2026 Tony Awards- The Nominees React
Leading the pack with 12 nominations is Schmigadoon! and The Lost Boys.
Tonys time is here at last! The nominations for the 79th Annual Tony Awards were announced this morning by Uzo Aduba and Darren Criss. Follow us throughout the day, as we'll bring you Tony nominee reactions, exclusive reports, surprises, behind the scenes coverage and oh, so much more!
View a complete list of nominees!
This year's nominees are checking in with BroadwayWorld to tell us all about how they got the news. Check back for live updates.
Shoshana Bean, The Lost Boys
Actress (Featured Role - Musical)
I woke up crying, so I guess you're getting the relaxed backside of that. I was in bed. I'm always in bed - every single time I just want to sleep through it, and weirdly my body wakes me up almost exactly as my phone starts blowing up every year. It's bizarre. I'm just very, very excited for our show and all of the people who've been acknowledged. We've been working so hard. [On how she'll celebrate:] I just can't wait to get to the theater and get my hands on the cast and the creatives and just celebrate together. That's my big plan - to go do a great show tonight.
I don't know if I can quantify it in terms of order, but this one feels maybe the sweetest, again, because of how deeply in love I am with this cast and with how special this process has been. The care and the work that's gone into every detail - it feels so nice to have that acknowledged by our community and our peers, in obviously the highest way. It's definitely very, very special.
Sara Chase, Schmigadoon!
Actress (Leading Role - Musical)
I think I’m still a little in shock, and I’m also super sleep-deprived because the last 18 hours, I have not been able to sleep or concentrate. And I’m gonna celebrate by getting my roots done later, so that’s thrilling as well. I think it’s just starting to sink in, and I think once it does, if I start crying, I won’t stop until next week because this is… I just can’t even start to process this. This is crazy. You know, awards are weird. I would have loved to have seen some of my fellow actors also nominated, and everybody has different feelings about things, but as a whole, yes—I think we are all very proud of the production that we put up, and we are just going to go hard and campaign and root for it and hope people come see it.
Ali Louis Bourzgui, The Lost Boys
Actor (Featured Role - Musical)
This is a wild thing to just like wake up and experience and then try to process, you know, it's crazy. I had a really lovely group chat session with my with all the theater people that I grew up with, my community that I grew up doing theater with, and who all basically live in New York now. One of those people is actually Caroline Fairweather, she's the Assistant Director on The Lost Boys with me, so we are currently both in this Tony nominated Broadway musical together after growing up doing theater.
It's particularly personal because I've been working on this for over a year now, and I was part of the developmental workshop. So I've seen this thing be built from the ground up, and I've seen the level of work that every single person has put into it from every department, and how the seemingly impossible task of how large this show is, and just all the ins and outs of what it is to see how everyone just brought their complete passion, time, and work effort into it. To see that work and to see everyone leading with love, this show was definitely created with the sense of always wanting to make sure everyone was safe, and everyone was heard, and it was definitely the most welcoming and collaborative room I've ever been a part of. So, to see that be successful and then also be recognized is great not only for us, but also for the culture of what theater making is.
Marla Mindelle, Titanique
Actress (Leading Role - Musical), Book
I’m feeling kooky, crazy, girlfriend—but not spooky scary, which is good. I found out In the craziest way possible. We were performing on the Today Show, and everyone from the PR team started screaming while we were with Al Roker. I couldn’t react—I wanted to burst into tears, but I had to sing, and that’s a singer’s no-no. Oh my God, I feel so proud. I truly never thought we’d get here—or if we did, I’d be too old to play the part. I thought maybe they’d revive it in 20 years. It’s been such a labor of love, a 10-year journey. To finally reach this point and be recognized in any way—it’s this little show that could, this bargain-hunting, basement-born show, now on the biggest stage getting the biggest accolades. I just feel so proud. The theatre is going to be wild tonight. Oh my God, people already act like they’re on something when they come to see the show—I can only imagine what tonight will be like.
Nicholas Christopher, Chess
Actor (Leading Role - Musical)
Oh man, right now I’m feeling a little lightheaded. We just finished about three different dance parties with my two little girls and my wife—just jumping around. So I’m a little sweaty, a little out of breath, and my voice is a little shredded from screaming. But other than that, we’re good.
[On his fellow Chess nominees]: We all share the same floor—our dressing rooms are all together—so the party’s definitely on tonight. Me, Hannah, and Bryce have rooms right next to each other. Honestly, we credit a lot of this to Celsius and good senses of humor. But really, with the community we’ve built at the theater, a win for one of us is a win for all of us. My Anatoly wouldn’t be what it is without Lea and Michele’s Florence or Aaron’s Freddie—or Bradley Dean or Sean Allan Krill. It truly was a group effort, and I’m just so happy for all of us.
To celebrate we’re going to keep it simple—we’re heading to the park for a picnic. We kept my older daughter home from school today just in case—whether Daddy was laughing or crying. Turns out it’s both. So yeah, we’re going to enjoy some time together outside.
Carrie Coon, Bug
Actress (Leading Role - Play)
I am grateful to be counted among such luminaries as my friend Kelli O’Hara, the truly gifted Rose Byrne, an astonishing Susannah Flood, and the legendary Lesley Manville. I’m also thrilled for my BUG design team, who made a difficult job look deceptively simple.
Christiani Pitts, Two Strangers (Carry a Cake Across New York)
Actress (Leading Role - Musical)
I am doing amazing. I'm so overwhelmed. I'm just so happy. It's the first time I stopped crying, I think, in the past hour, so this is a nice little break.
I received some text messages from friends. I was leaving the school drop off - I dropped my toddler off at school, and on the walk home, I got some text messages. And then a phone call from my agent and my manager. All they said was congratulations. They didn't even say for what before I just broke down into a puddle of tears. By the time I made it up to my apartment, I decided to ask what they were congratulating me for, just to be sure I knew what was going on, and they told me about the nomination.
It feels incredible. It feels like a celebration. The show is just so special, and everyone's been working really hard on it for years. To know that we were all acknowledged - I think we're all just extremely grateful. I know I'm extremely grateful to have the acknowledgement.
Kelli O'Hara, Fallen Angels
Actress (Leading Role - Play)
I feel elated! And actually very shocked. I don't like to sit there and watch because I want to pretend like I'm going about my business, but the phone rang and I was very pleased. We've been on a text chain, just so thrilled. I talked to Scott Ellis who brought us all together in the most beautiful way. It's such a thrill, and I'm just so happy for every single person. And also for the people who bolster the whole thing, this incredible ensemble that we have. It's been one of the more positive experiences of my whole career, and just a blast. Because we're on the same schedule as each other, we often don't get to see every performance, nor do we get to see our friends that often. So, in a way it's a nice social gathering to congratulate each other and celebrate. I'd also like to acknowledge the incredibly packed season, and the people who are not on this list, because it's really subjective, and there are so many good performances.
