Production Staff
Matthew Brind
Musical Supervision, Arrangements & Orchestration
Stuart Burt CDG
Casting
Fay Fullerton
Costume
Fay Fullerton trained in fashion design and period costume at London College of Fashion. She joined the Royal Opera House costume department as a costumier in 1977, was promoted to Head of Production Costume in 1999, and appointed Head of Costume in 2013.
Costume design for the stage include Cat on a Hot Tin Roof (2009) by Debbie Allen. Costume design for ballet include Elizabeth (2013) by Will Tuckett, Circular Ruins by Goyo Montero and Two Sides Of by Juliano Nunes, both part of the New Work New Music programme commissioned by the Royal Ballet (2019), Everyone Keeps Me by Pam ... read more
Soutra Gilmour
Set
Soutra Gilmour is a British set and costume designer who has made a name for herself in the world of theater and opera. Born in Edinburgh, Scotland, Gilmour grew up with a love of the arts and went on to study at the Glasgow School of Art and the Royal College of Art in London.
Gilmour's career in theater began in the early 2000s, and she quickly made a name for herself with her innovative and visually stunning designs. She has worked on productions all over the world, from London's West End to Broadway and beyond.
One of Gilmour's most notable works ... read more
Andrzej Goulding
Video & Animation
Video Designs include: Groundhog Day, No's Knife (Old Vic Theatre); People, Places and Things (Wyndham's Theatre/National Theatre); 1984 (Northern Ballet); The Suicide, From Morning To Midnight (National Theatre); Coriolanus (Donmar Warehouse); The Boy in the Striped Pajamas, Pitcairn (Chichester/Tour); Silent Night (Philadelphia Opera/Minnesota Opera/Tour); Villette (West Yorkshire Playhouse); The Machine (The Armoury NYC); The Impresario/Le Rossignol (Santa Fe Opera); Into The Hoods: Remixed (Peacock Theatre/Tour); Hansel and Gretel (Vienna State Opera); No Way Back (Frantic Assembly); Man To Man (Wales Millennium Centre, Edinburgh Fringe); Peter Grimes (Grange Park Opera); Pressure, Union (Lyceum Theatre); Sane New World (Ruby Wax Tour); Cinderella, ... read more
Howard Hudson
Lighting
Ebony Molina
Choreography
Training: Bird College of Performing Arts.
Theatre includes: Lorraine Fleming and understudy Ann Reilly in 42nd Street (Curve, Leicester), Broadway Ballet Girl and understudy Lina Lamont in Singin’ in the Rain (Chichester Festival Theatre), Soho Cinders (Stiles and Drewe, Queen’s), soloist in Stephen Mear’s Shoes (Sadler’s Wells), The Frug Girl in Sweet Charity (Haymarket and Menier Chocolate Factory), Showgirl in L’Heure Espagnole (Royal Opera House), The Right Girl in Shall We Dance choreographed by Adam Cooper (original company, Sadler’s Wells), soloist in Be Mine choreographed by Drew McOnie (The Place and Jackson’s Lane), ensemble in On the Town choreographed by Stephen ... read more
John O'Farrell
Writer
Gareth Owen
Sound
Sound Design Award highlights : Tony Award & Drama Desk Award for MJ: THE MUSICAL. Olivier Award, Outer Critics Circle Award, Broadway World Award, Green Room Award, Dora Award, Craig Noel Award, and the WhatsOnStage Award for COME FROM AWAY; Olivier Award for MEMPHIS, Olivier Award for MERRILY WE ROLL ALONG, Tony nomination for A LITTLE NIGHT MUSIC, Tony nomination for END OF THE RAINBOW, Olivier nomination for BACK TO THE FUTURE, Olivier nomination for BAT OUT OF HELL, Olivier nomination for TOP HAT, Olivier nomination for END OF THE RAINBOW, and Pro Sound Award for SOUND ENGINEER OF THE ... read more
Luke Sheppard
Director
Videos
