Alexander Cohen - Page 9

Making his Proms debut just last year, Víkingur Ólafsson brings his searing musical brilliance to the Southbank Centre.

An awkward marriage of melodrama and naturalism

An unspectacular meditation on human mortality

The Proms, Printworks, and multimedia mayhem. Created and co-produced by award winning counter tenor Anthony Roth Costanzo, Philip Glass's meditative Minimalism and Handel's Baroque elegance crash together in a cacophony of artistic media.

The Bush Theatre's youth company meditate on growing up in an increasingly demanding world.

Waiting for 'Waiting for Godot'

An angry yet artless examination of Malta's ban on abortion.

An unflinchingly unrelentingly brutal production, a Little Life is not for the faint of heart. But it deserves to be seen nonetheless.

A bloodless refugee drama unsuited to the space in which it is performed.

An alluring homage to Hitchcock's Psycho

A dazzling meditation on human transience

An hour of stand-up from Boris Johnson’s illegitimate daughter, everything about Charlotte Johnson: My Dad and Other Lies is predictable.

Ben Moor is an English Wes Anderson. Everything about his playful one man show Who Here's Lost? Exudes Anderson's signature twee from Moor's knitted jumper to the whimsical world of the play itself.

Performed in total darkness, Eulogy is one of the Edinburgh festival's more eccentric offerings.

Each word of Scottish poet Liz Lochhead's razor sharp adaption of Euripides' Medea is forged in fire. First staged in 2000, it is still searingly relevant and painfully urgent.

This bare-bones production lacks the theatrical flesh to bulk up the sense of grandeur.

Strong performances carry this cringe-inducing family feud.

An inorganic melodrama that stuffs too many themes together.

Composer Laura Bowler and Librettist Laura Lomas' new opera navigates the psychological landscape of sexual assault

A tumultuous portrait of a family divided by religion and modernity