Lesley Manville, Oedipus
Actress (Leading Role - Play)
I’m, not surprisingly, very happy at the moment. I’m currently working at the National Theatre—I’m in the middle of a play—so I’ll have to head in shortly. But it’s all good. I’m extremely happy that Oedipus has been so well recognized at the Tonys. Seven nominations is extraordinary! I’m very happy for all of us because it was a very special, difficult, and complex production to put on. I think we did it justice, and it was such a gift to bring it to Broadway. The real bonus is that Broadway embraced it just as London did—and this is the icing on an already gorgeous cake, to have it recognized by the Tonys. I couldn’t be happier. It’s wonderful news all around. Our design team was recognized as well—lighting, set design—and of course Rob for directing and the revival. It’s just so good. You know, I’ve done a lot of plays, but every now and again, one comes along that really shakes you—and Oedipus certainly did that for me. I knew from the beginning that it was going to be a powerful piece of theatre, and I think it truly was. I’m very touched that Broadway responded so warmly to my work and saw fit to nominate me. It’s a real privilege.
Nichelle Lewis, Ragtime
Actress (Featured Role - Musical)
I just feel like overwhelmed and happy and grateful. Oh my God! My managers came over and sat with me and we just watched the live which felt like forever. It's like incredible because I'm putting so much work into it, and I feel like I put my whole self into this, along with the rest of my amazing cast. I'm so proud of it, it's so amazing. It's the best thing ever.
Richard Thomas, The Balusters
Actor (Featured Role - Play)
I'm having a happy morning. My agent Gary Gersh called me. I heard the phone ring and I saw his name on the phone and I thought, 'Oh, that might be good news.'
[On how he'll celebrate:] I'm gonna do the show tonight. That's the best way to celebrate, is to play that part.
I love the role. First of all, it's just such a wonderful play, and the production, the actors, the cast — it's one of those home runs where you have a fantastic play, beautifully directed, and a wonderful company. It's just a pleasure every night to be out there, and also making people laugh. It's so lovely these days to be making people laugh.
I have such a fondness, such an affection for the role, even though he's clearly the antagonist in the play. David wrote such a beautiful part - they're all great parts, every one of them. Every part in the show is really wonderful. He wrote this beautiful part, and I just love him, so I'm so excited to get to do it.
I'm also really happy to be in this company of guys in my category - they are all wonderful. Brandon, I've worked with him, and Danny's just fabulous. It's a great bunch of guys to be with, so I'm very excited about that.
Joshua Henry, Ragtime
Actor (Leading Role - Musical)
Waking up to getting my fourth Tony Awards Nomination for Ragtime on Broadway after my opening performance at The Met Gala last night... bro, what is happening?! My heart is bursting with gratitude. I feel grounded in God, my supportive family, and my creative community in a fiery way.
Aya Cash, Giant
Actress (Featured Role - Play)
I cannot fathom this. I just feel so grateful to be here. I think of the New York theater as my home, so to be acknowledged in my own community is a dream come true. I love this show, this cast, and this creative team. Plays are a team sport, and I get to play with the most incredible team every night. This is just the icing on the cake. But man, that icing is sweet.
Mark Strong, Oedipus
Actor (Leading Role - Play)
I'm really delighted. It's such an honor to be nominated. It was 10 years ago actually I was nominated for A View From the Bridge, so to be able to come back to Broadway after all this time and nominated again makes me really happy.
People seem to really enjoy it so when we brought the over from the West End, we weren't sure how the American audience would react, but everybody was so appreciative of it and the response was really amazing, and I think everybody really brought their game to this show which is why I think we've got so many nominations and I feel really delighted about that. I'm heading back to London, and when I get home my family are there and I've no doubt we'll probably open up on the champagne and all toast.
Brian Usifer, Chess
Orchestrations
I am so thrilled and honored to be nominated for this incredible show and stunning production. Working on this score has been the most rewarding and challenging experience, and my biggest priority has always been to honor the sound that Benny, Bjorn, Tim and Anders created more than 40 years ago. I need to give thanks to Ian Weinberger and the Chess orchestra as well as John Shivers and Brian Rau.
Stephanie Hsu, The Rocky Horror Show
Actress (Leading Role - Musical)
My heart is pounding, pouring over with gratitude. Thank you to the Tony Committee for this humbling recognition. Returning to Broadway has been so artistically fulfilling and it moves me deeply to be witnessed and celebrated by the community. Gosh, I love the theater and I love being in The Rocky Horror Show in the limitless sandbox that Sam Pinkleton has cultivated. It is a gift to unleash Janet Weiss night after night. I can’t wait to keep sharing her with you.
Danny Burstein, Marjorie Prime
Actor (Featured Role - Play)
I feel great. I feel wonderful. I'm kind of in shock — I'll be honest with you, I really am in shock. I wasn't sure that we'd be remembered, our show, since we closed over two months ago. But I'm so happy that we were, and I'm especially thrilled for June Squibb, who's 96 years old and who is so beautiful in the show. So well deserved. And also at the same time, I so wish that Cynthia Nixon were there. She's one of those beautiful actresses that makes you a better actor when you work with her. And also my dear pal Chris Lowell, who was also excellent in the play.
I was just texting with Kelli O'Hara, and it is our ninth nomination — each of us has gotten nine. I'm a little in shock about it all. This nomination is very special because I truly loved the play. I was doing *Gypsy* when they sent me the script, and I only had about a month between when we closed *Gypsy* and when this play started rehearsal. I wanted to take a good long vacation because I was so tired after *Gypsy*, but I read the play and I knew I had to do it. It was so, so good, so beautiful. And when I heard the rest of the cast, I thought, 'Yes, absolutely, I will definitely do it.' So it feels wonderful to have followed my instincts — and I got lucky.
[On how he'll celebrate:] I'm just going to eat breakfast now. I have yet to eat breakfast. I'm starving. My phone — every time I put it down for a second, I look back and there are 38 messages. It's insane, but it's so much fun.
Ana Gasteyer, Schmigadoon!
Actress (Featured Role - Musical)
Cheese and crackers! This is so exciting! I'm speechless! Thank you to the Broadway League and American Theater Wing. I love our show so much and I'm so proud of everyone involved with Schmigadoon. We've got life and jubilation in Schmigadoon!
