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Interview: 'Addiction is a Leveller' Playwright Joe White on Gen Z Sobriety, British Musicals and the Return of his Play BLACKOUT SONGS
Interview: 'Addiction is a Leveller' Playwright Joe White on Gen Z Sobriety, British Musicals and the Return of his Play BLACKOUT SONGS
April 11, 2023

BroadwayWorld caught up with Joe chatting about everything from Olivier nominations to what the future holds for this up and coming writer. The Olivier-nominated writer talks about the transfer from his play to Hampstead Theatre's main space.

Review: THE DRY HOUSE, Marylebone Theatre
Review: THE DRY HOUSE, Marylebone Theatre
April 9, 2023

An arduous deep dive into the moral murkiness of alcoholism and grief

Review: SEA CREATURES, Hampstead Theatre
Review: SEA CREATURES, Hampstead Theatre
April 5, 2023

Cordelia Lynn’s atmospheric new play treads familiar waters

Review: PUSSYCAT IN MEMORY OF DARKNESS, Finborough Theatre
Review: PUSSYCAT IN MEMORY OF DARKNESS, Finborough Theatre
April 1, 2023

A jagged knife of a play that could cut deeper. Chronicling Russia's first annexation of Crimea, Pussycat in Memory of Darkness is wielded like a jagged blade goring its victim in a furious trance of savagery. Its prophetic vision of violence as relentless as it is terrifying to watch.

Review: DRIVE YOUR PLOW OVER THE BONES OF THE DEAD, Barbican Theatre
Review: DRIVE YOUR PLOW OVER THE BONES OF THE DEAD, Barbican Theatre
March 29, 2023

For all the gleeful whimsey and creative flare, this stage adaptation of Olga Tokarczuk’s critically acclaimed eco-thriller lacks bite

Review: THE DEAD CITY (DIE TOTE STADT), London Coliseum
Review: THE DEAD CITY (DIE TOTE STADT), London Coliseum
March 26, 2023

Annilese Miskimmon directs an arresting new production of Korngold's cult operatic meditation on melancholy

Review: BLACK SUPERHERO, Royal Court Theatre
Review: BLACK SUPERHERO, Royal Court Theatre
March 22, 2023

A boldly inventive but flawed deconstruction of superhero obsession

Review: THE WAY OLD FRIENDS DO, Park Theatre
Review: THE WAY OLD FRIENDS DO, Park Theatre
March 18, 2023

A heartfelt love letter to ABBA that'll want to make you say thank you for the music.

Review: FURTHER THAN THE FURTHEST THING, Young Vic
Review: FURTHER THAN THE FURTHEST THING, Young Vic
March 17, 2023

A parable about the perils of capitalism that prioritises self-aggrandising polemics over dramatic substance

Review: TRUTH'S A DOG MUST TO KENNEL, Battersea Arts Centre
Review: TRUTH'S A DOG MUST TO KENNEL, Battersea Arts Centre
March 1, 2023

Metaphysical meandering comes at an opportunity cost

Review: THE WALWORTH FARCE, Southwark Playhouse Elephant
Review: THE WALWORTH FARCE, Southwark Playhouse Elephant
February 25, 2023

Family memory is weaponised in this grime lined new production of Enda Walsh's 2006 black comedy

Review: WOMEN, BEWARE THE DEVIL, Almeida Theatre
Review: WOMEN, BEWARE THE DEVIL, Almeida Theatre
February 23, 2023

Tonally bombastic and unapologetically queasy

Review: RUSALKA, Royal Opera House
Review: RUSALKA, Royal Opera House
February 22, 2023

A fish out of water tale that reflects our uneasy relationship with nature

Review: THE RHINEGOLD, London Coliseum
Review: THE RHINEGOLD, London Coliseum
February 20, 2023

A luminous production glistening with chutzpah and armed with a fresh new translation.

Review: MEDEA, @sohoplace
Review: MEDEA, @sohoplace
February 18, 2023

Sophie Okonedo adds flavour to a strong but otherwise vanilla production of Euripides' tragedy.

Review: GRACELAND, Royal Court
Review: GRACELAND, Royal Court
February 16, 2023

A one woman show that that lacks the emotional gravity to keep itself grounded

Review: STANDING AT THE SKY'S EDGE, National Theatre
Review: STANDING AT THE SKY'S EDGE, National Theatre
February 14, 2023

A heartfelt theatrical triptych that poses powerful questions about culture and community

Review: PHAEDRA, National Theatre
Review: PHAEDRA, National Theatre
February 10, 2023

Simon Stone's contemporary twist on Seneca's tragedy is as ferocious as it is thrilling

Review: TANNHÄUSER, Royal Opera House
Review: TANNHÄUSER, Royal Opera House
February 5, 2023

A confident revival of a production unsure of its footing

Review: CARMEN, London Coliseum
Review: CARMEN, London Coliseum
February 2, 2023

The production's grim emphasis on male violence towards women gives it an eerie resonance.



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