finest actors collaborate with director Jamie Lloyd again in this savagely funny and beautifully tender battle of wits. Much Ado About Nothing is now open at Theatre Royal Drury Lane. What did the critics think?

After a rather muted reception of The Tempest, fans of director Jamie Lloyd’s work can breathe a sigh of relief. It seems that he has discovered both fun and colour in this brilliant and bold version of Much Ado About Nothing starring Tom Hiddleston and Hayley Atwell.

Richard II is played by Jonathan Bailey, whose past work includes Bridgerton, Fellow Travellers, Cassio in Nicholas Hytner’s National Theatre production of Othello and Edgar to Ian McKellen’s King Lear. He has also won an Olivier Award for his role of Jamie in Company and is Fiyero in the Wicked movie. What did the critics think of the show?