Ben Levi Ross, Ragtime
Actor (Featured Role - Musical)
This is truly the honor of my life. To be a part of this show, at this time, with this cast. I’m simply overwhelmed with love and gratitude. Ragtime is an example of this art form at its highest caliber thanks to the brilliant score by Lynn Ahrens and Stephen Flaherty and the genius of Terrence McNally. To have my first Tony nomination be with this production feels aligned and deeply meaningful.
Laurie Metcalf, Arthur Miller's Death of a Salesman
Actress (Featured Role - Play)
I am truly honored to have been nominated, and I’m especially proud that both Death of a Salesman and Little Bear Ridge Road got recognized this morning. Neither production has been a solo effort, and I’m deeply grateful for my onstage and offstage families, both led by the incredible Joe Mantello. I share this recognition with all of them.
Brandon Uranowitz, Ragtime
Actor (Leading Role - Musical)
Anyone who knows me knows I’ve had a long, complicated history with Ragtime. Coming back to the show thirty years later as Tateh has been one of the most healing and rewarding experiences of my life. This recognition is beyond my 11-year-old self’s wildest dreams. If there’s anything I’ve learned, it’s this: the things that are meant for you won’t pass you by. Just keep going. Thank you to the League, the Wing, and everyone who’s supported me along the way.
Hannah Cruz, Chess
Actress (Featured Role - Musical)
Waking up this morning to the news was an experience I will never forget. I love Broadway more than I can really express. And to be recognized in this way by The American Theatre Wing and The Broadway League is a dream come true. I’m so proud of our show and our cast and I’m truly honored by this nomination.
Bryce Pinkham, Chess
Actor (Featured Role - Musical)
Chess has found its way into my life in unexpected and meaningful ways, from nearly 40 years ago when my father-in-law was part of the original West End company to almost a decade ago when I first stepped into the role of The Arbiter. I’m deeply grateful to Danny Strong for his trust and for being such a generous collaborator. To Michael Mayer, Tom Hulce, and the incredible company who show up eight times a week with heart and precision, thank you for making this a journey of a lifetime. And of course nothing is made possible without my forever Queen, Scarlett Strallen. Thank you to the American Theatre Wing for this incredible honor.
Layton Williams, Titanique
Actor (Featured Role - Musical)
I am beside myself. I’m sat in my dressing room right now, 12 hours after I was on set at the Today Show. I’ve had moments by myself to digest it and try and let it sink in, but honestly, I don’t think it ever will. This feels like one of the biggest achievements of my life. I came to New York purely just to make my Broadway debut, and just soak it all up. This is the icing on the cake - Tony nominee! I was in the middle of the street and I just screamed, and obviously because we’re in New York, everyone just cracked on. I just cried happy tears, called my family, FaceTimed my team, and we just rejoiced in the moment. This is huge for a Brit to come here and to have this reception. It just feels like such a warm welcome. Thank you so much from the bottom of my heart. You have genuinely changed my life forever, and I will forever be a Broadway girl!!
Betsy Aidem, Liberation
Actress (Featured Role - Play)
I'm so so so thrilled for our play Liberation, for Bess Wohl winning the Pulitzer yesterday, for Whitney and Susannah and Qween Jean and the message about the power of women raising their consciousness that we sent out into the world! As for my category, I'm thrilled to be amongst a group where I assume four out of the five of us are collecting our Social Security! It's a great message about the longevity of a career in the theater.
Andre De Shields, CATS: The Jellicle Ball
Actor (Featured Role - Musical)
80 years and 4 TONY nominations; that's one every two decades. Not bad for an old Black man!
Caissie Levy, Ragtime
Actress (Leading Role - Musical)
The Tony Awards are such a celebration of the theatre, and it feels absolutely incredible to be recognized in this way by the community I’ve loved and worked in for the last 20 years. I’m overjoyed to share this moment with our stellar company - our cast, our creative team, our crew, and our orchestra. To be nominated for the first time means so much to me. I’m truly overwhelmed and can’t stop smiling. And now, I’m going to drop my kids off at school! Balance.
Sam Tutty, Two Strangers (Carry a Cake Across New York)
Actor (Leading Role - Musical)
I am feeling so grateful and thrilled for everyone apart of this show. 8 Tony nominations feels like a dream come true, and I am so proud of everyone, especially for those behind the scenes who make this show happen 8 times a week! I am very very happy, and incredibly humbled- what a moment! Thank you to The American Theatre Wing and The Broadway League.
Linda Cho, Schmigadoon!
Costume Design - Musical
Still trying to get my heart rate to settle down. So if ever there was a labor of joy, Schmigadoon would be it. Every name you see listed in the program was a true delight to work and play with. I’m so thrilled our joy-bomb is getting all the love it deserves! Go team Schmigadoon!
John Lithgow, Giant
Actor (Leading Role - Play)
For me, Giant has been the best theater experience in decades. I'm so grateful that the Tonys have honored all that work. Our two London runs were thrilling, but here on Broadway our audiences are absolutely stunned.
Christopher Abbott, Arthur Miller's Death of a Salesman
Actor (Featured Role - Play)
What a morning! To earn my first Tony Award nomination in such an iconic literary masterpiece by Arthur Miller is a dare-to-dream moment. My heart has always been on the stage. I’m lucky to be surrounded by an amazing company led by Nathan Lane and Laurie Metcalf (congratulations Mom & Dad!). I have an abundance of gratitude for Scott Rudin and Joe Mantello for inviting me into this experience. And to the American Theater Wing and The Broadway League, I’m immensely grateful for your acknowledgment.
Dane Laffrey, The Lost Boys
Scenic Design - Musical
The Lost Boys was as much of a thrill ride to make as it is onstage. I am incredibly honored to be nominated amongst the best designers working on Broadway and as part of a creative team that was recognized across the board for this biggest of swings.
Ellenore Scott, Ragtime
Choreography
I am feeling very overwhelmed very grateful and honestly I'm beaming right now. Very interesting morning, I was at The Today Show this morning. Titanique was performing to kick off Broadway week, and so I've been there since 5 AM this morning, and we all knew that the nominations were coming out. So we all stayed after we did our live performance to listen, and watch, and celebrate each other. They were all super supportive and burst out into screaming and crying when they announced that I was nominated for Ragtime. It just felt so nice so like be with my Titanique family, and also celebrate their wins as well as my first nomination.
Michael Arden, The Lost Boys
Direction - Musical, Lighting Design - Musical
I am overwhelmed with gratitude for this honor. To be working in the theatre, let alone on Broadway, has been my dream since I transformed my grandparents' garage into a stage as a kid. More important than the personal honor is the deep sense of pride I have for my fellow collaborators who poured their souls into the monumental undertaking that is The Lost Boys. They are all my heroes and I am so grateful for the selflessness, rigor, and passion they brought to work every day. Congrats to all the nominees and all the countless artists and technicians who make every show possible and who continue to delight and inspire audiences 8 times a week on Broadway.
