The Music Critics Association of North America has announced that its 2020 Award for Best New Opera has been given to composer Jeanine Tesori and librettist Tazewell Thompson for BLUE.
"I am thrilled to receive the Best New Opera award from the MCANA. Blue celebrates the African-American family, and the consequences of possibility denied. While it is my hope that this work is presented world-wide, I also pray for the day that it does not seem, as it does now, ripped from the news of our daily lives. I thank the MCANA for this honor."
"I am honored to be the recipient of the MCANA Award. I wrote Blue from a passionate need and responsibility to tell the personal family story behind the numbing numbers of unarmed African Americans killed by white police officers. To garner the prize from such a highly accomplished and prestigious jury of judges is overwhelming. To share this distinction with my brilliant collaborator, Jeanine Tesori, makes it especially sweet."
After soliciting nominations from MCANA members, the finalists were chosen by an Awards Committee co-chaired by Heidi Waleson, opera critic of The Wall Street Journal, and George Loomis, longtime contributor to the Financial Times and Musical America-alongside committee members Arthur Kaptainis, who writes for the Montreal Gazette and La Scena Musicale; John Rockwell, former critic and arts editor of The New York Times and co-New York correspondent of Opera (UK); and Alex Ross, music critic of The New Yorker. Runners-up to Blue are Fire Shut Up in My Bones by Terence Blanchard and Kasi Lemmons (Opera Theatre of Saint Louis); and prisoner of the state by David Lang (NY Philharmonic). The Best New Opera Award presentation was originally planned to take place during the MCANA Annual Meeting June 19-21 in San Francisco, which was canceled and is now being held virtually. The Award plaques will be given in person to Tesori and Thompson at a later occasion, when the pandemic conditions have improved.Photo Credit: Karli Cadel/The Glimmerglass Festival
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