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FENCES and More Set For Headlong 2026 Season

FENCES and More Set For Headlong 2026 Season

by Stephi Wild • Jan 21, 2026

Headlong has announced details for their 2026 season including a brand-new production of August Wilson's Fences directed by Daniel Bailey (Red Pitch) in a co-production with Leeds Playhouse, Lyric Hammersmith Theatre and HOME Manchester.

Review: TIMBUKTU! at The Black Rep

Review: TIMBUKTU! at The Black Rep

by Steve Callahan • May 20, 2024

Packed with Borodin's music, and African rhythm and dance, romance, and humor that smacks of vaukdeville, this strange package has many delights.

Review: THE DESERT SONG at Winter Opera

Review: THE DESERT SONG at Winter Opera

by Steve Callahan • Mar 7, 2023

A stellar cast brightens a Romberg favorite. Operetta, as a genre, arose in the 1850's and swelled into a widely beloved form of entertainment. In America its chief luminaries were Sigmund Romberg, Victor Herbert, and Rudolf Friml. From the 1920's to the '40's the modern musical gradually drove operettas from the stage (except for the happily undying works of Gilbert & Sullivan). And I miss them! So I greatly approve of Winter Opera's offering us this old piece.

Review: LA RONDINE at Winter Opera

Review: LA RONDINE at Winter Opera

by Steve Callahan • Nov 25, 2022

Winter Opera has presented a truly gorgeous production of Puccini's La Rondine (The Swallow). Puccini is the supreme master of romantic melody, and in Rondine he outdoes himself. I love this opera, my heart having been beguiled early by one lilting, gently syncopated romantic waltz refrain that recurs again and again like the memory of a distant sweet infatuation.

BWW Review: So Wrong, It's Right- THE PLAY THAT GOES WRONG at Broadway Playhouse

BWW Review: So Wrong, It's Right- THE PLAY THAT GOES WRONG at Broadway Playhouse

by Kathleen Anwar • Dec 27, 2021

Book your next Botox session in advance because The Play that Goes Wrong is guaranteed to produce permanent laugh lines in all audience members. This incredible farce at Chicago's Broadway Playhouse at Water Tower Place is the perfect way to let go and truly escape both the drama and banality of everyday life. Though the humor largely centers around slapstick high jinks, this isn't your father's slip-on-a-banana-peel gag reel. Instead, this show combines perfectly timed prop and set mishaps with a wildly clumsy cast creating the perfect comedic storm.

BWW Review: MA RAINEY'S BLACK BOTTOM at Karamu

BWW Review: MA RAINEY'S BLACK BOTTOM at Karamu

by Roy Berko • Oct 10, 2021

Written in 1982, the play is set in a recording studio in Chicago in 1920. It deals with issues of race, the attitudes of Blacks regarding Whites, religion, and the historic exploitation of Black recording artists by white producers.

BWW Interview: Director Caitlin Lopez on Ophelia's Jump Productions' Twelfth Night

BWW Interview: Director Caitlin Lopez on Ophelia's Jump Productions' Twelfth Night

by Shari Barrett • Jul 17, 2021

​Director Caitlin Lopez, the Associate Artistic Director of Ophelia's Jump Productions (OJP) who also serves as Improv Director for the company elaborates, 'Twelfth Night tells the story of Viola who has washed up on the shores of the vibrant and uninhibited Illyria after a shipwreck. In this modern queer fairytale, she and a cast of colorful characters all must discover what it means to truly love and embrace their heart's desires.' I decided to speak with Caitlin about both her directing and appearing in the production, as well as her background with the history of OJP.  ​

BWW Interview: Jayne Atkinson takes on a Legend with ANN at Arena Stage

BWW Interview: Jayne Atkinson takes on a Legend with ANN at Arena Stage

by Benjamin Tomchik • Aug 2, 2019

If Jayne Atkinson were looking for a tour-de-force, then she found one as the late Texas governor holding court at Arena Stage in Ann. Written by Holland Taylor, Ann is a one woman play about the late Texas Governor Ann Richards that is part reflective autobiography, part homage to public service, and always entertaining.

Review: INDECENT Centers on Love Winning Over the Forces of Hate as Told by the Autho

Review: INDECENT Centers on Love Winning Over the Forces of Hate as Told by the Author and Performers of Sholem Asch's Groundbreaking Play GOD OF VENGEANCE

by Shari Barrett • Jun 13, 2019

INDECENT now onstage at Center Theatre Group/Ahmanson Theatre in a co-production with Huntington Theatre Company, magnificently directed by Rebecca Taichman, is as close to a Broadway-quality production as you will ever see in the City of Angels, with incredibly entertaining, stylized movement performed by triple-threat performers, guaranteed to draw you into not only the story but the necessity of its truth being brought to the stage now.

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