Walter Trarbach, Schmigadoon!
Sound Design - Musical
I'm delighted and honored to represent Schmigadoon with this nomination. It is a true pleasure to work on a musical which brings so much laughter and joy into the world, and I'm proud to play a small part in sharing that joy with audiences eight times a week.
David Lindsay-Abaire, The Balusters
Author (Play)
I’m beyond honored to have The Balusters included among this year’s Tony nominees—especially in a season with so many bold, beautiful new plays. The nomination is really a testament to the remarkable artists who brought the play to life—our astonishing director, Kenny Leon, our extraordinary ensemble of actors, our brilliant designers, and the tireless crew, along with everyone at MTC. I’m so grateful to get to make theater and be part of a community that continues to sustain and inspire me in so many ways.
Natasha Chivers, Oedipus
Lighting Design - Play
I’m completely over the moon to be nominated for my work on Oedipus which was redesigned for New York after the initial London run. It was, and always is, a pleasure to be welcomed by the Broadway community.
Bill Rauch, CATS: The Jellicle Ball
Direction - Musical, Musical Revival
For Best Revival of a Musical: I am humbled to be part of a show that centers the Ballroom community. I am eternally grateful to Andrew Lloyd Webber and his team for entrusting us with this revival and to PAC NYC for launching it. The Jellicle Ball is the culmination of five years of work from so many brilliant artists and theater makers, all of us sharing a determination to bring its radically queer joy to Broadway audiences. Appropriately enough, we are performing tonight for over 1,000 high school seniors thanks to the Theatre Development Fund; reaching young queer people and their potential allies has always been at the heart of this project.
For Best Direction of a Musical: Directing is always an act of radical collaboration, but crafting the joy-bomb of The Jellicle Ball has the fingerprints of literally hundreds of caring artists, artisans, and producers. It’s been a special privilege to co-create with Zhailon Levingston and our associate directors Cooper Howell and N’yomi Stewart.
Cinco Paul, Schmigadoon!
Score, Book
My wife and I were watching the announcements. We were very excited. I feel amazing. I'm so happy for our show and everybody who got nominated - anyone involved in the show shares in this. This is actually my birthday. This is the best birthday present ever. We're going out to dinner and then we're going to see a Broadway show called Schmigadoon. It's got a lot of nominations, so I hear it's pretty good. I'm so happy for Sarah [Chase]. She is so fantastic in this show. So funny. She sings her face off. I'm just so thrilled for her. [On the possibility of seeing the unproduced third season of the Apple TV+ series staged in some form:] I am always hopeful. I never give up on anything, so I'm hoping, with all the fans, that somehow at some point we get that out there, get it to out there. So we'll see.
Kevin Adams, Chess
Lighting Design - Musical
It’s an absolute honor to be nominated with all the great theatre artists who designed Broadway plays and musicals this season.
Lamar Richardson, Ragtime
Revival - Musical
I am deeply grateful and sincerely humbled this morning to see our production of Ragtime recognized and celebrated in such a beautiful manner by the Broadway community. This is my first season as a Lead Producer, and I could not be more proud to be partnered alongside Tom Kirdahy, Kevin Ryan, Bob Greenblatt, and Lincoln Center Theater as we amplify this timely revival of a beloved American classic. The story of Ragtime resonates now more than ever, and we are all blessed to be involved with reviving this prescient, sweeping, deeply human story.
To see our glorious company be recognized in such a magnanimous way this morning across the board truly means the world, and there are not enough words to express just how much this moment means to me. As the son of Caribbean immigrants who came to this country in search of a better life for their children, I honor them this morning and thank them for their sacrifice on my behalf. This is honestly a core memory that I will cherish for the rest of my life. Huge congratulations to our entire Ragtime family on all of this morning’s nominations across categories and also to all of my friends and colleagues on other productions. Cheers to another wonderful season!
Jack Knowles, Arthur Miller's Death of a Salesman
Lighting Design - Play
I’m riding on a high to be nominated for Death of a Salesman. I am so grateful to work with such wonderful artists and collaborators on the show, creating a piece where every element is so intricately involved in the storytelling, of which I’m beyond proud. I’m thrilled to see all the appreciation for the show. A million thanks to my incredible team and all involved in the show as well as the whole Broadway community, Tony Nominating Committee, the League and the Wing.
Whitney White, Liberation
Direction - Play
Honestly, I am moved beyond words. Liberation was not just a play title for me - it is a way of life. To move that show from off-Broadway to Broadway with the original cast and have it be recognized in this moment, it feels like a dream. I'm just so, so grateful. It feels like a real New York story. There's something beautiful about that.
I'm feeling really thrilled. We're about to meet up within hours to just hold each other and be together. We made the show every step of the way together, and we're going to do today the same way, and take a little moment to celebrate. I'm just really proud of the company - Qween Jean, especially, my costume designer and dearest friend and collaborator, being nominated for Best Costumes. So proud of her. And Susannah Flood, and Betsy, Adina - these women who were warriors this entire process, who went through the fire with me. It was not an easy process, and we had to work so hard to find our vocabulary, and they really went there with me. So I'm so proud of them and what they've achieved today with the nominations.
[On how she'll celebrate:] I feel spoiled because, again, it's like a perfect New York story - Liberation with these nominations - and it's a perfect New York day. I'm going to go for a walk on the East Side. I'm going to meet up with Bess. It's Cinco de Mayo - I would be remiss not to say that I do plan on having a celebratory taco at one of my favorite spots in New York City. I have a few spots. There's one on Franklin Avenue in Brooklyn - absolutely delicious. And then Ruta Del Taco, a little place by my house. They're so sweet. So many nights late after tech, I would race to them for them to make me a meal before they close. So shout out to Ruta Del Taco in Bed-Stuy, Brooklyn.
Bess Wohl, Liberation
Author (Play)
I'm feeling completely thrilled. I'm really grateful. I'm really happy for our whole company and for Whitney and Betsy and Suzanne. It's wonderful to be able to share this feeling of joy with everyone who made this play.
It's funny - I was a little bit tired this morning because I got the Pulitzer news yesterday, so I was still kind of in a state of shock from that. I got on a Zoom this morning with our whole cast because we wanted to have a moment of togetherness to reminisce about our experience together and express our love for each other, that we're all in this together. We had this really beautiful Zoom and we cried a lot of tears together, and then the nominations started coming in and we all started watching them together. Some people were getting their kids dressed for school, I was getting my children out the door and reminding them to bring their homework with them as the whole thing was coming in. But it was lovely to experience it with our whole cast because they built this play by my side from the ground up.
