While we've had our fair share of Broadway stars and celebrities encouraging the public to stay inside and social distance, we haven't had a monster say anything yet!
Until today, when original Avenue Q cast member Rick Lyon and his friend Trekkie Monster returned to the Internet to remind everyone what the World Wide Web was for, especially now!
watch (warning: adult content)!
Winner of three 2004 Tony Awards for Best Musical, Best Score (Messrs. Lopez and Marx) and Best Book of a Musical (Mr. Whitty), AVENUE Q became an overnight sensation on Broadway in July 2003, having transferred to the John Golden Theatre from a wildly successful, extended and sold-out engagement Off-Broadway at The Vineyard Theatre in Union Square.
During its six-plus years on Broadway, AVENUE Q played a total of 2,534 performances, surpassing such musicals as THE PRODUCERS, OKLAHOMA! and ANNIE to become, at present, the 20th longest-running show in Broadway history.
Some 2 million people have seen AVENUE Q on Broadway, with countless others having enjoyed the musical in London's West End and on the show's enormously successful U.S. National Tour. On Broadway, the musical attracted audiences including a former President (Bill Clinton), a U.S. Senator (Hillary Clinton), celebrities including Tom Hanks, Diana Ross, Zac Efron, Kelly Clarkson, Carol Burnett, Charlton Heston, Sarah Jessica Parker and Matthew Broderick, Hillary Swank, Jennifer Aniston, Sean Penn and Judge Judy, all of whom have enjoyed the wit and wisdom of the musical with such popular songs as "It Sucks to be Me," "Everyone's a Little Bit Racist," "The Internet is for Porn" and "Schaudenfreude."
A musical about 20-somethings who move to the city with big dreams and tiny bank accounts, AVENUE Q has music and lyrics by Robert Lopez and Jeff Marx, book by Jeff Whitty, and is directed by Jason Moore. Based on an original concept by Robert Lopez and Jeff Marx, with puppets conceived and designed by Rick Lyon, AVENUE Q has musical supervision by Stephen Oremus, choreography by Ken Roberson, scenic design by Anna Louizos, costume design by Mirena Rada, lighting design by Howell Binkley, and sound design by ACME Sound Partners. General management is by Ken Davenport, Davenport Theatrical Enterprises.
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