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Video: Stephen Kunken and More Star In KYOTO at @sohoplace

Kyoto transfers to @sohoplace from 9 January – 3 May 2025 direct from its world premiere run at the Royal Shakespeare Theatre in Stratford-upon-Avon.

By: Dec. 27, 2024
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Check out video highlights of Kyoto which tells the extraordinary story of an unlikely group of international diplomats, scientists, politicians and activists working together to reach the first global agreement on climate change. 

Written by Joe Murphy and Joe Robertson and directed by Stephen Daldry and Justin Martin, Kyoto transfers to @sohoplace from 9 January – 3 May 2025 direct from its world premiere run at the Royal Shakespeare Theatre in Stratford-upon-Avon.

The late John Prescott, former UK Deputy Prime Minister (1997-2007) previously reflected on negotiations at Kyoto: ‘How do you get 150 countries to agree, when everyone has a veto? Kyoto in 1997 was like an enormous jigsaw puzzle.  After a final round of hard bargaining, we reached agreement as dawn approached. We just kept going, 48 hours without sleep, finding compromise and wearing down opposition. But we got there in the end. You could call it 'diplomacy by exhaustion’.'

Dr Joanna Depledge, a member of the UN Secretariat Team at Kyoto on the impact of the summit: ‘Although still far too slow, the progress since Kyoto is real.  The Kyoto Conference showed what could be accomplished with political will, imagination, and courage.’

World renowned Climate Scientist Ben Santer, whose research was instrumental to the Kyoto agreement, commented on the theatre production: ‘I hope Kyoto reaches audiences I could never dream of reaching through all the scientific papers I’ve ever written. And I hope it provides us with what mathematicians call an existence principle—proof that something difficult is possible. The existence principle in Kyoto is that humanity can come together and solve a seemingly intractable problem.’

Global in scale and yet personal at heart, the RSC and Good Chance production of Kyoto is a fast-paced, politically charged thriller which places audiences at the heart of the 1997 climate summit, a world where big oil, big money and big egos clash in the battle to secure the world’s first legally binding emissions targets.

Tony award-nominated actor Stephen Kunken (The Handmaid’s Tale, Billions, Wolf of Wall Street) will reprise his celebrated role as American oil lobbyist and master strategist, Don Pearlman. Also returning to the cast are Jenna Augen (Shirley), Olivia Barrowclough (Secretariat), Jorge Bosch (Raúl Estrada-Oyuela), Nancy Crane (USA), Andrea Gatchalian (Kiribati), Togo Igawa (Japan), Kwong Loke (China), Dale Rapley (Bolin, Santer, Gore), Raad Rawi (Saudi Arabia) and Ferdy Roberts (UK, Houghton).

Joining them will be new cast members announced today Kristin Atherton (Germany), Karen Barredo (Off-Stage Cover), Jeffrey Chekai (Off-Stage Cover), Alvaro Flores (Off Stage cover), Mark Hammersley (Off-Stage Cover), Moe Idris (Off-Stage Cover), Aïcha Kossoko (Tanzania), Sibylla Meienberg (Off-Stage Cover) and Duncan Wisbey (Fred Singer).

Welcome to the Kyoto Conference Centre, 11 December 1997. The nations of the world are in deadlock and 11 hours have passed since the UN’s landmark climate conference should have ended. Time is running out and agreement feels a world away. The greatest obstacle: American oil lobbyist and master strategist, Don Pearlman…

Written by Good Chance co-founders, Joe Murphy and Joe Robertson (The Jungle, The Walk with Little Amal) and directed by Stephen Daldry (Stranger Things: The First Shadow, Billy Elliot, The Inheritance) and Justin Martin (Stranger Things: The First Shadow, Prima Facie), the production features a unique production design by award-winning designer Miriam Buether.

The full creative team for Kyoto comprises; Miriam Buether (Set Designer), Natalie Pryce (Costume DesignerAideen Malone (Lighting Designer), Christopher Reid (Sound Designer), Akhila Krishnan (Video Designer), Paul Englishby (Composer), Gemma Stockwood (Dramaturg) and Julia Horan CDG (Casting Director).




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