[On celebrating the whirlwind week:] I went out to dinner last night with my family, which was really nice - we ate a lot of pizza and cheesecake. I'm planning to get together with Whitney, who I'm so thrilled for, and our cast, and I think we're going to plan a celebratory dinner, all of us together, and get to congratulate each other. Everyone in our cast feels that these nominations reflect on all of us, so I want us to all get to bask in the glow together.
Ethan Popp, Kyler England, Adrianne , The Lost Boys
Orchestrations, Score
Our producers had this idea, like, 20 years ago, they had this crazy dream and then Michael Arden, who was a fan of us, invited us into the dream and now we're living inside this crazy thing that they dreamed up in an alternate universe and it's the most beautiful dream we ever could imagine, it's incredible!
David Hornsby and Chris Hoch, The Lost Boys
Book of a Musical
When we met in high school so many years ago, the last thing the two of us ever imagined is that we’d be lucky enough to be Tony-nominated writers of a Broadway vampire musical. We are so honored and grateful — especially to the cast and crew at The Palace who are making us look good eight times a week.
Mikaal Sulaiman, Arthur Miller's Death of a Salesman
Sound Design - Play
I'm beyond grateful for this nomination. Being part of this inventive production was already a privilege, but to receive this honor on top of that reminds me how lucky I am to do this work alongside artists I deeply admire. Many thanks to Joe Mantello, my fellow designers, and my incredible sound team.
Christopher Gattelli, Schmigadoon!
Direction - Musical, Choreography
I am beside myself right now! I was watching it live. It's really hard to put into words. Having a 7-year journey from TV to right up until the Broadway show, I just love the show with all my heart, I really do, and I'm so proud of all of us, truly, every single person involved in the show. I am so proud of everyone. I can't wait to be at the theatre tonight with the whole company and to celebrate with them, it's a win for all of us. It's so special that shows even happen, so just the fact that we happened and now have this recognition, it means the world.
Zhailon Levingston, CATS: The Jellicle Ball
Direction - Musical
Oh my gosh, I was sitting on my couch, I was with two of my best friends. My partner was at work in a separate conference room by himself watching it and we just held each other and wished for the best. It feels full circle in ways that can only make you think that there's something greater operating here. I am just grateful and lucky to be along for the ride. This is not a moment where I feel like you know I'm at the center of something because I was nominated. This is the biggest collaboration and the biggest testament for the power of we, WE, that anything I've ever experienced.
Jen Schriever, The Lost Boys
Lighting Design - Musical
I’m beyond excited to be nominated alongside the most daring collaborators. The Lost Boys took a big, fearless leap, and getting to take that jump with my collaborators is something that I will never forget. I am indebted to and so proud of the greatest lighting team on Broadway!
Doug Schadt, CATS: The Jellicle Ball
Orchestrations
I'm so excited to find out today that we were nominated in the Best Orchestrations category at the TONYs. This is my first Broadway production, and it's been such a joy to experience the infectious joy and creativity around this production, and it's such a joy to share this nomination with David Wilson and Trevor Holder, and of course Andrew Lloyd Webber.
Doug Besterman, Schmigadoon!
Orchestrations
I’m incredibly grateful and honored to be recognized for Schmigadoon. It’s been such a joy to be part of this project, and to celebrate it alongside this entire company during Tony season makes it even more meaningful.
I’m especially thrilled to share this nomination with Mike Morris—not only a wonderful orchestrator, but a close friend. Seeing him receive his first nomination is something I’m truly excited about, and it makes this moment all the more special.
I also want to acknowledge the extraordinary work of our arranger and music supervisor, David Chase, our musical director, Steven Malone, and the beautiful score by Cinco Paul. This recognition truly reflects the collective artistry of an exceptional team.
For me, the Tony Awards have always represented something larger than any one individual. They’re a celebration of the craft, discipline, and passion that theater artists bring to their work—onstage and off—across the entire field. We’re all part of that shared effort to tell stories through music and performance.
I feel very lucky to be included in that tradition, and as always, deeply grateful to be part of such a vibrant and generous community.
Emilio Sosa, The Balusters
Costume Design - Play
I’m humbled and honored to be recognized by my peers! Theater is a collaborative art form and even more so in the costume world. I am in great debt to my team of costumers and artists, who are the back bone to what we do!
Mark Rosenblatt, Giant
Author (Play)
It's a really lovely day, I'm having a very nice day! I'm really thrilled. I'm over the moon for not just for me for the play, but also the production. I'm in London and it's 4:30 in the afternoon, so I have limited time today to celebrate but I'm definitely gonna have a nice glass of something later once I've got the kids to bed. I'm sure we'll find plenty of moments to celebrate in the next few weeks. I've never written a play before, so it's completely mind blowing. The idea of of it now being nominated at the Tony's is absolutely mind blowing. And I guess on a more serious, specific note to what kind of political context, global context it's playing against, it's really thrilling that this play is an invitaiton for people to think, and is provocative, and hopefully a thrilling story, it asks some questions, and that it's been met with this nomination is really gratifying.
Nicholas Hytner, Giant
Direction - Play
I’m honored to be nominated and delighted that the play and two remarkable actors have also been nominated.
Paul Tazewell, Joe Turner's Come and Gone
Costume Design - Play
It is such a privilege to have the opportunity to be a part of bringing August Wilson’s characters to life. That privilege amplifies two-fold by having my work acknowledged with this year’s Tony Awards.
Steve Bargonetti, Joe Turner's Come and Gone
Score
It was an honor to be part of the Joe Turner's Come and Gone masterpiece written by August Wilson, which cried out for BLUES GUITAR! I am honored by my Tony nomination for Best Original Score Written for the Theatre, directed by the genius of Debbie Allen. My intent was to enhance August's words, all the talent on stage, and honor the history of Blues from the Delta to Pittsburgh.
Joe Mantello, Arthur Miller's Death of a Salesman
Direction - Play
This was an idea Nathan and I hatched over 30 years ago, and today’s acknowledgment is really a testament to every person who showed up and trusted as we attempted to climb this great mountain of a play. It was in every sense, a team effort, and I’m deeply grateful to all of my collaborators.
Nicki Hunter and Chris Jennings, The Balusters, Bug, Punch
Author (Play)
Incredible, incredible. 10 nominations. I'm old school — I was watching on the television and online. I was watching from my phone, on YouTube TV, and then YouTube. We have 10 nominations, but we're celebrating an entire season. We've got 10 nominations across all three of our Broadway shows, so we're going to be gathering together with the staff for a celebration of all of their hard work. And we'll be gathering at the theater with The Balusters folks this evening as well. There's a lot to celebrate.
