Production Staff
David Hare
Playwright
The Shubert Organization (Gerald Schoenfeld: Chairman; Philip J. Smith: Pre
Theatre Owner / Operator
The Royal Court Theatre
Producer
(Original Producer)
(Original Producer)
Paul Arditti
Sound Designer
Paul is delighted to have received a Tony Award, an Olivier Award, a Drama Desk Award and a BroadwayWorld.com Fans' Choice Award for the Sound Design of Billy Elliot The Musical.
Other designs include Mary Stuart at the Donmar Warehouse, London, in the West End and on Broadway (Tony Award Nomination); A Ring, A Lamp, A Thing, a new opera at the Royal Opera House, London; Blood and Gifts, Love The Sinner, Nation, The Revenger's Tragedy, Happy Now?, Market Boy and Saint Joan (Olivier Award) at the National Theatre, London; The Pillowman at the National Theatre, London (Olivier Award nomination) ... read more
Karen Armstrong
Production Stage Manager
Steven C. Callahan
LCT General Manager
Thomas Cott
LCT Director of Marketing
Stephen Daldry
Director
Stephen David Daldry CBE (born 2 May 1960) is an English director and producer of film, theatre, and television. He has won three Tony Awards for his work on Broadway and an Olivier Award for his work in the West End. He has received three Academy Awards nominations for Best Director, for the films Billy Elliot (2000), The Hours (2002), and The Reader (2008).
From 2016 to 2020, he produced and directed the Netflix television series The Crown, for which he received one Producers Guild Award nomination, one Producers Guild Award win, two Primetime Emmy Award nominations, and one Primetime Emmy ... read more
Rick Fisher
Lighting Designer
Born in Philadelphia, Rick is the winner of a Tony, Drama Desk, and Outer Critics Circle Awards for Billy Elliot on Broadway and a Helpmann Award for Billy Elliot in Sydney, he also has won two Olivier Awards for Best Lighting Design and a Tony and Drama Desk Award for An Inspector Calls (Broadway).
Theatre work includes: Billy Elliot the Musical (worldwide); Merchant of Venice (RSC); Sweeney Todd (Paris); The Sound of Music (Buenos Aires); No Naughty Bits, Tiger Country (Hampstead); Tribes, A Number (Royal Court); Family Reunion, Betrayal, The Philanthropist, Old Times (Donmar); Rope (Almeida); Landscape With Weapon, Honour (National ... read more
Jeff Hamlin
LCT Production Manager
Hattie K. Jutagir
LCT Director of Development
Hattie K. Jutagir is the Executive Director of Development and Planning at ‎Lincoln Center Theater. ... read more
Ian MacNeil
Scenic Designer
For the National Theatre, Ian MacNeil has designed Angels in America Parts One and Two, Everyman, Machinal (Critics' Circle Award - Designer), An Inspector Calls (also West End and international; Olivier and Critic Circle Awards - Designer) and The Amen Corner. For the Royal Court: Far Away (also West End and New York), A Number, Via Dolorosa (also West End and Broadway), Plasticine (Evening Standard Award - Designer) and In Basildon. For the Young Vic: Afore Night Come, Herge's Adventures of Tintin, Vernon God Little and A Doll's House (West End and BAM). For the Almeida: Medea, Festen (West End ... read more
Philip Rinaldi
LCT General Press Representative
Adam Siegel
Company Manager
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