Kenny Leon, The Balusters
Direction - Play
So humbled to receive this nomination in a field of so many excellent directors and storytellers. Our art is our weapon, and I am so proud to be afforded the opportunity to create on our stages. David Lindsay-Abaire and this excellent cast and creative team have allowed me to fall in love all over again with the mighty power of laughter, truth and theatre.
Samuel D. Hunter, Little Bear Ridge Road
Author (Play)
I’m so honored that Little Bear Ridge Road is included among this year’s Best Play nominees. I’ve had over a dozen of my plays produced here in New York, intimate stories about quiet lives in Idaho that have miraculously found homes here, but this is my first time on Broadway, which makes this all the more meaningful. And writing a play specifically for Laurie Metcalf and Joe Mantello was one of the greatest gifts of my career so far.
Ani Taj, The Rocky Horror Show
Choreography
Absolutely stunned, honored and ecstatic to be amongst such terrific company - thank you for celebrating the dances in our weird little castle, brought to life by this exquisite company. Sam Pinkleton has created a miraculous world in which collaboration can thrive both rigorously and JOYOUSLY, and we are so so lucky to be a part of it.
David Korins, Dog Day Afternoon
Scenic Design - Play
I started talking to Mark Kaufman, the producer of our play well over a decade ago. Being a part of this extraordinarily loving and creative community never gets old. Every day is a pinch me moment, this morning, and this news is a double pinch me moment. I have nothing to say, except that being part of this theatrical community was something I always wanted to be part of And cherish with all of my heart. My attitude is pure gratitude.
Lear deBessonet, Ragtime
Direction - Musical
We are all so moved by this recognition and the 11 nominations for Ragtime. I am thrilled for the members of our cast and creative team; and we share this moment with the many, many collaborators across disciplines whose talent and humanity have made this production possible. Ragtime speaks so beautifully to Lincoln Center Theater’s commitment to staging work that brings our many histories, voices, and communities into conversation, and I’m particularly overjoyed that this great American musical [by Terrence McNally, Stephen Flaherty, and Lynn Ahrens] is receiving the renewed celebration it has always deserved. On a personal note, I am so honored to be nominated alongside these exquisitely gifted directors who I love and who inspire me.
59 Studio, Ragtime
Lighting Design - Musical
We are delighted to be nominated alongside Don Holder and Adam Honoré for the Lighting Design of Ragtime. Working on Ragtime was a dream, and it is thrilling to be part of bringing these important stories back to the stage, now more than ever. We feel honored to be nominated among so many talented friends and colleagues.
Rachel Hauck, CATS: The Jellicle Ball
Scenic Design - Musical
What! What! I'm so thrilled. We are so, so, so proud of the ball and for the entire show to be seen. I just can't believe it. I'm so proud and so thrilled. It's an impossible honor. I just can't believe it. Congratulations to everybody. I'm just thrilled to be in this company. I can't believe it. Come on. Come one. Come all. Come to the ball.
Justin Ellington, Joe Turner's Come and Gone
Sound Design - Play
I am incredibly grateful to be recognized for my work alongside these other remarkable nominees. It is always a pleasure to work on August Wilson plays, and it was all made even more special being part of this incredible company of actors, creatives, crew, producers, and managers. And let’s not forget our leader, Ms. Debbie Allen.
Wendy Federman, Giant, Oedipus
Producer (Play)
I’m deeply honored to receive my 18th and 19th Tony Award nominations, especially as part of the producing teams behind Giant and Oedipus—two thoughtful, timely works brought to life by extraordinary talent and inspired direction. Congratulations to my fellow nominees, and also to the many artists whose work this season may not have been recognized with a nomination. Their work is no less brilliant. This is a challenging business, and we all do it for the love of the theatre. I’m truly grateful to be part of this community—and honored to be invited to the celebration.
Josh Schmidt, Bug
Sound Design - Play
I am thrilled to receive a Tony nomination for sound design of Bug. I'd like to acknowledge my design associates Mike Deyo and Tyler Berg, as well as production sound engineer Kenneth Goodwin, for all of their work. It's an honor to work on Tracy’s amazing play and also to work with David Cromer. Huge congratulations to Carrie Coon, Takeshi Kata, and Heather Gilbert on their well-earned nominations, and to MTC for their brilliant production.
Constantine Rousouli, Titanique
Book of a Musical
Oh my god, I am on the floor! I am exhausted, I am ecstatic, I am grateful, I am six feet under, I am a walking corpse, I have no idea what is going on right now, it is unbelievable. It's my baby, you know what I mean? It's this stupid, silly idea I had in a bar that ten years later, now I'm Tony nominated for Best Musical and Best Book, like, what! Am I okay? I can't believe I've bamboozled commerical theatre, and bamboozled the world into believing that this is funny! We're so happy.
Caroline Shaw, Arthur Miller's Death of a Salesman
Score
Being a part of this production of Death of a Salesman has been a dream, and I'm so honored to receive a Tony nomination for the score. I want to express my endless gratitude to Suzana Peric and Brian Cavanagh-Strong (and Joe Mantello and Mikaal Sulaiman) for shaping this score so beautifully!
Adam Honoré, Ragtime
Lighting Design - Musical
Wow, wow, wow, wow, wow. I am so tickled I don't even know what to say. This is an incredible honor to be nominated in this category with such greats. I, not very long ago as a... you know, a young designer, looked up to all of these designers in this category with me and I cannot believe this morning has gone the way it has. CATS: [The Jellicle Ball] was such an incredible journey. The entire process was so joyous. The room had a spirit and a light to it that was just incredible, and I am truly here just also along for the ride. So, it's very cool to be nominated with everyone. Thank you
Donald Holder, Ragtime
Lighting Design - Musical
Ragtime has and always will be one of my favorite musicals, so I feel particularly fortunate to be a part of this magnificent production. I’m truly honored and thrilled beyond words to be nominated for my work in collaboration with Adam and 59 Studio, and I couldn’t be happier for Lincoln Center Theater, Lear deBessonet, and the amazing cast and crew of Ragtime.
Trevor Holder, CATS: The Jellicle Ball
Orchestrations
We were just nominated for nine Tonys, y'all. This is amazing. And I was just nominated for Best Orchestrations. I'm just, I'm thrilled. I'm thrilled. It was such a privilege to work with amazing, talented, beautiful artists to put this production together. And we must thank Andrew Lloyd Webber for giving us a privilege to share this energetic revival and reimagination of his iconic show. Thank you, thank you. See you at the Tonys.
Chloe Lamford, Arthur Miller's Death of a Salesman
Scenic Design - Play
I’m thrilled to be nominated for Salesman - I loved making this show so much. It’s a real honour to be nominated alongside such brilliant artists - I feel very grateful, and particularly to everyone who worked so hard on this production.
Marylouise Burke, The Balusters
Actress (Featured Role - Play)
My 'wake-up' call this morning was phone calls and messages from friends and colleagues! So, I'm feeling like the Most Lucky Sleepyhead in show business!
Isabella Byrd, Dog Day Afternoon
Lighting Design - Play
I feel crazy! It always is such a whirlwind, I feel so lucky. It feels so great, we worked so hard on this, and it was a real labor of love. I'm just so happy that I'm both nominated with so many other beloved people in the category, and with my colleagues from the show, David [Korins] and Brenda [Abbandandolo], it's a delight. I'm in rehearsal for a musical right now, so celebrating with work, but being with community, and being around everyone who I respect and love, and seeing their delight for me is really the perfect mirror that I needed today. It's amazing getting all the texts from everyone. Award season is such a swirl!
Jeff Mashie, Fallen Angels
Costume Design - Play
Waking up to see Kelli O’Hara and Rose Byrne both being nominated .. I knew it was going to be a great day , and it only got better!
Brenda Abbandandolo, Dog Day Afternoon
Costume Design - Play
I’m so surprised and honored to be in this group again! It’s always a thrill to be recognized and it’s always a group effort; so I just want to thank the amazing company, the costume and wardrobe team and Leah Loukas and Katie Gell for collectively getting it there.
Daryl Roth, Eva Price, and Rachel Sussman, Liberation
Producers (Play)
We’re so proud and honored to see Bess Wohl’s Liberation earn five Tony nominations, including Best Play, a day after her winning the Pulitzer Prize for Drama. We’re also thrilled Whitney White was recognized for her direction, making them the only female playwright-director team nominated this season, and the only women in their categories. With nominations for Susannah Flood, Betsy Aidem, and Qween Jean, this recognition reflects how deeply the play resonates. We’re grateful to everyone who helped bring Liberation to life.
Ty Blue, Titanique
Book of a Musical, Musical
I am so honored to receive these Tony Award nominations today for what has truly been a voyage of dreams on Titanique — hearing the news of the Best Musical nod this morning was so thrilling, and then to be recognized AGAIN alongside my amazing writing partners?! Beyond. I'd like to send a huge thanks to the American Theatre Wing and Broadway League, who have just changed my life forever. I shall try to do you proud! And huge congrats to both Marla and Layton for their performing nominations as well, which are so well deserved!
Qween Jean, CATS: The Jellicle Ball, Liberation
Costume Design - Musical, Costume Design - Play
On the first day of our tech rehearsal, I quoted a speech from ICON Junior Labeija, who plays ‘Gus The Theater Cat’ in CATS: The Jellicle Ball. And in Junior’s speech they described the era in which young black and brown queer people living in New York City at the height of ostracization, HIV stigma and injustice, despite that, community was formed, galvanized at the epicenter. Each night, a ball occurred.
This experience has certainly unequivocally changed my life as a black trans woman in ballroom. To have the honor to illustrate and adorn these icons, legends, statements and stars is an honor that I do not take lightly.
In particular, this morning, I'm reflecting on the pioneer mothers, Pepper LaBeija, Angie Xtravaganza to Dorian Corey and Crystal LaBeija. I am grateful for the courage, love and sacrifices that these people have when they did not receive their flowers and love back.
The Jellicle Ball serves as a lighthouse. For all to come, to learn, to rejoice, and to be reminded that we are all that we need to survive. There is no legislation, evil rhetoric, or executive orders that will diminish the light that we shine. I pray and I stand proudly... on the shoulders of leaders, pioneers, activists.
I invite everyone to be a part of the change. This dynamic, transformative, and immersive story was made possible by our artistic leaders, producers, collaborators, outstanding cast, and crew, who dedicated to giving our best, each and every night. I firmly believe in our power.
On Opening Night, “Tempress” Chasity Moore, our Grizabella, quoted Charlie Chaplin saying, “When people see a free world, they want to fight for it.” And CATS: The Jellicle Ball is a grand prize free world
Jim Barne and Kit Buchan, Two Strangers (Carry a Cake Across New York)
Score, Orchestrations, Musical
This is the proudest moment in mine and Jim's professional lives, and the most exciting moment in our friendship since the Strokes played the Brixton Academy in 2002.
It gives us even greater pride to know that our collaborators Soutra, Tim, Sam, Christiani and Lux have all been nominated as well. Nothing that we have done would have been possible without them and from the bottom of our hearts we thank the nominating committee for recognizing the detail, intelligence and commitment they have brought to bear on our musical.
This show began with two childhood friends in a Barnsbury bedsit trying to make each other laugh and cry. It is an extraordinary realization to know that, by the alchemy of theatrical magic, we have made this whole city laugh and cry as well.
We are proud to be acknowledged, and proud to be among this magnificent field of nominees. Our show has been ten years in the making, and has grown from very humble beginnings. It is a profound reflection of the generosity and democracy of the Broadway community that a show like ours could find a home in New York, and be recognized in this way.
Jim and I met when we were nine years old; I wish I could travel back in time and tell those strange boys that this day would come.
Andrew LLoyd Webber, CATS: The Jellicle Ball
Orchestrations
I'm just in the studio mixing the Evita London Cast Album for Broadway, which is very very exciting and what a fantastic day. Thank you to everybody at CATS: The Jellicle Ball. What a wonderful day. I cannot believe nine nominations. Nine lives. Nine nominations. What a wonderful thing. It's just great. Considering particularly that the entire creative team, quite deservedly, receiving nominations. That's really, really so rewarding and I cannot say how pleased I am really for everybody.
Ryan Park, The Lost Boys
Costume Design - Musical
I’m caught off guard and so honored to be recognized. I’m immensely proud of our team’s work and being able to see The Lost Boys’ family getting so much love makes it extremely special.
Adam Fisher, The Lost Boys
Sound Design - Musical
I’m completely overwhelmed by this nomination for The Lost Boys. It’s been an epic journey to get here, and seeing the show receive so much recognition is truly incredible. It makes me feel so proud to be part of the Broadway community.
Lauren and Christopher Grant, The Lost Boys
Choreography
We’re deeply grateful and honored by this Tony nomination. This recognition belongs just as much to our fearless, generous cast, whose commitment and heart bring this show to life eight times a week at the magical Palace Theatre. We’re especially thankful to Michael Arden for believing in us and championing our work, to The Rescues for their extraordinary music, and to everyone who helped shape this piece of theater.
Arturo Lyons, CATS: The Jellicle Ball
Choreography
Waking up feeling beyond grateful. A Tony Nominee. We're just two choreographers coming from ballroom and flipping this masterpiece our way-yeah, it's major. This moment means everything, and we're pouring our truth, our history, and our artistry into every count. Ballroom is hitting Broadway and we're not holding back. The energy, the storytelling, the precision-it's all there and then some. This is for the culture, for the ones who paved the way, and for everybody ready to feel something real. So when whenever you're ready for a party come meet us at the Broadhurst.
Omari Wiles, CATS: The Jellicle Ball
Choreography
This is for the young me who watched his parents build a legacy and community that nurtured the strength within me to pursue my dream. As a child, Cats was the first Broadway show I ever saw, and this reimagining holds a much greater purpose than we could have ever imagined. It's been a dream of mine to touch a Broadway stage, and now that dream lives on with Cats: The Jellicle Ball.
Scott Pask, Schmigadoon!
Scenic Design - Musical
I am deeply grateful to be recognized among the incredible theater artists nominated this year. I'm honored to represent the extraordinary group of artisans and painters who contributed their immense talents to the creation of the magical world onstage at Schmigadoon. This production celebrates the legacy of the Golden Age of Broadway musicals, which laid the foundation for contemporary scenic design.
Sonia Friedman, Sue Wagner, John Johnson, and Patrick Catullo, Oedipus
Producers (Play)
We are thrilled to continue celebrating the extraordinary work of Robert Icke, our cast, and the entire creative and design team of Oedipus [with these 7 nominations]. What defines this production - and why it is the very essence of a revival - is that it doesn’t simply revisit the play, it interrogates it and asks why it must exist now. It finds fresh urgency in ancient questions of power, fate, and identity, allowing the story to speak with a force that feels new and dangerous. It was a profound honor to bring this production to Broadway, and we are deeply grateful to the Tony nominators for recognizing the remarkable artists behind it.
Robert Icke, Oedipus
Author (Play), Direction - Play
A production exists only because of the hard work, talents, and dedication of a huge team of actors, designers, stage managers and many, many others. These seven nominations are a wonderful recognition of the work of everyone who came together to bring Oedipus to New York. I’m thrilled.
Hildegard Bechtler, Oedipus
Scenic Design - Play
I’m thrilled to be nominated for this Tony Award. It’s the culmination of an inspiring collaboration with Rob Icke and a superb cast of actors and creatives. We’ve always loved working together in NY and this is the ultimate accolade. Thank you to everyone at the Tony Awards.
Donald Holder, Schmigadoon!
Lighting Design - Musical
SCHMIGADOON was a joyous experience and a wonderful collaboration from beginning to end. It was an honor and a privilege to make this production with so many gifted colleagues, and to be recognized for my work with a TONY nomination means the world to me. I’m so happy for the entire SCHMIGADOON! company, both onstage and off: It’s been a truly incredible day!
Mike Morris, Schmigadoon!
Orchestrations
Working on Schmigadoon! has been a true joy, both personally and professionally. I’m deeply honored to share this nomination with my colleague and longtime friend Doug Besterman for our work on Cinco Paul’s wonderfully rich and inventive score.
I’m also grateful to David Chase for his brilliant arrangements and music supervision, Steven Malone for his expert music direction, Walter Trarbach for his impeccable sound design, and to the extraordinary musicians in our pit orchestra, who bring the score to vivid life at every performance.
I am incredibly humbled and grateful that Doug and I are included among this year’s Best Orchestrations nominees. Thanks to the entire Schmigadoon family, especially to Chris Gattelli and our superb cast!
Tim Jackson, Two Strangers (Carry a Cake Across New York)
Direction - Musical
I’m overwhelmed, grateful, and so honoured to be nominated for Best Director, and thrilled that Two Strangers has received 8 nominations. These nominations reflect the collective brilliance of so many kind, funny, big-hearted collaborators who have poured their magic and immense talent into this special show over the last 8 years. Making this musical with Kit Buchan and Jim Barne has been a highlight of my career, and of my life. Every day together has been filled with laughter and a fizzy creativity, and I couldn’t be happier for the two of them. The opportunity to tell an original story like this is a privilege, and the fact we’ve gone on this epic journey from a tiny basement studio to now Broadway is just bananas. I’ve had a pretty surreal day in rehearsals in London, and wish I could teleport to the Longacre tonight to give everyone the biggest hugs—especially Sam and Christiani, who deliver exquisite, stellar performances night after night and are so deserving of their nods, as are the ever-excellent Soutra Gilmour and Lux Pyramid. Thank you so much to the Broadway community for welcoming us all with such open arms. New York has become my second home in recent years, and receiving this recognition is extra special because of that. Sending huge congratulations and admiration to all the shows and nominees — I feel so proud to be a part of it all.
Heather Gilbert, The Fear of 13
Lighting Design - Play
To help bring the story of Nick Yarris’s 22-year wrongful incarceration to audiences from all over the world has been an honor in itself. I am deeply touched and grateful that my contribution to this exquisite and exacting piece has been recognized. My deepest thanks to David Cromer, my ultimate collaborator; to Adrien and Tessa for leading our company with such grace and tenacity; and to my friends at Seaview for continuing to bet on me and take big swings.
Lux Pyramid, Two Strangers (Carry a Cake Across New York)
Orchestrations
8 Tony nominations for our beautiful show, spun out of thin air! I couldn’t be more proud of our wonderful cast, nor could I be in better company when I think of all the brilliant and daring creatives who I have had the honour of working alongside and now call friends. I am deeply grateful for this recognition by The American Theatre Wing and The Broadway League. And thank you, New York City!
Soutra Gilmour, Two Strangers (Carry a Cake Across New York)
Scenic Design - Musical
Our tenacious joyful show packed its suitcase in London and took a leap of faith to make its mark in the Big Apple. Today's nominations are a real reflection of the generosity of the city, its Theatre Landscape, its artists and theatre goers. Exactly the kindness of Strangers that's at the heart of the piece.
Ethan Popp, The Lost Boys
Orchestrations
I’m deeply honored by this recognition from the Tony Awards. The Lost Boys has been an extraordinary musical undertaking, and I’m incredibly proud of the orchestrations, arrangements, and music production work that helped bring this score from The Rescues’ demos into a fully realized theatrical world. I’m grateful to our phenomenal musicians, the entire music team, and all of my collaborators who helped make that possible.
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